SIDAY, Eric - The Ultra Sonic Perception - Vinyl (gatefold LP)
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Nov 27, 2015 Sold Date
Jul 9, 2014 Start Date
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Eric SIDAY

The Ultra Sonic Perception (gatefold LP)

Dual Planet US

Cat: DUAL 005LP. Rel: 7 Jul 14
Soundtracks


Side 1 - Track 1. Ultimate Side 1 - Track 2. Moonscape Side 1 - Track 3. Galaxy Side 1 - Track 4. Suspended Animation Side 1 - Track 5. The Power Plant Side 1 - Track 6. The Machines Side 1 - Track 7. Concerto To The Stars Side 1 - Track 8. Telecommunications Side 1 - Track 9. Telecommunications 2 Side 1 - Track 10. The Laboratory Side 1 - Track 11. The Laboratory 2 Side 2 - Track 1. Pavane Side 2 - Track 2. Pizzicato Piano Side 2 - Track 3. Challenge Of Space Side 2 - Track 4. Spacedrift Side 2 - Track 5. Meteors Side 2 - Track 6. Star Side 2 - Track 7. Comet Side 2 - Track 8. Transmutations 1 Side 2 - Track 9. Transmutations 2 Side 2 - Track 10. Transmutations 3 Side 2 - Track 11. Sidereal Vibrations Side 2 - Track 12. Plenipoteniary Side 2 - Track 13. Chromatic Aberration Side 2 - Track 14. Fallout Side 2 - Track 15. Fallout Aftermath Side 2 - Track 16. Eclipse

Considered to be one of the pioneers of Psychoacoustics, Eric Siday is also acknowledged as a key name in the growth of 20th century electronic music.

An important figure in the development of the Moog synthesizer, Siday's compositions were a testing ground for Bob Moog ideas, in turn shaping the technical advancement of the instrument. An early experimenter of Musique Concrete and extended technique, he brought these concepts to the world of television scoring and advertising. Slightly predating Ron Grainer and Delia Derbyshire's groundbreaking composition for the "Doctor Who" theme, he begun experimenting with electronics in soundtracks as early as 1960, carrying through to the 1970s where he created inspired electronic 'sound logos' for various entertainment companies such as CBS, ABC and Columbia.

Pulling together a clutch of eerie atomic-age miniatures drawn from a series of rare 10" 78rpm library discs, this compilation explores Siday's scientific study of sound, a concept he branded "The Ultra Sonic Perception". Partially used as the soundtrack to the early 1960s Doctor Who TV series, this document is an amazing insight into the early electronic music used in television as well as a showcase of the pioneering techniques used by this forward thinking composer.


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