SHIRELLES - Tonights the Night debut LP Scepter VG++
$
184
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Description
GREAT COPY OF VERY COLLECTIBLE GIRL GROUP ALBUM, GORGEOUS MINT- COVER
The Shirelles - "Tonights the Night", mono, on Scepter 501. Released in early 1961, their debut album is extremely hard to find in clean condition, espectially the cover. The record here is a strong VG++ and the cover even grades higher. Probably the first girl group album ever released. And the first album on the Scepter label.Record Grade: VG++, the disc retains almost all of its original gloss, some light needle marks that should not effect play, a STRONG VG++, a 7.5 on a 1-10 scale
Cover Grade: Mint-, glossy covr has very minor wear, best cover I've ever seen for this album
Labels: Red, silver and black "scroll" logo, first pressing
Song Titles:
- Tonight's the Night
- Johnny's On My Mind
- Lower the Flame
- Will You Love Me Tomorrow
- Doin the Rondie
- You Don't Want My Love
- Dedicated to the One I Love
- Boys
- The Dance is Over
- Oh, What a Waste of Love
- Unlucky
- Tonight at the Prom
About the Artist: by Linda Seida
Gale Storm, perhaps best remembered for her television series My Little Margie in the early '50s, didn't have an easy time growing up in Texas. When her luck changed, however, it changed in a big way. Through a series of lucky breaks, she won a movie contract, landed a husband, and started a singing career, in that order. Storm, whose real name is Josephine Owaissa Cottle, was born in 1922 in Bloomington, TX. Her father passed away before her first birthday and left her mother as sole support of five children. Their home lacked modern conveniences like indoor plumbing. They made do with an outhouse and laundered their clothes with homemade soap. By the time Storm entered junior high school in Houston, there still wasn't enough money for extras like girls' clubs, including the Girl Scouts. Storm turned instead to the school's free drama club. In high school, a pair of her teachers encouraged her to participate in a popular contest of the day, Gateway to Hollywood. Held in Hollywood during the late '30s, the competition offered an opportunity for two winners to walk away with a movie contract. Storm was one of those winners and a young man was the other. The two contestants ended up marrying each other, and Storm had her foot in the door at RKO and Universal. She went on to make such films as Between Midnight and Dawn, Woman of the North Country, It Happened on Fifth Avenue, and Foreign Agent, among others. After Storm triumphed in the talent contest and won her trip to Hollywood, luck didn't desert her. When she appeared on the Comedy Hour Show, where she sang a popular number, her performance was caught by a little girl watching television in Gallatin, TN. From the next room, the child's father also heard the performance and asked who was on the broadcast. The child told him that the stunning singer was "My Little Margie." The girl's father, Randy Wood, was excited enough by her voice that he placed a telephone call then and there, while Storm was still on television. He wanted to sign her to his company, Dot Records. Storm began to record for Dot. In 1955, her rendition of "I Hear You Knocking," originally by Smiley Lewis, landed in the Top Five on the charts. Other 1955 releases include "Memories Are Made of This" and "Teen Age Prayer," followed in 1956 by "Ivory Tower" and "Why Do Fools Fall in Love?" and the following year, "Dark Moon." She also recorded "My Happiness" and "Now Is the Hour," and issued a few albums. During the late '50s she starred in The Gale Storm Show on television. Later in life, Storm appeared in regional theater productions near her San Fernando Valley home. With actresses Sheree North and Betty Garrett in 1987, she co-starred in a production of Breaking Up the Act. In 1981 she wrote I Ain't Down Yet: The Autobiography of My Little Margie.
MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.
GRADING DESCRIPTIONS
RECORDS:- GRADING Grading is based on the following criteria
- Sealed = store stock new
- Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
- Mint- = extremely nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
- VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
- VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
- VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
- VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
- Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
- Fair = you’re getting this record just to own but not to play
- Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some labels such as RCA, Capitol, Colpix, Atlantic, MGM were pressed on better quality vinyl and will sound better than a record which visually appears the same on labels such as Crown, Score or Design. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on RCA graded VG+ may sound far better than an album on Crown graded Near Mint. I have no problem issuing a refund if you are dissatisfied with the sound on a record as long as it’s requested as per my stated return policy below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.
COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:
- I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
- No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
- I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song Tennessee Stud); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
- If I write that a cover has a bb hole, I’m talking about a small cut out hole
- A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
- The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.
Shipping Costs:
As before, the buyer pays for shipping. For one or two albums, the cost for priority mail in the United States is $6.50. for media rate postage within the U.S. the cost will be $3.00.The cost for shipping a 7” record via 1st class is $2.50 and the cost for shipping a compact disc via 1st class is $3.20. Save money when I mail 2 or more records or items in the same package.
Insurance is optional but highly recommended for “high ticket” purchases. The cost for insurance in the U.S. is $1.30 for up to $50; $2.20 for up to $100; $3.20 for up to $200 and $1.00 additional for each additional $100 of insurance. Rates are quoted in my winning bid notices. The shipping charges for box sets, multi-record sets and other items of non-standard size and weight will be quoted.
If you live in a foreign country, please provide me with your address after the auction closes and I will give you postage rates.
Please check out my other eBay auctions
. I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.My return policy: I don’t get many returns but customers are important to me so I like to offer a relatively hassle-free return policy. However, in order to return the record or other item, you must notify me by e-mail of your intent shortly after your receipt of the record or other item and within a reasonable time after the auction’s close. Also, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item - that’s why you have the option of obtaining insurance.
My Feedback Policy: Because I've been burnt on a few occasions, I've decided I'm only going to respond to feedback once it is left for me (and I'll try to do so on a weekly basis if not more often). Most recently, a fellow from Belgium e-mailed me after a couple of weeks and said he never received his Reparata & the Delrons album which he won for $7.50. I told him it was mailed about two weeks before and he should be a bit patient. A couple of weeks later, he e-mails me again and said it didn't arrive. I offered to mail him a copy of my postal receipt if that would make him feel better. Next thing I know, I get negative feedback. When I attempted to leave him an appropriate response, I discovered I had already left him positive feedback. This is about the 4th time this has happened over the years, getting unfavorable feedback thru no fault of my own. Unwarranted negative feedback can end up costing me $. Unfortunately a few bad apples ruin it for the large percentage of honest and reasonable folks.
Any other questions? About anything? Please e-mail me at ibuyvinyl@nc.rr.com .