SEALED LP: ROY HARPER: ONE OF THOSE DAYS IN ENGLAND

$

25

Roy Harper: One of Those Days in England

FACTORY SEALED LP

• One of Those Days in EnglanPt. 1
• These Last Days
• Cherishing the Lonesome
• Naked Flame
• Watford Gap
• One of Those Days in EnglandPts. 2-1

• Jimmy McCulloch: Guitar
• Max Middleton: Keyboards
• Dave Plowman
• Wings
• Mark Vigars: Engineer
• Herbie Flowers: Bass
• Alvin Lee: Guitar
• Henry McCullough: Guitar
• Andy Roberts: Guitar
• Steve Broughton: Guitar, Vocals, Keyboards
• Dave Cochran
• B.J. Cole: Guitar (Steel)
• Brian Goff
• John Halsey: Drums
• Peter Jenner: Producer
• Percy Jones: Bass
• Ronnie Lane: Bass, Guitar
• Dave Lawson: Keyboards
• John Leckie: Producer, Engineer
• Roy Harper: Bass, Keyboards, Saxophone, Main Performer, Producer, Vocals, Guitar
• Paul McCartney: Keyboards, Vocals

• Roy Harper's second U.S. release found him in as uncompromising a mood as ever; who else would follow up HQ's (1975) elegiac grandeur with a sweeping, 2-minute epic like "One of Those Days in England"? Yet such conceits are exactly the quality that endear Harper to fans then and now; it's nothing less than a sweeping roundup of Western civilization's follies, such as an impersonal government that seems unable to offer a future beyond "rolling spliffs for Captain Kirk." Harper's since cited the song as his favorite extended track, which also opens the album in abbreviated, three-minute form, bolstered by the unlikely presence of Paul and Linda McCartney on backing vocals. (The song was even threatening to grace Britain's celebrated Top of the Pops chart countdown show, until Harper's label there, EMI, issued it as a free single.) The album continues the romantic yearning established on prior outings like HQ, Valentine (1974), and Stormcock (1971), an impression cemented by "These Last Days," "Cherishing the Lonesome," and "Naked Flame" -- which laments yet another favorite Harper theme, the ashes of fraying relationships. The full band does much to lend his lyrics the weight that they deserve, although Harper's vocals are emotive and soulful as ever. Harper's rowdy, playful side comes out on the rollicking countrified blast of "Watford Gap," his sardonic tribute to a café that served greasy fare to rockers like himself on the touring circuit (which EMI replaced with "Breakfast With You," after the owners threatened a lawsuit). The album didn't expand Harper's commercial pull beyond his die-hard fans, but his musical creativity burned brightly as ever, and is an exemplary snapshot of his '70s peak. ~ Ralph Heibutzki, All Music Guide

• An idiosyncratic British singer/songwriter acclaimed for his deeply personal, poetic lyrics and unique guitar work, Roy Harper was born June 12, 1941, in Manchester, England. As a teen he tenured with De Boys, his brothers' skiffle band, before leaving home at the age of 15 to enter the Royal Air Force; he subsequently secured a discharge by claiming insanity, resulting in a long period marked by frequent stays in mental institutions (where he was the subject of ECT treatments) and prison. Harper later drifted throughout Europe, and by 1965 was a mainstay of London's Les Cousins folk club, performing alongside the likes of Paul Simon, Joni Mitchell, and Nick Drake.
• In 1966 the tiny indie label Strike issued Harper's debut LP, The Sophisticated Beggar; the record brought him to the attention of Columbia, which released his sophomore effort, Come Out Fighting Genghis Smith, the following year. In 1968, Harper mounted a series of free concerts in London's Hyde Park, which greatly expanded his fan base in preparation for the release of 1969's Folkjokeopus, which included "McGoohan's Blues," the first of his many extended compositions.
• After meeting Pink Floyd manager Peter Jenner, Harper was signed to EMI's Harvest subsidiary, and in 1970 he issued Flat Baroque and Berserk, recorded with contributions from members of the Nice; that same year marked the appearance of Led Zeppelin III and its track "Hats Off to Harper," a tribute penned by longtime friend Jimmy Page. Upon relocating to the Big Sur area of California, Harper began writing 1971's Stormcock, regarded by many as his finest record; the following year he starred in the film Made, releasing the music he composed for the picture's soundtrack in 1973 under the title Lifemask.
• Valentine, a collection of love songs, appeared in 1974, and was quickly followed by the live album Flashes from the Archives of Oblivion, featuring appearances by Page, Keith Moon, Ronnie Lane, and Ian Anderson. In 1975, Harper formed Trigger, a backing group including guitarist Chris Spedding and drummer Bill Bruford; however, after releasing just one LP, HQ, the unit disbanded. In 1975 Harper also took lead vocals on "Have a Cigar," a track on Pink Floyd's Wish You Were Here. Two years later he resurfaced with Bullinamingvase; the single "One of Those Days in England," with guest vocals from Paul and Linda McCartney, nearly even became a hit.
• With the same group of musicians who recorded Bullinamingvase, Harper cut another LP, Commercial Break, but the album went unreleased. Due to financial problems, he did not issue another album until 1980's bleak The Unknown Soldier. Upon leaving EMI, Harper founded his own label, Public Records, releasing Work of Heart in 1982; despite the usual good press, the album failed to sell, and Public soon went under. After selling the limited-edition 1984 set Born in Captivity at gigs, the next year he released the album Whatever Happened to Jugula with Page.
• Harper re-signed to EMI in 1986, recording the double live LP In Between Every Line. Descendants of Smith appeared two years later, and when the record stiffed he moved to the Awareness label, issuing Once in 1990. By 1991 his son Nick was performing with him regularly; upon the release of 1992's Death or Glory?, Awareness folded, again leaving Harper without label support. He soon founded his own company, Science Friction. The label issued the six-volume BBC Tapes in 1997. Resurgent was the label for 1998's The Dream Society, but lack of interest returned Harper to his cottage industry. His Science Friction label released 2001's The Green Man, and a month later Capitol released the oddball compilation Hats Off. Four years passed before the compilation Counter Culture appeared.

• This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua, Pennsylvania.
• Phantasmagoria used round colored stickers to indicate the price of the albums. They had a chart on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value.
• All sealed albums are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling.

• If I list an album as "New", but not sealed, it is because the album is probably an import or from a small USA record company. Back in the 70's, many imported albums were not sealed by the record companies, and the importers/distrubutors did not spend the time or money to seal them before being sent to the stores. I will not knowingly misrepresent an album as new if I have any doubts.
  
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• All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release.

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