Russian ALEKSEJ IVANOV Tchaikovsky The Sorceress Aria of PRINCE 78
  $   51

 


$ 51 Sold For
May 13, 2013 Sold Date
May 6, 2013 Start Date
$   7 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WEEK 2 of two weeks of great auctions ending May 11.

I will send you a bill after close of auctions May 11. Due to the high volume of records, pls allow 2 - 3 days for packing and invoicing

IF you are a non-US buyer or if buy multiple records, pls do not use EBAY check out.
Send me an invoice request (click on MORE ACTIONS to the right of the item), I can probably get you better shipping rate.

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A series of great Opera records from 1902 G&T to mid-thirties rare European records on lateral, Edison and Pathe disks.

Great Russian Baritone ALEKSEJ IVANOV

from Tchaikovsky The Sorceress Aria of PRINCE 1&2

10" 78 rpm record

Condition:

EXCELLENT minus, unworn, but some light scratches esp on 2

 

Ivanov, Alexei (Petrovich), baritone, * 9 9 (9, 22) in 1904 in the village Tschischowo-Bejitzky (Tver province), † 17.2.1982 Moscow, he was the son of a teacher of the parish school. He first acquired a physical-mathematical training in his hometown of Tver, but resigned in 1928 in the Leningrad Conservatory. Here he was a student of Gualtier bosses to 1932 and was trained by the famous tenor Ivan Ershov. He made his debut in a student performance of the Conservatory in 1932 as Scarpia in "Tosca". In 1932 he began his career at the Little Opera House (Maly Theatre) of Leningrad, where he served until 1936. Here he attracted as Tomsky in "Queen of Spades" by Tchaikovsky under the famous director Vsevolod Meyerhold stir. 1936-38 he was engaged at the opera houses of Saratov and Gorky. He came here inter alia as Rigoletto, as a demon in the eponymous opera by Rubinstein and in the Georgian opera "Abessalom and Etery" of Paliashvili on. In 1938 he was appointed professor at the Bolshoi Theatre of Moscow, whose most prominent members he belonged until 1967. You heard it here, especially as the title hero in "Rigoletto" (his first role at the Bolshoi Theatre), as well as Grjasnoi in the "Tsar's Bride" by Rimsky-Korsakov, as the title hero in "Eugene Onegin" by Tchaikovsky, as Tomsky Pique in "Lady "as in the opera Prince Igor by Borodin, as Bolkonsky in" War and Peace "by Prokofiev, Pyotr as in" Force of Evil "by Serov, as Ruslan in Glinka's opera" Ruslan and Ludmilla "as Renato in Verdi »Ballo in Maschera," as Count di Luna in "Il Trovatore," Germont sr. in "La Traviata," as Pizarro in "Fidelio", as Wolfram in "Tannhäuser", as the Flying Dutchman, as Telramund in "Lohengrin" and as Escamillo in "Carmen". On 23/06/1953 he sang at the Bolshoi Theatre in the world premiere of the opera "The Decembrists" by Shaporin. The artist was awarded the State Prize of the USSR in 1951, he was named People's Artist of the USSR, three times he was awarded the State Prize of the USSR. He later worked as a singing teacher in Moscow 1964-65 and was director of the opera class. It is not to be confused with the baritone Andrei Ivanov, at the same time and almost in the same repertoire had a significant career in Russia. He published several vocal pedagogical journals, including "On the Art of Singing" (Moscow, 1963) and "On the vocal education" (Moscow, 1968).

Recordings of state Soviet record production (Melodiya), including many complete operas (Pizarro in "Fidelio", title role in "The Demon" by Rubinstein, "The Queen of Spades" and "Mazeppa" by Tchaikovsky, "Snegourotchka" by Rimsky-Korsakov, Tonio in "Pagliacci", Escamillo in "Carmen"). The "Fidelio"-shot was taken on periodic, on Ariola euro disc he sings the Schtschelkalow in "Boris Godunov."

 

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Quick note on grading:

The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects, like cracks, chips and scratches, are stated separately

When I listen to a record, I may also make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
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Pls check my other auctions for more great records and phonograph items:

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Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment.

Shipment is usually Media Mail, unless another service is requested. Shipping is at your risk.

If you are in the San Francisco area, I encourage pick-up in person.

US Domestic Shipping:

Here is a guideline for US Media Mail Shipping:

Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)

1 record: 4.50$

2 records: 5.50$

5 records: 7.50$

10 records: 9.50$

MANY MORE RECORDS: Don't worry. I safely ship 40 - 50 pounds of records double boxed in moving boxes, and even then Media Mail will probably not exceed 30$.

Please send me a message if you would like to lower your shipping rates!

 

International Buyers:

All'attenzione degli acquirenti italiani:

ATTENTION TO ITALIAN BUYERS:

Due to rare problems with delivery in ITALY, I will NOT GUARANTEE delivery of parcels sent by US Postal Service First Class and Priority Mail. If you prefer secure delivery, I will be happy to quote you either Registered Mail or shipment by FEDEX

 

I am very happy to ship records worldwide.

 

The US POSTAL SERVICE has increased international shipping rates in 2013.

A single record ships for around 25$ worldwide, depending on the weight.
There are some great options available for shipping multiple records at excellent rates.

Pls contact me if you plan to buy multiple records, and I will be happy to give you an estimate for best rates on USPS or Fedex. Pls let me know your country, home town and postal code for an estimate

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Thank you very much, and good luck bidding !!!






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