Round Trip - The Complete Ornette Coleman Blue Note Tone Poet Series - NEW
  $   130

 


$ 130 Sold For
Jun 18, 2023 Sold Date
May 1, 2023 Start Date
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Description

Round Trip - The Complete Ornette Coleman [Blue Note Tone Poet Series] NEW Vinyl

Title: Round Trip - The Complete Ornette Coleman

Format: Vinyl LP

Genre: Jazz

UPC: 602435865317

Release Date: 2022

Record Label: Blue Note Records

Album Tracks

DISC 1:
1. Announcement / Faces and Places
2. European Echoes

DISC 2:
1. Dee Dee
2. Dawn

DISC 3:
1. Snowflakes and Sunshine
2. Morning Song

DISC 4:
1. The Riddle
2. Antiques

DISC 5:
1. Good Old Days
2. The Empty Foxhole
3. Sound Gravitation

DISC 6:
1. Freeway Express
2. Faithful
3. Zig Zag

DISC 7:
1. The Garden of Souls
2. Toy Dance

DISC 8:
1. We Now Interrupt for a Commercial
2. Broad Way Blues
3. Round Trip

DISC 9:
1. Airborne
2. Love Call

DISC 10:
1. Open to the Public
2. Check Out Time

DISC 11:
1. The Inevitable End

DISC 12:
1. Old Gospel
2. Strange As It Seems

Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career.

At The ‘Golden Circle’ Stockholm, Vol. 1 (1965)

At The ‘Golden Circle’ Stockholm, Vol. 2 (1965)

In late 1965, Coleman embarked on his first tour of Europe with a new trio featuring David Izenzon on bass and Charles Moffett on drums. Two nights of the trio’s two-week engagement at the Golden Circle (Gyllene Cirkeln) in Stockholm, Sweden were recorded and released across two volumes the following year. The freewheeling live sets were electrifying and found the saxophonist jumping off into sound explorations on the violin and trumpet as well.

The Empty Foxhole (1966)

Coleman’s first studio recording for Blue Note was his first studio album in four years and he once again confounded expectations by selecting his 10-year-old son Denardo Coleman to play drums on the date alongside bassist Charlie Haden. The music is raw and exploratory with solemn ruminations and bursts of unbridled joy. The striking album cover features a painting by Ornette himself.

New And Old Gospel (1967)

Coleman’s next appearance on a Blue Note album came in a rare sideman role on this explosive session led by alto saxophonist Jackie McLean. McLean had already waded into the avant-garde on prior Blue Note dates like One Step Beyond and Destination… Out!, but he went even deeper here with Coleman featured entirely on trumpet along with LaMont Johnson on piano, Scott Holt on bass, and Billy Higgins on drums. Following an extended suite by McLean on Side 1, the second half of the program featured two Coleman c

New York Is Now! (1968)

Love Call (1968)

On April 29 and May 7, 1968, Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.

BLUE NOTE RECORDS - ROUND TRIP - THE COMPLETE ORNETTE COLEMAN


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