Rodriguez Searching For Sugarman OST Sealed 2LP Cold Fact Coming From Reality
  $   28

 


$ 28 Sold For
Dec 18, 2016 Sold Date
Dec 5, 2016 Start Date
$   29 Start price
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
save auction  

Description

Vinyl:  Sealed!   This is the Original 2012 Light In The Attic Pressing! The movie was directed by Malik Bendjelloul and if you don't know the story, please do yourself a favor and see the film!!!  Some of Rodriguez' hottest tracks are here from his LP's Cold Fact and Coming From Reality.  An amazing record with great pictures in the gatefold.
Cover: Sealed! (see photos) 
Goldmine Standards.   I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album....except sealed albums, of course!
See Review Below!

U.S. Shipping:  $4 Media Mail for up to 2 LP's.  Additional LP's .50 (double albums count for 2LP's).  I will only ship to Italy by Registered Mail.  Rest of World, ask for cost of shipping before bidding.  I only pass on to you my cost to get it to you.  Similarly, upgrades and insurance can be added on at Buyers' expense.  Feel free to ask any questions and happy bidding!
Once you're satisfied with your purchase, please leave positive feedback and I will do the same for you.  If you're unsatisfied, please let me know so we can resolve it.  Take a look at my previous feedback and bid with confidence.  Check my other items this week, check back often & add me to favorite seller list as I will be adding more Rare items in the coming weeks!  Thanks!

AllMusic Review by Chrysta Cherrie  [-]

In the documentary Searching for Sugar Man, director Malik Bendjelloul looks back at two music fans' quest in the early '90s to learn the fate of '70s singer/songwriter Rodriguez (born Sixto Diaz Rodriguez to Mexican immigrant parents in Detroit), musically accompanied by the Searching for Sugar Man soundtrack that collects tracks from his two albums. Growing up in South Africa, record retailer Stephen "Sugar" Segerman and music journalist Craig Bartholomew had a very different relationship with Rodriguez than folks in his native U.S.; while debut Cold Fact and follow-up Coming from Reality (released on the short-lived Sussex label in 1970 and 1971, respectively) attracted critical praise from the few press outlets they reached, commercially they went nowhere, seemingly dooming the artist to obscurity. But against all odds, a bootleg recording of Cold Fact made its way to South Africa, just as the stronghold of apartheid was growing, and Rodriguez's anti-establishment storytelling, filtered through a psychedelia-tinged folk-rock lens, connected deeply with black Africans as well as liberal young Afrikaners. As word of mouth about the singer/songwriter spread, he became a South African sensation (naturally helped along when the government banned his records), eventually going not just platinum but also finding listeners holding him in the same artistic esteem as Bob Dylan and the Beatles. It wasn't until the late '90s that the artist -- rumored to have committed suicide years before -- would learn of his overseas fame, sparking a string of live dates abroad and awakening stateside interest. The Searching for Sugar Man soundtrack rolls together songs from Cold Fact (featuring kaleidoscopic production by Dennis Coffey and Mike Theodore) and Coming from Reality, focusing on the most iconic songs in the Rodriguez discography, not only showing that the lyrics resonate decades later but reminding listeners of the transformative power of music. Signature song and nickname "Sugar Man," which listeners may recognize as being sampled by Nas and Large Professor, is a piercing ode to drugs that elevates its simple lyrics with a trippy arrangement, opening with percussive, flamenco-like guitar and spacy Moog, and swelling with paranoid strings before drifting out to the ether. Conversely "I Think of You," which also reached audiences decades later thanks to a cover by Dale Earnhardt Jr. Jr., shows Rodriguez's romantic side as he breezily reflects on a sweetheart. But his bread and butter are gritty tales of city life, whether calling out the signs of social corruption ("Gun sales are soaring, housewives find life boring/Divorce the only answer, smoking causes cancer/The system's gonna fall soon, to an angry young tune/And that's a concrete cold fact") with "This Is Not a Song, It's an Outburst: Or, The Establishment Blues"; encountering runaways on the side of the road on "Inner City Blues" (his own composition, not to be confused with the Marvin Gaye song); or verbally eviscerating hipsters at a dive bar in the Arthur Lee-meets-"Rocky Raccoon"-styled "A Most Disgusting Song." Three bonus tracks that Rodriguez recorded with Coffey and Theodore in 1972 and which first appeared on the At His Best bootleg, including the vibrantly orchestrated artistic autobiography "Can't Get Away," are also collected here. Whether moved by the documentary or simply interested in a one-disc anthology of Rodriguez's work, the Searching for Sugar Man soundtrack is a thoughtfully curated celebration of this devastatingly underrated artist.




AllMusic Review by Chrysta Cherrie  [-]

In the documentary Searching for Sugar Man, director Malik Bendjelloul looks back at two music fans' quest in the early '90s to learn the fate of '70s singer/songwriter Rodriguez (born Sixto Diaz Rodriguez to Mexican immigrant parents in Detroit), musically accompanied by the Searching for Sugar Man soundtrack that collects tracks from his two albums. Growing up in South Africa, record retailer Stephen "Sugar" Segerman and music journalist Craig Bartholomew had a very different relationship with Rodriguez than folks in his native U.S.; while debut Cold Fact and follow-up Coming from Reality (released on the short-lived Sussex label in 1970 and 1971, respectively) attracted critical praise from the few press outlets they reached, commercially they went nowhere, seemingly dooming the artist to obscurity. But against all odds, a bootleg recording of Cold Fact made its way to South Africa, just as the stronghold of apartheid was growing, and Rodriguez's anti-establishment storytelling, filtered through a psychedelia-tinged folk-rock lens, connected deeply with black Africans as well as liberal young Afrikaners. As word of mouth about the singer/songwriter spread, he became a South African sensation (naturally helped along when the government banned his records), eventually going not just platinum but also finding listeners holding him in the same artistic esteem as Bob Dylan and the Beatles. It wasn't until the late '90s that the artist -- rumored to have committed suicide years before -- would learn of his overseas fame, sparking a string of live dates abroad and awakening stateside interest. The Searching for Sugar Man soundtrack rolls together songs from Cold Fact (featuring kaleidoscopic production by Dennis Coffey and Mike Theodore) and Coming from Reality, focusing on the most iconic songs in the Rodriguez discography, not only showing that the lyrics resonate decades later but reminding listeners of the transformative power of music. Signature song and nickname "Sugar Man," which listeners may recognize as being sampled by Nas and Large Professor, is a piercing ode to drugs that elevates its simple lyrics with a trippy arrangement, opening with percussive, flamenco-like guitar and spacy Moog, and swelling with paranoid strings before drifting out to the ether. Conversely "I Think of You," which also reached audiences decades later thanks to a cover by Dale Earnhardt Jr. Jr., shows Rodriguez's romantic side as he breezily reflects on a sweetheart. But his bread and butter are gritty tales of city life, whether calling out the signs of social corruption ("Gun sales are soaring, housewives find life boring/Divorce the only answer, smoking causes cancer/The system's gonna fall soon, to an angry young tune/And that's a concrete cold fact") with "This Is Not a Song, It's an Outburst: Or, The Establishment Blues"; encountering runaways on the side of the road on "Inner City Blues" (his own composition, not to be confused with the Marvin Gaye song); or verbally eviscerating hipsters at a dive bar in the Arthur Lee-meets-"Rocky Raccoon"-styled "A Most Disgusting Song." Three bonus tracks that Rodriguez recorded with Coffey and Theodore in 1972 and which first appeared on the At His Best bootleg, including the vibrantly orchestrated artistic autobiography "Can't Get Away," are also collected here. Whether moved by the documentary or simply interested in a one-disc anthology of Rodriguez's work, the Searching for Sugar Man soundtrack is a thoughtfully curated celebration of this devastatingly underrated artist.

–– ADVERTISEMENT –– Synopsis by Mark Deming Between giving up his super powers, confronting criminals from outer space, and having problems with his girlfriend, it's a bad time to be the Man of Steel in this sequel to the 1978 blockbuster. When terrorists threaten to destroy Paris with a thermonuclear device as they hold reporter Lois Lane (Margot Kidder) hostage, Superman (Christopher Reeve) comes to the rescue and flings the weapon into space. However, its blast outside the earth's orbit awakens Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O'Halloran), three villains from Superman's home planet of Krypton who were exiled to outer space for their crimes. Zod and his partners arrive on Earth and use their powers in a bid to take over the U.S., and then the world. However, when Lois realizes that mild mannered Clark Kent and Superman are actually the same person, he brings her to his Fortress of Solitude, where his decision to marry Lois costs him his remarkable strength. Without his super powers, how can Superman vanquish Zod and save the world? Gene Hackman, Ned Beatty, Susannah York, and Jackie Cooper return from the first film, which was shot at the same time as parts of the sequel. One of the most prominent examples of a member of the Beatles funding a film occurred in the early 1970s. Alejandro Jodorowsky had shaken up avant-garde cinema with his surrealist Western, El Topo (1970). John Lennon was so enamored with the film that he convinced his manager, Allen Klein, to buy the rights to it. Then he offered to fund Jodorowsky’s next project. Lennon handed a million dollars to Jodorowsky to make his follow-up to El Topo. That follow-up became The Holy Mountain (1973), an equally trippy experience about religion, frogs, and Christ figures pooping in glass casserole dishes. Collapse ?




price rating