Redman ?Whut? Thee Album Def Jam 2000 Vinyl  Re-Issues RAP HIP HOP.

Redman ?– Whut? Thee Album

Label: Rush Associated Labels ?– 523 518-1, Def Jam Recordings ?– 523 518-1 Series: Def Jam 2000 Vinyl Re-Issues – Format: Vinyl, LP, Album, Limited Edition, Numbered, Reissue, Remastered
Country: Europe Released: 2000 Genre: Hip Hop Style:  

Tracklist

A1 Psycho Ward Producer – Reggie NobleWritten-By – R. Noble* A2 Time 4 Sum Aksion Co-producer – Reggie NoblePerformer [How I Could Just Kill A Man] – Cypress HillPerformer [Playin' Kinda Ruff] – ZappProducer – Erick SermonWritten-By – J. McCracklin*, L. Muggerud*, L. Troutman*, L. Fulsom*, R. Noble*, R. Troutman*Written-By [How I Could Just Kill A Man] – Jimmy McCracklin, Lawrence Muggerud*, Louis Freeze*, Lowell Fulsom, Senan Reyes*Written-By [Playin' Kinda Ruff] – Larry Troutman, Roger Troutman A3 Da Funk Co-producer – Reggie NoblePerformer [P Funk (Wants To Get Funked Up)] – ParliamentProducer – Erick SermonWritten-By – B. Worrell*, B. Collins*, G. Clinton, Jr.*, R. Noble*Written-By [P Funk (Wants To Get Funked Up)] – Bernard G. Worrell*, Bootsy Collins, George Clinton, Jr.* A4 News Break Producer – Reggie NobleWritten-By – R. Noble* A5 So Ruff Co-producer – Reggie NoblePerformer [Flashlight & Bop Gun] – ParliamentPerformer [Jungle Boogie] – Kool And The Gang*Producer – Erick SermonScratches – DJ ScratchWritten-By – B. Worrell*, B. Collins*, C. Smith*, D. Thomas*, D. Boyce*, G. Shider*, G. Brown*, G. Clinton, Jr.*, R. Noble*, R. Westfield*, R. Bell*, R. Mickens*, R. Bell*Written-By [Flashlight & Bop Gun] – Bernard G. Worrell*, Bootsy Collins, George Clinton, Jr.*Written-By [Jungle Boogie] – C. Smith*, D. Thomas*, D. Boyce*, G. Brown*, R. Westfield*, R. Bell*, R. Mickens*, R. Bell* A6 Rated "R" Co-producer – Reggie NoblePerformer [Soul Power] – Maceo And The Macks*Producer – Erick SermonWritten-By – J. Brown*, R. Noble*Written-By [Soul Power] – James Brown A7 Watch Yo Nuggets Co-producer – Reggie NobleFeaturing – Charlie Marotta, Erick SermonPerformer [Atomic Dog] – George Clinton, Jr.*Producer – Erick SermonWritten-By – D. Spradley*, G. Shider*, G. Clinton, Jr.*, R. Noble*Written-By [Atomic Dog] – David L. Spradley*, Garry M. Shider*, George Clinton, Jr.* A8 Psycho Dub Producer – Reggie NobleWritten-By – R. Noble* A9 Jam 4 U Co-producer – Reggie NoblePerformer [Teddy's Jam] – GuyProducer – Erick SermonWritten-By – A. Hall*, G. Griffin*, R. Noble*, T. Riley*, T. Gatling*Written-By [Teddy's Jam] – Aaron Hall, Gene Griffin, Teddy Riley, Timmothy Gatling* A10 Blow Your Mind Co-producer – Reggie NoblePerformer [Dance Floor] – ZappPerformer [Outstanding] – The Gap BandPerformer [The Show] – Dougie Fresh*Performer [Theme From The Black Hole] – ParliamentProducer – Erick SermonWritten-By – G. Clinton, Jr.*, J.S. Theracon, J. Vitti*, L. Troutman*, R. Calhoun*, R. Noble*, R. Troutman*Written-By [Outstanding] – Raymond CalhounWritten-By [The Show] – Douglas Davis*, Ricky Walters A11 Hardcore Co-producer – Mr. BozackFeaturing [Uncredited] – EPMDProducer – Erick Sermon, Parrish SmithWritten-By – E. Sermon*, P. Smith* B1 Funky Uncles Producer – Reggie NobleWritten-By – R. Noble* B2 Redman Meets Reggie Noble Producer – Reggie NobleWritten-By – R. Noble* B3 Tonight's Da Night Co-producer – Reggie NoblePerformer [All Night Long] – The Mary Jane Girls*Performer [Don't Let Go] – Isaac HayesPerformer [Tonight's Da Night] – Rick JamesProducer – Erick SermonVoice [Uncredited] – Hurricane G.Written-By – J. Stone*, R. Noble*, R. James*Written-By [Don't Let Go] – Jesse Stone B4 Blow Your Mind (Remix) Performer [Dance Floor] – ZappPerformer [The Show] – Dougie Fresh*Performer [Theme From The Black Hole] – ParliamentProducer – Reggie NobleWritten-By – G. Clinton, Jr.*, J.S. Theracon, J. Vitti*, L. Troutman*, R. Noble*, R. Troutman*Written-By [The Show] – Douglas Davis*, Ricky Walters B5 I'm A Bad Co-producer – Reggie NobleProducer – Erick SermonWritten-By – R. Noble* B6 Sessed One Night Producer – Reggie NobleWritten-By – R. Noble* B7 How To Roll A Blunt Co-producer – Pete RockPerformer [Keep Rising To The Top] – Kennith Burke*Producer – Reggie NobleWritten-By – A. Felder*, K. M. Burke*, N.J. Wright*, R. Noble* B8 Soopa Luver Interview Producer – Reggie NobleWritten-By – R. Noble* B9 A Day Of Sooperman Lover Performer [Superman Lover] – Johnny "Guitar" Watson*Performer [The Payback] – James BrownProducer – Erick Sermon, Reggie NobleWritten-By – F. Wesley*, J. Brown*, J. Starks*, J. "Guitar" Watson*, R. Noble*Written-By [Superman Lover] – Johnny "Guitar" Watson*Written-By [The Payback] – James Brown B10 Encore Producer – Reggie Noble

Companies, etc.

• Record Company – Universal Music
• Phonographic Copyright (p) – Island Def Jam Music Group
• Copyright (c) – Island Def Jam Music Group
• Licensed To – Mercury Records
• Marketed By – Barclay S.A.
• Distributed By – Barclay S.A.
• Licensed From – Sony Music Entertainment
• Licensed From – Warner Bros. Records
• Licensed From – Warner Special Products
• Licensed From – Polygram Special Markets
• Licensed From – PolyGram Group Distribution, Inc.
• Licensed From – Capitol Records, Inc.
• Licensed From – MCA Records
• Licensed From – Warner Special Products, Inc.
• Licensed From – Danya Records
• Licensed From – Motown Record Company, L.P.
• Licensed From – RCA Records
• Produced For – E.A.R. Productions
• Published By – Funky Noble Productions
• Published By – MCA Music Publishing
• Published By – MCA Inc.
• Published By – Cypress Hill Music
• Published By – BMG Songs, Inc.
• Published By – Saja Music Co.
• Published By – Troutman's Music Co.
• Published By – BMG Music
• Published By – Powerforce Music
• Published By – Budget Music
• Published By – MCA Music
• Published By – Rightsong Music Inc.
• Published By – Bridgeport Music, Inc.
• Published By – Second Decade Music
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – Rubberband Music, Inc.
• Published By – Warner-Tamerlane Publishing
• Published By – Unichappell Music, Inc.
• Published By – Crited Music, Inc.
• Published By – Dynatone Music
• Published By – Southfield Music, Inc.
• Published By – Zomba Enterprises, Inc.
• Published By – Don Ril Music
• Published By – Virgin Songs, Inc.
• Published By – Cal-Gene Music
• Published By – Virgin Music, Inc.
• Published By – Cal-Rock Music
• Published By – Donril Publishing
• Published By – Takin' Care Of Business
• Published By – Entertaining Music
• Published By – Danica Music
• Published By – Slick Rick Music
• Published By – Wb Music Corp.
• Published By – Paricken Music Inc.
• Published By – Screen Gems-EMI Music Inc.
• Published By – Stone City Music
• Published By – National League Music
• Published By – One Step Beyond Music
• Published By – Dynatone Publishing Co.
• Published By – Drijon Music Publishing
• Recorded At – North Shore Soundworks
• Recorded At – Ian London Studios
• Mixed At – Power Play Studios
• Remastered At – Universal Mastering Studios
• Lacquer Cut At – Sonic Arts (2)
• Pressed By – FSV

Credits

• Art Direction, Design – The Drawing Board
• Executive-Producer – Erick Sermon
• Lacquer Cut By – Hitman (32)
• Mixed By – Ivan "Doc" Rodriguez*
• Mixed By [Assisted By] – Rod Cee
• Photography By – Timothy Carter*
• Recorded By – Charlie "No Click Track" Marotta*, Ivan "Doc" Rodriguez* (tracks: 11), Ken Wallace
• Recorded By [Assisted By] – Everett "Bizz-E" Ramos* (tracks: 11)
• Remastered By [Audio Sourced From New Digital Remasters Of The Original Album Tracks] – Joel Zakarzewski

Notes

Made in the EU.

Barcode and Other Identifiers

• Barcode (Text): 7 31452 35181 4
• Barcode (Scanned): 731452351814
• Matrix / Runout (Side A): 523-518-1-A FSV HITMAN @ SONIC
• Matrix / Runout (Side B): 523-518-1-B FSV
• Label Code: LC 00268
• Distribution Code: UN 263
• Rights Society: BIEM/MCPS

 Condition is "Used".

 

 Dispatched with Royal Mail 2nd Class.

 

MEDIA CONDITION: VG++ THE RECORD ON ONE SIDE HAS SURFACE MARKS AND SIGNS OF USE WITH BASIC LIGHT MILD SCRATCHS 

Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesmay show some signs of wear and may have slight scuffs or very light scratchesthat don't affect one's listening experiences

SLEEVE COVER CONDITION: EXCELLENT The cover and packagingmight have slight wear and / or creasing. Ingeneral, if not for a couple things wrong with it, this would be Near Mint.

GENERAL ITEM CONDITION:  The recordhas obviously been played many times, but displays no major deterioration insound quality, despite noticeable surface marks and the occasional lightscratch. Normal wear on the cover without any majordefects.

 

SEE PHOTOS FOR FURTHER DETAILS.

 

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I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes.
Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition.
In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive, 
please email me before leaving feedback (or opening anydispute), as any problems can be resolved.

 

RecordCollector Magazine's/ Goldmine Standard Grading Guide: 

 

"MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint.

 

Near Mint (NM or M-) :

A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value.

 

 

EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint.

 

Very Good Plus(VG+):

Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesmay show some signs of wear and may have slight scuffs or very light scratchesthat don't affect one's listening experiences. Slight warps that do not affectthe sound are "OK". The label may have some ring wear ordiscoloration, but it should be barely noticeable. The center hole will nothave been misshapen by repeated play. Picture sleeves and LP inner sleeves willhave some slight wear, lightly turned up corners, or a slight seam split. An LPcover may have slight signs of wear also and may be marred by a cut-out hole,indentation or corner indicating it was taken out of print and sold at adiscount.

 

VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and theoccasional light scratch. Normal wear and tear on the cover or extra items,without any major defects.

 

Good Plus(G+):

Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject.

 

GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc.

 

FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced.

 

POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing.

 

BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler."