Rare Nigel Hess MUCH ADO ABOUT NOTHING EP RSC Stage Soundtrack OST Jacobi Cusack
£
30
$
40
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Description
Here I have for sale the UK-only issue of the stage soundtrack to "Much Ado About Nothing" (1983), composed by Nigel Hess.
This 1982 Royal Shakespeare Company Stage Performance starred Derek Jacobi and Sinead Cusack (pictured on the album cover as Beatrice and Benedick).
This album has never had a release on CD so this remains the only available source for this underrated soundtrack. An interesting comparison to the later Patrick Doyle score to the Kenneth Branagh film.
Condition (refer also to notes at bottom):
Vinyl: G-VG. Looks very clean on visual inspection. One scuff mark through tracks 5-6 of side 1. Played just pre-listing and sound clarity is very good throughout. Some mild surface noise, static and light clicks in places, most audible through quieter sequences. Plays with no skipping, jumping or sticking. A nice listening experience.
Outer Sleeve (Cover): G-VG. Colours are clear and unfaded. Light disc outline present on front. A few very light creases in from spine edge. Spine shows mild wear and some splits. Corners are mildly worn and scuffed. Edges are mildly worn. Bottom edge has centre split and more noticeable scuffing. Some soiling at top front. Aperture is clean and only shows the odd bit of wear. Reverse has some creasing in from spine and damage to bottom area. Top edge shows some wear as well. Overall good.
Inner Sleeve: G-VG. Original. Off-white paper with rounded corners and plastic lining / central hole. Yellowing on edges. A few minor creases/folds though normal handling.
Nigel Hess ?– Much Ado About Nothing (Original Royal Shakespeare Company Stage Soundtrack) (1983)
Label: Dakota ?– 12 DAK 10, Dakota ?– 12.DAK 10
Format: Vinyl, LP, 45 RPM
Country: UK
Released: 1983
Genre: Classical, Soundtrack, Folk, Easy Listening, Vocal
Style: Neoclassical, Instrumental, Score, Traditional
Tracklist
A1. Overture (Opening Theme).
The Dances.
A2. Sword Masque.
A3. Pavane.
A4. Gigue.
A5. Sigh No More (Tenor Vocals [Soloist] – Philip Dennis)
A6. Entr'acte.
B1. Virgo Gemma Nominatur (Wedding Anthem) (Words By – Jacob Balde)
B2. Pardon Goddess Of The Night (Tenor Vocals [Soloist] – Philip Dennis)
B3. Finale.
B4. Arden Of Faversham.
Phonographic Copyright (p) – Dakota Records Ltd.
Marketed By – Dakota Records
Pressed By – Damont
Distributed By – PRT Ltd.
Recorded At – Essex Studios
Credits
Bass Vocals – Graham Lough, Henry Herford
Bassoon – Peter Whittaker
Cello – Julia Vohralik
Clarinet – Victor Slaymark
Composed By, Arranged By, Conductor, Producer – Nigel Hess
Contralto Vocals – Lindsay John, Peta Bartlett
Design, Artwork – Les Carter
Double Bass – Peter Chapman
Engineer – John Burns
Flute, Piccolo Flute, Recorder – Christopher Lacey
Horn – Duncan Hollowood, Peter Clack
Percussion – Tony McVey*, Peter Washtell
Soprano Vocals – Jenny O'Grady, Nicole Tibbels
Tenor Vocals – Nigel Robson, Philip Dennis
Trombone – Paul Barrett
Violin – Wilfred Gibson
Matrix / Runout (Side A Runout): 12 DAK 10 A-1 DAMONT
Matrix / Runout (Side B Runout): 12 DAK 10 B-1 DAMONT
–––––––––––––––––––
Postage and packaging FREE to UK.
Will post worldwide.
Europe (Royal Mail International Standard) – £7.
Europe (Royal Mail International Tracked and Signed) – £12
N and S America, USA, Canada (Royal Mail International Standard) – £9.50
Asia, Australia, Japan (Royal Mail International Standard) – £11.50.
Sorry but no returns are accepted.
Payment by cheque (UK only) or Paypal please.
Please see my other soundtrack listings.
Thanks for looking and happy eBaying!
ITEM CONDITION - items are graded according to Record Collector definitions - see below:
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
price rating