ROY BUCHANAN SNAKE-STRETCHERS INSANELY RARE ORIG'71 PRIVATE PRESS LP wBURLAP CVR

$

286

WE CURRENTLY HAVE   MORE THAN 1,000  LISTED ITEMS

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·       ROY BUCHANAN – BUCH AND THE SNAKE STRETCHERS - INSANELY RARE  ORIGINAL 1971 PRIVATE PRESSING OF THE BUCHANAN'S FIRST ALBUM, RELEASED ABOUT A YEAR LATER  IN A VERY DIFFERENT FORM AND WITH MASSIVELY DIFFERENT MIXES ON A MAJOR LABEL (POLYDOR) as "ROY BUCHANAN"  - ORIGINAL 1971 BIOYA RECORDS STEREO LP MM-519

·       ORIGINAL U.S. PRESSING

· INSANELY RARE  ORIGINAL BURLAP BAG SLEEVE WITH THE ALBUM TITLE SPRAY-PAINTED ON THE BAG

·       ORIGINAL YELLOW BIOYA LABEL WITH BLACK PRINT

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL BURLAP COVER WITH A GENERIC WHITE CARDBOARD INNER SLEEVE INSIDE

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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ROY BUCHANAN - Buch and the Snake Stretchers' LP on the Bioya Sound label, MM-519, from 1971. Ultra rare original US private pressing of a garagey blues rock album. This is his very first LP release;  this LP was reissued as a "self titled" LP in 1972, on Polydor label, with different mix and different song order. Comes in a oversized, home-made looking burlap bag cover, with titles spray painted on, which is in near mint condition

***

The recording and production on this, Roy Buchanan's first record for Polydor, is delightfully bare, sparse in ornamentation, and full of bum notes and aborted ideas that would be deleted on most commercial releases. It is a loose, highly improvised affair that amply demonstrates why the leader is one of the underappreciated giants of rootsy guitar. Straddling country, blues, and traditional rock & roll, Buchanan's playing is fiery and unpremeditated. His tone is delightfully raw and piercing, his solo ideas impetuous and uncluttered. On the instrumental tracks, such as his famous reading of "Sweet Dreams" or Buchanan's own "The Messiah Will Come Again," one can see why he was such an influence on Jeff Beck, another master of the instrument known for his genre-blending and ragged spontaneity. There is a slight Michael Bloomfield influence felt in Buchanan's blues playing, most evident in the first chorus of "John's Blues" and the quasi-Eastern ornamentations on "Pete's Blue." He plays with pitch, placing notes in unexpected places, constantly keeping the listener guessing. The country tracks, such as "I am a Lonesome Fugitive" and Hank Williams' "Hey, Good Lookin'," benefit greatly from Chuck Tilley's understated vocals. Despite Tilley's presence, the main focus on this record is Buchanan's wailing guitar, which punctuating the vocals with bluesy cries and country moans. The strongest track on Roy Buchanan is "The Messiah Will Come Again." This song opens with Buchanan's mumbled spoken word intro over quiet organ and then yields to spine-tingling, sorrow-laden Telecaster that cries and screams in existential torment before giving way in turn to percussive flurries that make less sense as melodic improvisation than as cries of passion. This is raw guitar playing and music making, not for the faint of heart. Fans of blues or country guitar, or those just curious why Jeff Beck would dedicate "'Cause We've Ended As Lovers" from Blow By Blow to Buchanan, would do themselves a favor by picking up this album.

 (EXCERPT FROM AN ONLINE REVIEW BY DANIEL  GIOFFRE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER  (THIS IS THE ORIGINAL, “HEMP/BURLAP” BAG SLEEVE

THE COVER (CANVAS BAG) IS NEAR MINT

The following flaws or imperfections are noted on the cover:

-         Minor  wear noted on the sewn edges (nothing significant)

NO OTHER IMPERFECTIONS ON THE CANVAS BAG

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