RONNIE SELF BOP-A-LENA 1958 PHILIPS PB 810
£
243
$
322
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Description
THIS IS A VERY RARE RECORD AND IS IN EXCELLENT CONDITION.IT HAS JUST A FEW VERY MINOR SURFACE MARKS BUT NO REAL SCRATCHES AND COMES WITH ITS ORIGINAL COVER.RONNIE SELF - BOP-A-LENA/AIN'T I'M A DOG PHILIPS PB 810 1958.
Why Ronnie Self never made it as a performer is one of the great mysteries and injustices of pop music history. He had the look and the sound — a mix of country, rockabilly, and R&B that sometimes made him sound like a white Little Richard, but mostly like the young Elvis or Carl Perkins — and he wasn't lacking for good songs, which he mostly wrote himself. He should have been there, thought of in the same breath as Perkins or Jerry Lee Lewis; instead, he's a footnote in rock & roll history outside of Europe, where he's treated as a legend.
Self was born in Tin Town, MO, on July 5, 1938, the first of five children of Raymond Self, a farmer-turned-railroad worker, and the former Hazel Sprague. Self had a reputation as a wild boy, with incidents of vandalism and assault in his background. He became interested in music while still a boy, and began writing songs while in his teens. He was always submitting demos, and in 1956, Self got hooked up with Dub Albritton, who managed Red Foley, among other artists, and owned a publishing house, and Self was signed to a songwriting contract. His first recording sessions were held in Nashville on behalf of ABC Records, which led to a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," both sides of which were written by Self. Issued in 1956, the record failed to chart — although ABC listed a second single release by Self, "Sweet Love"/"Alone," that disc has never been found, nor have the tapes for those two songs.
In January of 1957, Self was picked by Albritton to perform as part of the Phillip Morris Caravan. Most of the acts on the package show were country players, and Self was the resident rockabilly representative — he quickly began attracting attention with his wild and highly animated stage act, not to mention the nature of his songs, which combined the intensity of R&B with high-energy rockabilly. His success on the tour helped get him a contract with Columbia Records in February of 1957.
Self was back in the studio that month with a session band that included Grady Martin and Hank Garland on guitars with the singer, Floyd Chance, on bass, Buddy Harman on drums, and Floyd Cramer at the ivories. The resulting single, "Big Fool"/"Flame of Love," failed to chart, and a third song, Self's own "Black Night Blues," was unissued until 1990. Four months later, he had another try with four numbers cut in June of that year, which fared no better than their predecessors. Then, in December, he went in for one more session that yielded a piece of rapid-fire, high-powered rock & roll called "Bop a Lena." The raw power of Self's singing, coupled with the frantic beat, has resulted in "Bop a Lena" being labeled as the first punk single in some quarters. That might be a bit extreme, but not too far off the mark — that record moves, and it's just anarchic enough to be recognizable not only to modern rockabilly practitioners like the A-Bones, but lots of punkers as well.
THIS ONE IS A REAL RARITY AND IT IS IN LOVELY CONDITION SO HAPPY BIDDING.
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