RONETTES PRESENTING FAB VERONICA MINT ORIG PHILLES LP

$

335

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·       RONETTES - PRESENTING THE FABULOUS RONETTES FEATURING VERONICA (PRODUCED AND ARRANGED BY PHIL SPECTOR) - 1964 PHILLES RECORDS MONO LP PHLP-4006.

·       GENUINE US PRESSING

·       VERY EARLY YELLOW & RED PHILLES RECORDS LABEL PRESSING CIRCA 1965

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 30 top music professionals (among others: Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow ("Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565. Track listing: Walking in the rain - Do I love you? - So young - Breakin' up - I wonder - What'd I say - Be my baby - Baby, I love you - How does it feel - When I saw you - Chapel of Love.

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The wall of sound - a production method patented by Phil Spector (which involved - inter alia - torturing the artists for maximum effect: just ask Tina Turner who was tormented so badly during the recording of "River Deep, Mountain High" that her tight bra fell apart) - does not get any more vivid than this. This collection of songs is a proverbial fortress of sound, consisting of multitude of overlapping layers of voices, sound effects, cascades of rhythm and ornamentation, and polyrhythmic textures AND IT COMES IN ITS ORIGINAL, GLORIOUS , BACK-TO-MONO version. A joyful, luscious, retrogressive, a*al-retentive, guilty-pleasure of a bygone era. Phil Spector is king!!! Absolutely critical album in the development of R&R, absolutely, positively the finest Phil Spector Work ever, and one of the most visually arresting covers in the cover-design history. And, oh yes…mega-rare album in any shape or form. What else can we do for you?

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Innocence is not a requirement for purity, as this album proves. Nedra Talley, Estelle Bennett, and right up front, Veronica Bennett (later Spector) sounded more in love with being in love than any other girl group. Simple lines like "For every kiss you give me/I'll give you three" say more about the absolute need of the savage teenage experience than any lyrics ever voiced. The sound effects for the opening number set the ambience, because it is always starting to rain when Ronnie sings. "Be My Baby," with Hal Blaine's divinely inspired drumming (especially the fade-out), is the fullest plea for reciprocity beckoned by mortals. One of the most fun is "Breaking Up," which, swear to God, sounds like the Beach Boys if they were girls. The album closer, "Chapel of Love," is so substantially different from the hit version by the Dixie Cups, that it becomes a different song. And everything else in between is gorgeosity made flesh. Producer (and Veronica's husband) Phil Spector may or may not have been projecting his ideas of the perfect woman here. But he certainly found and refined the perfect sound.

(REVIEW BY PHIL MERSHON, WWW.FURIOUS.COM)

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side).

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has a few tiny wrinkles along the spine

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No glue traces or wax residue.

-         No bar codes

-         No RIAA stamps or stickers.

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Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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