ROLLING STONES "THE ROLLING STONES No. 2" DECCA MONO Blind Man Text LK.4661 -VG
£
38
$
50
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Description
TITLE - "THE ROLLING STONES No. 2"
LABEL - DECCA MONO
RECORD NO. - LK.4661
YEAR - 1965
SLEEVE - VG - creased & pics. stuck on back
REAR SLEEVE - Blind Man Text
VINYL - EX
MATRIX - XARL-6619-2A /XARL-6620-2A
TRACK LISTING........
A1 Everybody Needs Somebody To Love Piano – Ian StewartWritten-By – Russell*, Wexler*, Burke* A2 Down Home Girl Piano – Jack NitzscheWritten-By – Butler*, Leiber* A3 You Can't Catch Me Written-By – Berry* A4 Time Is On My Side Organ – Ian StewartWritten-By – Meade, Norman* A5 What A Shame Piano – Ian StewartWritten-By – Jagger, Richards* A6 Grown Up Wrong Written-By – Jagger, Richards* B1 Down The Road Apiece Written-By – Raye* B2 Under The Boardwalk Written-By – Resnick*, Young* B3 I Can't Be Satisfied Written-By – Waters* B4 Pain In My Heart Other [Nitzsche-phone] – Jack NitzscheWritten-By – Redding*, Walden* B5 Off The Hook Written-By – Jagger, Richards* B6 Suzie-Q Written-By – Hawkins*, Broadwater*, Lewis*Companies, etc.
- Copyright (c) – The Decca Record Company Limited
- Produced For – Impact Sound
- Recorded At – Chess Studios
- Recorded At – RCA Studios, Hollywood
- Recorded At – Regent Sound Studios
- Published By – Robert Mellin
- Published By – December Music Ltd.
- Published By – Chappell (3)
- Published By – Essex Music
- Published By – Nanker Phelge Music Ltd.
- Published By – Mirage Music
- Published By – Leeds Music
- Published By – T.M. Music
- Published By – Jewel Music
- Published By – Greenwich Music Ltd.
- Printed By – James Upton Ltd.
Credits
- Arranged By – The Rolling Stones
- Mastered By – A (26)
- Photography By [Cover] – David Bailey (5)
- Producer, Sleeve Notes – Andrew Loog Oldham
Notes
Early 1965 vinyl pressing with red/silver grooved labels with unboxed Decca logoLabel: "Made In England" at top, BIEM/NCB on left of label, no production/recording credits, ariel style font, LK.4661
Sleeve: LK 4661. Flipback and Non Flipback sleeve. Laminated in 'Clarifoil' made by British Celanese Limited. Uncensored version with "Blind man" text on rear cover (see images). Printed in England by James Upton Ltd. Birmingham & London
© 1964, The Decca Record Company Limited, London
? 1964: A6, B2, B5, B6
? 1965: A1-5, B1, B3, B4
A1: Robert Mellin
A2: December Music
A3: Chappell
A4: Essex Music
A5, B5: Nanker Phelge
A6: Mirage Music
B1: Leeds Music
B2: T. M. Music
B3, B6: Jewel Music
B4: Greenwich Music
Barcode and Other Identifiers
- Matrix / Runout (Side 1 Label): (XARL.6619)
- Matrix / Runout (Side 2 Label): (XARL.6620)
- Matrix / Runout (Side 1 - Stamped): XARL-6619-2A
- Matrix / Runout (Side 2 - Stamped): XARL-6620-2A
There are two versions of the back cover text existing. The first cover print has this text version that was then removed on later printings:
If you don’t have the bread, see that blind man
knock him on the head, steal his
wallet and low and behold you have
loot, if you put in the boot, good,
another one sold!
The association of blindpeople in Great Britain got very much upset by this text and they demanded that the text should be removed from the cover. Even politicians got involved in discussions and eventually Decca was forced to change the text
There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.
SIX LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.
PLEASE WAIT FOR COMBINED INVOICE
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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:
- MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
- EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
- VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
- GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
- FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
- POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
- BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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