ROLLING STONES "GET YER YA YA'S OUT" LP SEALED ABKCO
  $   29

 


$ 29 Sold For
Sep 12, 2011 Sold Date
Sep 7, 2011 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

 

UP FOR GRABS, FACTORY SEALED LP BY ROLLING STONES CALLED "GET YOUR YA YA'S OUT"  IT WAS RELEASED ON ABKCO LABEL (80051/NPS 5)  OUT OF THE U.S.  THE LP IS FACTORY SEALED WITH NO DEFECTS.  SEALED AND MINT,  NOTHING MORE TO SAY, EXCEPT EXCELLENT ALBUM !!

**************DIGITALLY REMASTERED FROM ORIGINAL MASTER RECORDING TAPES ON 100 % VIRGIN VINYL FOR GREAT SOUND QUALITY************

FROM MY PERSONAL COLLECTION OF OVER 40 YEARS!

* NOTE, PLEASE WAIT TILL AUCTION ENDS TO  RECEIVE YOUR INVOICE WITH CORRECT SHIPPING AND OPTIONS. PAYMENT IS THROUGH PAYPAL WITH IN 24 HOURS. THANKS AND GOOD LUCK.

Track Listing;


1. Jumpin' Jack Flash
2. Carol
3. Stray Cat Blues
4. Love in Vain
5. Midnight Rambler
6. Sympathy for the Devil
7. Live with Me
8. Little Queenie
9. Honky Tonk Women
10. Street Fighting Man


Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an impressive recorded output during their three years away from touring, the Stones peppered their sets with hits, including "Honky Tonk Women," "Jumpin' Jack Flash," and "Street Fighting Man." Tipping their collective hats to Chuck Berry, the band also included covers of "Carol" and "Little Queenie" alongside more blues-influenced numbers such as "Stray Cat Blues" and "Love In Vain."
Having been a member of John Mayall's Bluesbreakers, new guitarist Mick Taylor parlayed his experience into some impressive slide guitar work. The pièce-de-resistance of what is arguably the best live Rolling Stones recording is the eight-minute-plus reading of "Midnight Rambler." Between Mick Jagger's unearthly harmonica playing and the tight interplay between Taylor and Keith Richards, the sinister vibe emanating from this song was eerie, foreshadowing the tragedy that would occur at Altamont less than two weeks later. Observant fans will catch the cover's subtle visual reference to a certain lyric from Bob Dylan's "Visions of Johanna" from BLONDE ON BLONDE.

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