ROLLING STONES BRIDGES TO BABYLON LP FACTORY SEALED 1997 ORIG MINT PLUS BONUS
$
119
$ 119
Sold For
Jan 8, 2016
Sold Date
Jan 1, 2016
Start Date
$ 30
Start price
28
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
ROLLING STONES~BRIDGES TO BABYLON LP~FACTORY SEALED~1997 ORIG~MINT~PLUS BONUS!!
Product Description
ROLLING STONES "BRIDGES TO BABYLON" VIRGIN 2438447121 FACTORY SEALED 2LP SET ISSUED IN 1997!MINT CONDITION! NEVER PLAYED!!
ALSO INCLUDED WITH THE LP WILL BE 2 12" X 12" PROMO CARDS THAT WERE SENT TO RETAIL STORES TO PROMO THE ALBUM!
Voodoo Lounge confirmed that the Stones could age gracefully, but it never sounded modern; it sounded classicist. With its successor, Bridges to Babylon, Mick Jagger was determined to bring the Rolling Stones into the '90s, albeit tentatively, and hired hip collaborators like the Dust Brothers (Beck, Beastie Boys) and Danny Saber (Black Grape) to give the veteran group an edge on their explorations of drum loops and samples. Of course, the Stones are the Stones, and no production is going to erase that, but the group is smart enough -- or Keith Richards is stubborn enough -- to work within its limitations and to have producer Don Was act as executive producer. As a result, Bridges to Babylon sounds like the Stones without sounding tired. The band is tight and energetic, and there's just enough flair to the sultry "Anybody Seen My Baby?," the menacing "Gunface," and the low-key, sleazy "Might as Well Get Juiced" to make them sound contemporary. But the real key to the success of Bridges to Babylon is the solid, craftsmanlike songwriting. Nothing is bad, with rockers like "Flip the Switch" and "Low Down" sounding as convincing as ballads like "Already Over Me." And, as always, Keith contributes three winners -- including the reggae workout "You Don't Have to Mean It" and the slow-burning "How Can I Stop" -- that cap off another fine latter-day Stones record. A1 Flip The Switch Backing Vocals ? Bernard Fowler Backing Vocals, Tambourine ? Blondie Chaplin Baritone Saxophone ? Joe Sublett Bass ? Jeff Sarli Drums ? Charlie* Electric Guitar ? Waddy Wachtel Engineer [Assistant] ? Alan Sanderson, John Sorenson Guitar ? Ronnie* Guitar, Backing Vocals, Handclaps ? Keith* Lead Vocals ? Mick* Mixed By ? Tom Lord-Alge Mixed By [Assistant] ? Mauricio Riagorri* Percussion ? Jim Keltner Producer ? Don Was Recorded By ? Dan Bosworth, Rob Fraboni 3:28 A2 Anybody Seen My Baby? Backing Vocals ? Bernard Fowler Backing Vocals, Electric Guitar ? Keith* Backing Vocals, Shaker ? Blondie Chaplin Bass, Keyboards ? Jamie Muhoberac Drums ? Charlie* Electric Guitar ? Ronnie* Electric Guitar, Acoustic Guitar ? Waddy Wachtel Engineer [Assistant] ? Alan Sanderson, Charles Gooden Keyboards ? Don Was Lead Vocals, Electric Guitar ? Mick* Mixed By ? Tom Lord-Alge Mixed By [Assistant] ? Mauricio Riagorri* Producer ? Don Was Producer, Recorded By ? Dust Brothers, The Recorded By ? Dan Bosworth Written-By ? B. Mink*, k. d. lang* 4:31 A3 Low Down Backing Vocals ? Bernard Fowler Bass, Backing Vocals, Maracas ? Blondie Chaplin Drums ? Charlie* Electric Guitar ? Waddy Wachtel Engineer [Assistant] ? Alan Sanderson, John Sorenson Lead Vocals ? Mick* Mixed By ? Tom Lord-Alge Mixed By [Assistant] ? Mauricio Riagorri* Producer ? Don Was Recorded By ? Dan Bosworth, Rob Fraboni Saxophone ? Joe Sublett Shaker ? Jim Keltner Slide Guitar, Electric Guitar ? Ronnie* Trumpet ? Darrel Leonard* Vocals, Electric Guitar ? Keith* 4:28 A4 Already Over Me Backing Vocals ? Bernard Fowler Backing Vocals, Piano ? Blondie Chaplin Bass ? Don Was Drums ? Charlie* Electric Guitar, Backing Vocals ? Keith* Engineer [Assistant] ? Alan Sanderson, John Sorenson Guitar [Baritone], Guitar [Dobro] ? Ronnie* Keyboards, Organ [Hammond C-3] ? Benmont Tench Lead Vocals, Acoustic Guitar ? Mick* Mixed By ? Bob Clearmountain Mixed By [Assistant] ? Ryan Freeland Percussion ? Jim Keltner Percussion [Bucket] ? Kenny Aronoff Producer ? Don Was Recorded By ? Dan Bosworth, John X Volaitis 5:24 B1 Gunface Drums ? Charlie* Electric Guitar ? Keith* Engineer [Assistant] ? Alan Sanderson, John Sorenson Lead Vocals, Electric Guitar ? Mick* Percussion ? Jim Keltner Producer, Bass, Keyboards, Guitar ? Danny Saber Recorded By, Mixed By ? John X Volaitis Slide Guitar ? Ronnie* 5:02 B2 You Don't Have To Mean It Backing Vocals ? Bernard Fowler, Blondie Chaplin Bass ? Darryl Jones Drums ? Charlie* Electric Guitar ? Ronnie* Engineer [Assistant] ? Alan Sanderson Lead Vocals, Guitar ? Keith* Mixed By [Engineer] ? John Sorenson Percussion ? Jim Keltner Piano, Organ [Hammond B-3] ? Clinton Clifford Producer ? Don Was Producer, Recorded By, Mixed By ? Rob Fraboni Recorded By ? Dan Bosworth Saxophone ? Joe Sublett Trumpet ? Darrel Leonard* 3:44 B3 Out Of Control Backing Vocals ? Bernard Fowler, Blondie Chaplin Backing Vocals, Electric Guitar ? Keith* Bass, Clavinet, Effects [Reality Manipulations] ? Danny Saber Drums ? Charlie* Electric Guitar ? Ronnie*, Waddy Wachtel Engineer [Assistant] ? Alan Sanderson, John Sorenson Keyboards ? Jamie Muhoberac Lead Vocals, Guitar [Wah Wah], Shaker, Harmonica ? Mick* Mixed By ? Wally Gagel Percussion ? Jim Keltner Piano, Keyboards [Wurlitzer] ? Don Was Producer ? Don Was Recorded By ? Dan Bosworth, John X Volaitis 4:43 C1 Saint Of Me Backing Vocals ? Bernard Fowler, Blondie Chaplin Bass ? Me'Shell Ndegéocello Bass [Six] ? Pierre De Beauport Drums ? Charlie* Engineer [Assistant] ? Alan Sanderson, Charles Gooden Guitar ? Ronnie*, Waddy Wachtel Keyboards ? Jamie Muhoberac Lead Vocals, Keyboards, Acoustic Guitar ? Mick* Mixed By ? Tom Lord-Alge Mixed By [Assistant] ? Mauricio Riagorri* Organ [Hammond B-3] ? Billy Preston Producer, Recorded By ? Dust Brothers, The Recorded By ? Dan Bosworth 5:15 C2 Might As Well Get Juiced Bass ? Doug Wimbish Drums ? Charlie* Electric Guitar ? Keith*, Waddy Wachtel Engineer [Assistant] ? Alan Sanderson, Charles Gooden Lead Vocals, Keyboards, Harmonica ? Mick* Mixed By ? Danny Saber, Rich Lowe* Producer, Recorded By ? Dust Brothers, The Recorded By ? Dan Bosworth, Ed Cherney Slide Guitar ? Ronnie* 4:43 C3 Always Suffering Backing Vocals ? Bernard Fowler, Doug Wimbish Backing Vocals, Acoustic Guitar ? Waddy Wachtel Backing Vocals, Tambourine ? Blondie Chaplin Bass, Backing Vocals ? Darryl Jones Drums, Backing Vocals ? Charlie* Electric Guitar, Backing Vocals ? Keith* Engineer [Assistant] ? Alan Sanderson, Ed Cherney Guitar [Pedal Steel] ? Ronnie* Lead Vocals, Electric Guitar ? Mick* Percussion, Backing Vocals ? Jim Keltner Piano, Organ [Hammond B-3] ? Benmont Tench Producer ? Don Was, Pierre De Beauport Recorded By ? Dan Bosworth Recorded By, Mixed By ? Ed Cherney 5:23 D1 Too Tight Arco Bass ? Jeff Sarli Backing Vocals ? Bernard Fowler Drums ? Charlie* Electric Guitar ? Waddy Wachtel Electric Guitar, Backing Vocals ? Keith* Engineer [Assistant] ? Alan Sanderson, John Sorenson Guitar [Pedal Steel], Electric Guitar ? Ronnie* Lead Vocals ? Mick* Mixed By ? Tom Lord-Alge Mixed By [Assistant] ? Mauricio Riagorri* Percussion ? Jim Keltner Piano, Tambourine, Backing Vocals ? Blondie Chaplin Producer ? Don Was Recorded By ? Dan Bosworth, Jim Scott, Rob Fraboni 3:33 D2 Thief In The Night Backing Vocals ? Bernard Fowler Backing Vocals, Tambourine ? Blondie Chaplin Bass ? Darryl Jones Drums ? Charlie* Electric Guitar ? Ronnie* Engineer [Assistant] ? Alan Sanderson Guitar ? Waddy Wachtel Lead Vocals, Guitar, Acoustic Guitar, Piano ? Keith* Mixed By [Assistant] ? George Fullan Percussion ? Jim Keltner Producer ? Don Was Recorded By ? Dan Bosworth Recorded By, Mixed By ? Rob Fraboni Saxophone ? Joe Sublett Trumpet ? Darrel Leonard* Written-by, Mixed By, Piano [Wurlitzer & Fender Rhodes] ? Pierre De Beauport 5:25 D3 How Can I Stop Arco Bass ? Jeff Sarli Backing Vocals ? Bernard Fowler Backing Vocals, Piano ? Blondie Chaplin Drums ? Charlie* Electric Guitar ? Ronnie* Engineer [Assistant] ? Alan Sanderson Engineer [Assistant], Mixed By [Engineer] ? John Sorenson Guitar ? Waddy Wachtel Lead Vocals, Electric Guitar ? Keith* Percussion ? Jim Keltner Producer, Piano [Wurlitzer] ? Don Was Recorded By, Mixed By ? Rob Fraboni Soprano Saxophone ? Wayne Shorter 5:53 Credits?NNN Edited By [Digital] ? Ron Boustead Executive Producer ? Don Was Mastered By ? Stephen Marcussen Photography By ? Max Vadukul Producer, Executive Producer ? Glimmer Twins, The Written-By ? M. Jagger, K. Richards* Notes? Mastered at Precision Mastering, Hollywood.
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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