ROLLING STONES "BRIDGES TO BABYLON" FACTORY SEALED LP
  $   130

 


$ 130 Sold For
Jan 15, 2012 Sold Date
Mar 21, 2011 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

YOU ARE BIDDING ON A FACTORY SEALED LP BY ROLLING STONES CALLED "BRIDGES TO BABYLON"  IT WAS RELEASED ON VIRGIN LABEL OUT OF THE U.S. IN 1995. THE LP IS FACTORY SEALED WITH NO DEFECTS.

**************DIGITALLY REMASTERED FROM ORIGINAL MASTER RECORDING, 100 % VIRGIN VINYL

ALL LP'S COME IN RESEALABLE JAPANESE MYLAR SLEEVE'S FOR ULTIMATE PROTECTION.


Track Listing
1. Flip the Switch
2. Anybody Seen My Baby?
3. Low Down
4. Already Over Me
5. Gunface
6. You Don't Have to Mean It
7. Out of Control
8. Saint of Me
9. Might as Well Get Juiced
10. Always Suffering
11. Too Tight
12. Thief in the Night
13. How Can I Stop

BRIDGES TO BABYLON was nominated for a 1998 Grammy for Best Rock Album. "Anybody Seen My Baby?" was nominated for a 1998 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal.
Kicking off with Charlie Watt's whip-smart timekeeping, BRIDGES TO BABYLON finds the Rolling Stones swaggering towards the millennium with a record that confidently asserts that rock & roll is far from a young person's game. Don Was returns behind the boards, and joining him at Mick Jagger's behest are uber-technophiles The Dust Brothers. Rather than leaping headlong onto an ill-fitting bandwagon, The Stones wisely gild their rock & roll lily with subtle electronic nuances. The sampled rap tossed into the noirish mood of "Anybody Seen My Baby?" and the swooshing laser sounds of "Might As Well Get Juiced" are present-day window dressing for a legacy deeply rooted in rhythm and blues.
The Stones stop long enough to cleverly acknowledge their past by dropping a harp playing the main riff of "Papa Was A Rolling Stone" into the mid-tempo "Out Of Control" and using "Saint Of Me" to revel in their bad-boy persona. Keith Richards remains the soul of the Stones. His riffing and his endearing rasp continue to stand out, and his crooning on "You Don't Have To Mean It" demonstrates his deep love of reggae. The emotive one-two punch of "Thief In The Night" and "How Can I Stop" shows Keef to be a closet romantic camouflaged by a bad-ass strut.


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