R.E.M.-Chronic Town GARGOYLE LABEL REM+1982 Ticket Stub
$
46
$ 46
Sold For
Jun 6, 2011
Sold Date
May 30, 2011
Start Date
$ 20
Start price
2
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
R.E.M.- Chronic Town 12" EP (IRS SP 70502) ORIGINAL GARGOYLE LABEL with NO BAR CODE ON REAR COVER
plus cool extras:
Original 1982 Concert Ticket Stub from University Of Illinois
Review clippings of the U of Illinois show and Chronic Town review from college paper both by Paul Budin of Illinois band The Outnumbered
Original Gargoyle label first pressing of R.E.M.'s debut EP on IRS Records from 1982 with some rare rare bonus items added on.Also, this one is PRE-BAR CODE! Within months of this release, IRS releases all came with Barcodes.
In addition to the original first edition of REM's debut EP "Chronic Town" EP with the original first run Gargoyle label, the record cover has inside:
- A ticket stub for REM Live at Huff Gym-University Of Illinois Sept 24, 1982, perhaps one of the rarest printed stubbs in the REM canon since back then they didn't typically fill clubs to the extent that print ticket advance sales were commonplace. The ticket stubb is nicely made as only a college back then would, with raised letters for the REM.
- A newspaper clipping reviewing the REM performance at Huff Gym by Paul Budin of Illinois band The Outnumbered (who were formed in 1982 and fronted by Pansy Division's Jon Ginoli): Note that opening for REM that evening were The B Lovers (aka Turning Curious) fronted by Paul Rudd later of The Big Maybe with Ric Menck and Paul Chastain of The Velvet Crush and Weird Summer, Rudd himself recorded solo for Parasol and has played as a member of Velvet Crush on "Stereo Blues".
- A newspaper clipping Chronic Town review by Paul Budin
Tracks are:
1. Wolves, Lower 4:08
2. Gardening At Night 4:33
3. Carnival Of Sorts (Box Cars) 3:51
1. 1,000,000 3:04
2. Stumble 5:39
A M G says of Chronic Town:
Chronic Town established R.E.M.'s signature sound immediately, expanding the jangling riffs of their debut single, "Radio Free Europe," into a full-fledged modus operandi. Recorded at Mitch Easter's Drive-In Studios, the EP has an endearingly ragged sound -- it's a garage band playing jangling pop songs, and while the music is melodic and memorable, it has an underground mentality that keeps it from sounding conventional. Not only does the lo-fi production keep the music underground, but so do Peter Buck's ringing arpeggios, Michael Stipe's incomprehensible mumbled vocals, and the band's amateurish enthusiasm. They might not be accomplished players, but already their songwriting is distinctive, with "Gardening at Night," "Wolves, Lower," and "Carnival of Sorts (Box Cars)" ranking as early classics.
A M G says of REM:
R.E.M. mark the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity and sense of purpose that transformed the American underground. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.
It did take R.E.M. several years to break into the top of the charts, but they had a cult following the release of their debut EP, Chronic Town, in 1982. Chronic Town established the haunting folk and garage rock that became the band's signature sound, and over the next five years, they continued to expand their music with a series of critically acclaimed albums. By the late '80s, the group's fan base had grown large enough to guarantee strong sales, but the Top Ten success in 1987 of Document and "The One I Love" was unexpected, especially since R.E.M. had only altered their sound slightly. Following Document, R.E.M. slowly became one of the world's most popular bands. After an exhaustive international tour supporting 1988's Green, the band retired from touring for six years and retreated into the studio to produce their most popular records, Out of Time (1991) and Automatic for the People (1992). By the time they returned to performing with the Monster tour in 1995, the band had been acknowledged by critics and musicians as one of the forefathers of the thriving alternative rock movement, and they were rewarded with the most lucrative tour of their career. Toward the late '90s, R.E.M. was an institution, as its influence was felt in new generations of bands.
Though R.E.M. formed in Athens, GA, in 1980, Mike Mills (born December 17, 1958) and Bill Berry (born July 31, 1958) were the only Southerners in the group. Both had attended high school together in Macon, playing in a number of bands during their teens. Michael Stipe (born January 4, 1960) was a military brat, moving throughout the country during his childhood. By his teens, he had discovered punk rock through Patti Smith, Television, and Wire, and began playing in cover bands in St. Louis. By 1978, he had begun studying art at the University of Georgia in Athens, where he began frequenting the Wuxtry record store. Peter Buck (born December 6, 1956), a native of California, was a clerk at Wuxtry. Buck had been a fanatical record collector, consuming everything from classic rock to punk and free jazz, and was just beginning to learn how to play guitar. Discovering they had similar tastes, Buck and Stipe began working together, eventually meeting Berry and Mills through a mutual friend. In April of 1980, the band formed to play a party for their friend, rehearsing a number of garage, psychedelic bubblegum, and punk covers in an converted Episcopalian church. At the time, the group was played under the name the Twisted Kites. By the summer, the band had settled on the name R.E.M. after flipping randomly through the dictionary, and had met Jefferson Holt, who became their manager after witnessing the group's first out-of-state concert in North Carolina.
Over the next year and a half, R.E.M. toured throughout the South, playing a variety of garage rock covers and folk-rock originals. At the time, the band was still learning how to play, as Buck began to develop his distinctive, arpeggiated jangle and Stipe ironed out his cryptic lyrics. During the summer of 1981, R.E.M. recorded their first single, "Radio Free Europe," at Mitch Easter's Drive-In Studios. Released on the local indie label Hib-Tone, "Radio Free Europe" was pressed in a run of only 1,000 copies, but most of the those singles fell into the right hands. Due to strong word of mouth, the single became a hit on college radio and topped the Village Voice's year-end poll of Best Independent Singles. The single also earned the attention of larger independent labels, and by the beginning of 1982, the band had signed to I.R.S. Records, releasing the EP Chronic Town in the spring. Like the single, Chronic Town was well received, paving the way for the group's full-length debut album, 1983's Murmur.
With its subdued, haunting atmosphere and understated production, Murmur was noticeably different than Chronic Town and was welcomed with enthusiastic reviews upon its spring release; Rolling Stone named it the best album of 1983, beating out Michael Jackson's Thriller and the Police's Synchronicity. Murmur also expanded the group's cult significantly, breaking into the American Top 40. R.E.M. returned to a rougher-edged sound on 1984's Reckoning, which featured the college hit "So. Central Rain (I'm Sorry)." By the time the band hit the road to support Reckoning, they had become well known in the American underground for their constant touring, aversion to videos, support of college radio, Stipe's mumbled vocals and detatched stage presence, Buck's ringing guitar, and their purposely enigmatic artwork. Bands that imitated these very things ran rampant throughout the American underground, and R.E.M. threw their support toward these bands, having them open at shows and mentioning them in interviews. By 1985, the American underground was awash with R.E.M. sound-alikes and bands like Game Theory and the Rain Parade, which shared similar aesthetics and sounds.
12" EP is MINT-/Cover is VG to VG+ (some dulling of finish, no ring wear, NO BARCODE!!)/Ticket stub has entry tear but is in nice shape/article clippings are predictably aged newspaper yellowing.
I accept payments through Paypal. I also accept payment by mail in US currancy and Checks drawn on US banks (Checks require 10 days to clear the bank). Please do not send cash by postal mail, I cannot be responsible for cash sent by mail.
Buyer pays shipping:
Media Mail To USA : $3.50
Priority Mail To The USA: $7.25 Air Mail To Canada : $7.25
Europe/UK: $12.50
Australia/NZ/Asia/Russia: $12.50
I will ship internationally & I will provide proof of mailing but I cannot guarantee delivery overseas (Italy has been a problem for many sellers) unless the buyer elects to use international priority mailing (ask for details...coverage is limited). It is essential that you provide a clear and accurate address for mailing of a package. Domestic packages to the USA are sent with delivery tracking.
I need to be clear that I can provide proof of shipping on any package mailed, but I cannot be responsible for packages lost in the post. In order to minimize the likelyhood of lost packages I print the address from your paypal payment address and give you the oppportunity to correct the address if necessary. If you pay by postal mail, I ask that you email me your address so that I can print a label from your email.
These prices reflect Priority shipping with coverage of $63.78 added automatically up to 1 pound.
Western Europe: $23.00
Asia : $22.00
Australia: $21.00
New Zealand: $19.50
On May-30-11 at 21:54:53 PDT, seller added the following information:
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