RAMONES "ROAD TO RUIN" 1978 STERLING 1st PRESS EX/NM W/INNER SLEEVE OOP LP

$

25

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.

THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING.

THESE ARE VISUALLY & PLAY GRADED.

ARTISTS: RAMONES

TITLE: “ROAD TO RUIN”

TRACK LISTING: SEE BELOW

Companies, etc.

• Phonographic Copyright (p) – Sire Records, Inc.
• Copyright (c) – Sire Records, Inc.
• Marketed By – Warner Bros. Records Inc.
• Pressed By – Capitol Records Pressing Plant, Los Angeles
• Recorded At – Mediasound
• Mastered At – Sterling Sound
• Published By – Taco Tunes
• Published By – Bleu Disque Music Co., Inc.
• Published By – Metric Music

Credits

• Art Direction – John Gillespie (3)
• Artwork [Front Cover Art] – John Holmstrom
• Artwork [Front Cover Concept] – Gus MacDonald
• Bass – Dee Dee Ramone
• Design [Album Design] – Spencer Drate
• Drums – Marky Ramone
• Engineer [Assistant] – Ray Janos
• Guitar – Johnny Ramone
• Lead Vocals – Joey Ramone
• Mastered By – Greg Calbi
• Photography By [Back Cover Photo] – Danny Fields
• Photography By [Inside Photos] – Bob Gruen, Chip Rock (2)
• Producer, Engineer – Ed Stasium, T. Erdelyi*
• Written-By – Ramones (tracks: A1 to A4, A6 to B6)

Notes

Barcode and Other Identifiers

• Matrix / Runout (Etchings Side A): SRK-1-6063-RE-1-LW1 STERLING
• Matrix / Runout (Etchings Side B): SRK-2-6063-LW2 STERLING
  

LABEL: SIRE RECORDS

CAT.#: SRK-6063

YEAR: 1978

RECORD CONDITION: THE RECORD (VISUALLY & PLAY GRADED). IS IN EX CONDITION (UNLESS OTHERWISE NOTED). NO LINES, SCRATCHES, SMEARS, SMUDGES ETC. THE VINYL HAS A NICE SHINEY BLACK LUSTER. BOTH LABELS IN EXCELLENT CONDITION. THE SONGS PLAY SUPER CLEAN. THE RECORD IS IN NM CONDITION, EXCEPT FOR THE LABEL ON THE BOTTOM OF THE "B" SIDE NOT RIPPED, BUT A LITTLE "OFF" (SEE PHOTO)

SLEEVE CONDITION: IS IN EX/NM CONDITION. NICE CLEAN STRAIGHT EDGES. NO RIPS, TEARS, WRITING, SEAM SPLITS ETC.

OTHER INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. INCLUDES THE ORIGINAL INNER SLEEVE WITH LYRICS. POSTER. MATRIX # SRK-2-6063 LW1 STERLING .

ARTIST INFO:

The Ramones were an American punk rock band that formed in the New York City neighborhood of Forest Hills, Queens, in 1974. They are often cited as the first band to define the punk rock sound. Despite achieving only limited commercial success, the band was vastly influential in both the United States and the United Kingdom.

All of the band members adopted pseudonyms ending with the surname "Ramone", although none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played a farewell concert and disbanded. By 2014, all four of the band's original members had died – lead singer Joey Ramone (1951–2001), bass guitarist Dee Dee Ramone (1951–2002), guitarist Johnny Ramone (1948–2004) and drummer Tommy Ramone (1949–2014).

Recognition of the band's importance built over the years, and they are now mentioned in many assessments of all-time great rock music, such as number 26 in the Rolling Stone magazine list of the "100 Greatest Artists of All Time] and number 17 in VH1's "100 Greatest Artists of Hard Rock". In 2002, the Ramones were ranked the second-greatest band of all time by Spin magazine, trailing only the Beatles. On March 18, 2002, the original four members and Tommy's replacement on drums, Marky Ramone, were inducted into the Rock and Roll Hall of Fame on their first year of eligibility, though Joey had died by then. In 2011, the group was awarded a Grammy Lifetime Achievement Award.

The Ramones recorded their debut album, Ramones, in April 1976. Of the fourteen songs on the album, the longest, "I Don't Wanna Go Down to the Basement", barely surpassed two and a half minutes. While the songwriting credits were shared by the entire band, Dee Dee was the primary writer. The Ramones album was produced by Sire's Craig Leon, with Tommy as associate producer, on an extremely low budget of about $6,400 and released in April. The now iconic front cover photograph of the band was taken by Roberta Bayley, a photographer for Punk magazine. Punk, which was largely responsible for codifying the term for the scene emerging around CBGB, ran a cover story on the Ramones in its third issue, the same month as the record's release.

The Ramones' debut LP was greeted by rock critics with glowing reviews. The Village Voice's Robert Christgau wrote, "I love this record—love it—even though I know these boys flirt with images of brutality (Nazi especially)... For me, it blows everything else off the radio". In Rolling Stone, Paul Nelson described it as "constructed almost entirely of rhythm tracks of an exhilarating intensity rock & roll has not experienced since its earliest days." Characterizing the band as "authentic American primitives whose work has to be heard to be understood", he declared, "It is time popular music followed the other arts in honoring its primitives." Newsday's Wayne Robbins simply anointed the Ramones as "the best young rock 'n' roll band in the known universe."

Despite Sire's high hopes for it, Ramones was not a commercial success, reaching only number 111 on the Billboard album chart. The two singles issued from the album, "Blitzkrieg Bop" and "I Wanna Be Your Boyfriend", failed to chart. At the band's first major performance outside of New York, a June date in Youngstown, Ohio, members of Cleveland punk legends Frankenstein aka the Dead Boys were present and struck up a friendship with the band.[43] It wasn't until they made a brief tour of England that they began to see the fruits of their labor; a performance at the Roundhouse in London on July 4, 1976, second-billed to the Flamin' Groovies, organized by Linda Stein, was a resounding success. T-Rex leader Marc Bolan was in attendance at the Roundhouse show and was invited on stage. Their Roundhouse appearance and a club date the following night—where the band met members of the Sex Pistols and the Clash—helped galvanize the burgeoning UK punk rock scene. The Flamin' Groovies/Ramones double bill was successfully reprised at the Roxy Theatre in Los Angeles the following month, fueling the punk scene there as well. The Ramones were becoming an increasingly popular live act—a Toronto performance in September energized yet another growing punk scene.

Road to Ruin is the fourth studio album by American punk rock band the Ramones, released on September 21, 1978, through Sire Records as LP record, 8 track cartridge & audio cassette . It was the first Ramones album to feature new drummer Marky Ramone, who replaced Tommy Ramone. Tommy left due to lack of previous albums sales and stress while touring; however, he stayed with the band to produce the album with Ed Stasium. The artwork's concept was designed by Ramones fan Gus MacDonald and later modified by John Holmstrom to include Marky instead of Tommy. It features the well-known track "I Wanna Be Sedated."

The songs on Road to Ruin were considered by both fans and critics as an attempt to get the band more airplay. The album incorporated musical elements which were unheard of in punk rock, such as guitar solos and ballads. The difference in style caused for mixed reviews by critics, with many pointing out that the band was trying to sell more records through a change in form. This attempt by the band failed, as Road to Ruin peaked at 103 on the Billboard 200, over 50 places behind its predecessor, Rocket to Russia.

Conception[edit]

After the band's previous album Rocket to Russia saw poor album sales, drummer Tommy Ramone left his performing position to focus primarily on producing for the band. After Tommy suggested they search for a new drummer, they began looking in New York City based clubs.[2] While at CBGBs, Ramones bassist Dee Dee Ramone approached Marc Bell (Marky Ramone) – who was his friend and had previously been the drummer in Richard Hell and the Voidoids – asking him if he was interested in joining the Ramones. A month after this encounter, Bell was invited by Danny Fields to audition for the band. Around twenty others auditioned to be the drummer with the band wanting Marky. Marky played "I Don't Care" and "Sheena Is a Punk Rocker" and Johnny, Joey and DeeDee after the audition, wanted him in the band. Marky Ramone took over the drum throne, replacing Tommy Ramone. He continues in Tommy's style while adding a few new and needed licks.

Three weeks after Marky joined the band, the Ramones began recording Road to Ruin in Midtown Manhattan at Media Sound Studios, the premises of a former Episcopalian Church. Album engineer Ed Stasium explained the recording process: "After Tommy left the band, we went straight into working on the Road to Ruin album with Marky Ramone. We rehearsed with Marky, just getting it down. Then we went into the studio, recorded, and mixed the record at Media Sound. We spent a lot of money, and the entire summer, on Road to Ruin." Music critic John Young of Rolling Stone called the album's production "clean and simple", but pointed out that the track "Bad Brain" contained "funny noises" suggested by the producers in between drum beats, which prevents the song from having the humorous asperity that was intended.

The artwork's concept was originated by Ramones fan Gus MacDonald, who illustrated the members performing with a lobster claw coming out of an amplifier and a snake around their feet. Following the drawing's completion, MacDonald sent it to the band and they decided to make it their Road to Ruin album cover. This sketch did, however, include original drummer Tommy, so the drawing had to be modified to depict Marky instead. This alteration was undergone by artist John Holmstrom, a Punk magazine associate and designer

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