Pink Floyd "Pulse" Vinyl 4 LP Box Set with Hardback Book NM- 1995 OOP
  $   395

 


$ 395 Sold For
Dec 20, 2015 Sold Date
Dec 13, 2015 Start Date
$   100 Start price
21   Number Of Bids
  USA Country Of Seller
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Description


You are bidding on Pink Floyd's 1995  "Pulse" Vinyl 4 LP Box Set with Hardback Book . Vinyl rated NM as it has been played very little. Box, book and Sleeve Covers are rated NM- as the items have been taken out of the slip case on occasion. Details: Out of Print & Extremely Rare  EMI UK?– 7243 8 32700 1 9, "Pulse" was released on May 29, 1995 following their 1994 Division Bell Tour and was not intended to be a LIVE release. I will answer all questions promptly.  Please do not bid until you have looked at all the photos and have no questions. Records Safely packaged and shipped worldwide  -Thank You for Your Time- 


 Vinyl Rating Guide 
Sealed Copy/Mint: Brand new and unused.  Near Mint/NM- : Record shows no to little wear and no scratches, could be unplayed.  VG+: A Very Good Plus record will show some signs that it was played, surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't listening experiences. VG: Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Good: Can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. Fair: The record is cracked, badly warped, and won't play through without skipping or repeating.

Cover Rating Guide  Sealed Copy/Mint: Brand new and unused. Near Mint/NM-: An LP cover should have no creases, folds, seams splits or other similar defects. VG+: A cover may show signs of wear and even a cut out or cut off corner but remains a nice cover. VG+: An LP Cover may have slight signs of wear and be marred by a cut-out hole or corner cut off. VG: cover may be marred by writing, or have tape. VG: Cover may be marred by writing or have tape/stickers as well as their residue. Good: A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. Fair: The LP cover is water damaged, split on all three seams or heavily marred by wear and writing. Cover barely keeps the LP inside it.


Album Features UPC: 074646706411 Artist: Pink Floyd Format: Vinyl Release Year: 1995 Record Label: Columbia (USA) Genre: Art Rock, Rock & Pop Number Of Discs: 2 Discs
Track Listing
DISC 1:
1. Shine on You Crazy Diamond
2. Astronomy Domine
3. What Do You Want From Me
4. Learning to Fly
5. Keep Talking
6. Coming Back to Life
7. Hey You
8. Great Day For Freedom, A
9. Sorrow
10. High Hopes
11. Another Brick in the Wall (Part Two)

DISC 2:
1. Speak to Me
2. Breathe
3. On the Run
4. Time
5. Great Gig in the Sky, The
6. Money
7. Us and Them
8. Any Colour You Like
9. Brain Damage
10. Eclipse
11. Wish You Were Here
12. Comfortably Numb
13. Run Like Hell

Details Playing Time: 143 min. Producer: David Gilmour, James Guthrie Distributor: Sony Music Distribution ( Recording Type: Live Recording Mode: Stereo SPAR Code: n/a
Album Notes
Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Nick Mason (drums).
Additional personnel: Tim Renwick (vocals, guitar); Dick Parry (saxophone); Jon Carin (vocals, keyboards); Guy Pratt (vocals, bass); Gary Wallis (percussion); Sam Brown, Claudia Fontaine, Durga McBroom (background vocals).
Recorded live in Europe and The United Kingdom in 1994.
Recorded at Earls Court Arena, London, England.
Pink Floyd: David Gilmour (vocals, guitars); Richard Wright (vocals, keyboards); Nick Mason (drums).
Additional personnel: Tim Renwick (vocals, guitar); Jon Carin (vocals, keyboards); Guy Pratt (vocals, bass); Dick Parry (saxophone); Gary Wallis (percussion); Sam Brown, Claudia Fontaine, Durga McBroom (background vocals).
Recorded live in Europe and The United Kingdom in 1994.
Pink Floyd: David Gilmour (vocals, guitars); Richard Wright (vocals, keyboards); Nick Mason (drums).
Additional personnel: Tim Renwick (vocals, guitar); Jon Carin (vocals, keyboards); Guy Pratt (vocals, bass); Dick Parry (saxophone); Gary Wallis (percussion); Sam Brown, Claudia Fontaine, Durga McBroom (background vocals).
Recorded live in Europe and The United Kingdom in 1994.
No matter which of Pink Floyd's leaders (Barrett, Waters, Gilmour) is at the controls, the band has always been about grandeur. The epic scale of their psychedelic explorations, the life-altering themes of their recordings, their ground-breaking, conceptual stagings, have all helped in the construction of the group's mythology. And more than any other rock band's, Pink Floyd's myths have endured even as the band and its fans have grown older.
A live double album, PULSE works not only as an extended postcard of 1994's biggest tour, but as the Floyd's myth re-charger. Consider the facts: the release was celebrated with a laser-light show atop the Empire State Building, and the spine of the CD package features a perpetually blinking light. But, as is always the case with Pink Floyd, there is method in their madness. The blinking light harkens back to the heartbeat that is the unifying theme of their classic DARK SIDE OF THE MOON album, which is performed in its entirety on disc two.
Disc one is an approximation of the band's first set, featuring a powerful run through Syd Barrett's "Astronomy Domine" (the definition of late-'60s British psychedelia), as well as a host of songs from 1987's MOMENTARY LAPSE OF REASON and '94s DIVISION BELL. But the second set is the true keeper of the two. Having made its tour debut on the 25th anniversary of the Apollo moon landing, DARK SIDE loses none of its glow when transferred to a live setting. David Gilmour ably handles Roger Waters' vocal parts, and emphasizes instrumental interludes--"On The Run," for instance, sounds like a true precursor to The Orb's ambient noodlings. The radio hits ("Money," "Us and Them," "Brain Damage") are all re-interpreted enough to sound novel, but still retain a comforting familiarity.
No matter which of Pink Floyd's leaders (Barrett, Waters, Gilmour) is at the controls, the band has always been about grandeur. The epic scale of their psychedelic explorations, the life-altering themes of their recordings, their ground-breaking, conceptual stagings, have all helped in the construction of the group's mythology. And more than any other rock band's, Pink Floyd's myths have endured even as the band and its fans have grown older.
A live double album, PULSE works not only as an extended postcard of 1994's biggest tour, but as the Floyd's myth re-charger. Consider the facts: the release was celebrated with a laser-light show atop the Empire State Building, and the spine of the CD package features a perpetually blinking light. But, as is always the case with Pink Floyd, there is method in their madness. The blinking light harkens back to the heartbeat that is the unifying theme of their classic DARK SIDE OF THE MOON album, which is performed in its entirety on disc two.
Disc one is an ...

Editorial Reviews
3 Stars - Good - ...The music on PULSE is generally good and often splendid....a beautiful artifact...
Q (07/01/1995)

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