Pink Floyd - P.U.L.S.E. (Pulse) EU 180g Reissue Pressing 2018 Box/Vinyl MINT
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  $   194   

 


€ 167   (best offer accepted)   Sold For
Jan 29, 2026 Sold Date
Jan 10, 2026 Start Date
1 Number Of Bids
  Germany Country Of Seller
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Description

Non esitate a inviarmi una proposta del prezzo desiderato...è sempre possibile uno sconto di almeno il 15%! Zögern Sie nicht und schicken Sie mir Ihren Preisvorschlag...mindestens 15% Rabatt sind immer drin! Don't hesitate to send me your price offer...at least 15% discount is always possible!

“P.U.L.S.E.” is still a marvelous journey to behold. A wonderful choice on song selection was done for this release, with respectful numbers of new, older and even some really old obscure tunes for the longtime fans. Everything on P.U.L.S.E. from the production of the music, to its seemless track flow (a FLOYD standard), right down to the packaging is top notch. This is an historical document of FLOYD’s work and worth acquiring.
While having a decent number of ‘new’ (i.e. five “Division Bell”) songs, P.U.L.S.E. does not overdo it; whereas maybe “The Delicate Sound of Thunder” did have too many new “AMLOR” songs on it. As usual with FLOYD, the live versions of these newer songs have new life breathed into them and generally sound fresher than those offered on the original studio versions.
“Lime and limpid green, the second scene..”
The most enjoyable thing about this edition is the FLOYD ‘classic era’ stuff. There were people leaving the event in 1994 saying joyfully “I can’t believe they actually played ‘Astronomy Domine’!” While a little faster paced than the original, it was still quite remarkable to hear the band crank this old chestnut out live. Listen to the roar of the crowd when the initial guitar riffs of ‘Domine’ are recognized.
Many reviewers have mentioned that they actually prefer the complete live version of “Dark Side of the Moon” offered here over the original studio gem. I’d tend to agree with them, except for one small point. There is the glaring absence of a certain Mr. Waters that should be singing the climactic ‘Brain Damage/Eclipse’ portion of this prog masterpiece. For this reason, a star HAS to be deducted from the final rating. But aside from that, hearing the band play ‘Speak To Me’, ‘Any Colour You Like’, ‘Great Gig in the Sky’ and ‘On The Run’ in the full live version of “Dark Side” is priceless, and for this reason alone is worth buying this release.
A final note about the packaging. Marketing directors take note! This is how you should release music to your fans!
The “P.U.L.S.E.” Iris image on its cover is unique in its display. Look closely inside the image, what do you see? A bike…clock machinery…a children’s doll with red slippers… Surely these are references to BARRETT’s ‘Bike’, WATERS’ ‘Time’ and the female doll with the ruby slippers, well that’s Dorothy of course! It is by paying attention to little details like these, that FLOYD and Storm Thorgerson have acheived an almost cult status among its followers.
Dave Gilmour is in top form here. His singing and note-bending on his stratocaster is untouchable, especially on “Numb”. A mind-boggling 2 and 1/2 hours of live FLOYD music.
Highly recommended.
Box & Vinyl Neu, Mint, Versiegelt

Pink Floyd ‎– Pulse
Label: Pink Floyd Records ‎– PFRLP17 Format: 4 × Vinyl, LP, Album, Reissue, Remastered, 180 gram Box Set  Country: Europe Released: 18 May 2018 Genre: Rock Style: Psychedelic Rock, Pop Rock
Tracklist A1 Shine On You Crazy Diamond 13:30 A2 Astronomy Domine 5:25 A3 What Do You Want From Me 4:10
B1 Learning To Fly 5:06 B2 Keep Talking 6:56 B3 Coming Back To Life 6:31
C1 Hey You 4:50 C2 A Great Day For Freedom 4:20 C3 Sorrow 10:30
D1 High Hopes 7:50 D2 Another Brick In The Wall (Part Two) 6:50 D3 One Of These Days 6:51
The Dark Side Of The Moon Live
E1 Speak To Me 2:28 E2 Breathe 2:40 E3 On The Run 3:41 E4 Time 6:48
F1 The Great Gig In The Sky 5:51 F2 Money 8:46
G1 Us And Them 7:08 G2 Any Colour You Like 3:19 G3 Brain Damage 4:02 G4 Eclipse 1:38
Encores
H1 Wish You Were Here 5:40 H2 Comfortably Numb 9:10 H3 Run Like Hell 7:58
Companies, etc. Record Company – Warner Music Group Marketed By – Parlophone Records Ltd. Distributed By – Parlophone Records Ltd. Copyright (c) – Pink Floyd Music (1987) Ltd. Phonographic Copyright (p) – Pink Floyd Music (1987) Ltd. Recorded By – Le Voyageur II Mixed At – Astoria (2) Lacquer Cut At – Bernie Grundman Mastering Mastered At – The Mastering Lab Pressed By – Record Industry – 18899 Published By – Pink Floyd Music Publishers Ltd. Published By – Westminster Music Ltd.
Credits Backing Vocals – Claudia Fontaine, Durga McBroom, Sam Brown Bass [1963 Fender Jazz Spector NS2, Stratus 5 String (Fretted & Fretless], Vocals – Guy Pratt Computer [Cover Photography] – Jason Reddy Design [Album Cover Design - With] – Finlay Cowan, Jon Crossland Design [Album Cover Design] – Storm Thorgerson Drums, Percussion [Drum Workshop Drums & Pedals, Paiste Cymbals Latin Percussion, Promark Drumsticks] – Nick Mason Engineer [Assistant] – Sean O'Dwyer Graphics, Artwork – Peter Curzon Graphics, Artwork [With] – Julien Mills, Mark Fraser (2) Guitar, Vocals, Electric Guitar [Fender Custom Shop Stratocaster], Acoustic Guitar [Takamine 6 Acoustic String], Twelve-String Guitar [Takamine 12 Acoustic String], Acoustic Guitar [Gibson 'Chet Atkins' Acoustic], Guitar [Ovation Hi-String] – Tim Renwick Keyboards, Vocals, Synthesizer [Kurzweil K2000, Kurzweil Midi Board], Organ [Hammond B-3] – Richard Wright Keyboards, Vocals, Synthesizer [Kurzweil K2000], Sequencer [Roland MC500 II Sequencer] – Jon Carin Lacquer Cut By – BG* Lead Guitar, Lead Vocals, Electric Guitar [Fender Stratocaster & Telecaster], Acoustic Guitar [Gibson Acoustic], Lap Steel Guitar [Fender & Jedson], Classical Guitar [Gibson 'Chet Atkins' Classical] – David Gilmour Management – EMKA Productions Ltd*, Steve O'Rourke (2) Mixed By [Front Of The House Mixer] – Andy Jackson, Colin Norfield Mixed By [Monitor Mixer] – Seth Goldman Percussion [Drum Workshop Drums & Hardware, Zildjian Cymbals Latin Percussion, Vater Drumsticks], Sampler [Kurzweil K2000R Sampler] – Gary Wallis Photography By [Cover - With] – Robert Llewellyn, Rupert Truman Photography By [Cover] – Andy Earl, Tony May (4) Photography By [Live] – Andy Earl, Claude Gassian, Denis O'Regan, Dimo Safari, Jill Furmanovsky, Lester Cohen, Michael Dwornik, Tony May (4) Producer – David Gilmour, James Guthrie Recorded By [Recording Équipe] – Alain Aboulker, Bernard 'Papy' Vainer*, Manu Dajee, René Weis, Roger Robindoré Recorded By, Mixed By – James Guthrie Remastered By – Bernie Grundman, James Guthrie, Joel Plante Saxophone, Tenor Saxophone [Selmer Super Action Tenor], Baritone Saxophone [Selmer SA80-Serie II Baritone] – Dick Parry Technician [Equipment - Backline Chief And Guitars For David Gilmour] – Phil Taylor (5) Technician [Equipment - Drums For Nick Mason] – Clive Brooks Technician [Equipment - Guitars For Guy Pratt] – Sid Pryce Technician [Equipment - Guitars For Tim Renwick] – Adey Wilson Technician [Equipment - Keyboards For Richard Wright And Jon Carin] – Andy Ledbetter Technician [Equipment - Percussion For Gary Wallis] – Clint Lockyer
Notes Book: Recorded live in Europe and the UK with Le Voyageur II Mobile. Mixed at Astoria in Q Sound. Mastered at The Mastering Lab. This is an analogue recording.
With Thanks to: Marc Brickman, Mark Fisher and Robbie Williams and all the crew who worked on the tour between March and October 1994.
Records 1 & 2: All tracks published by Pink Floyd Music Publishers Ltd. except 'Astronomy Domine': Westminster Music Ltd. Records 3 & 4: All tracks published by Pink Floyd Music Publishers Ltd.
Labels: Made in the EU.
Includes one more track than the CD releases (D3 One Of These Days).
Packaged in a hard box with a 52 page hardback book featuring credits and colour photographs from the concerts.
Hype sticker on front cover (on shrink).

M (Mint) - Neu, meistens versiegelt, nie gespielt

NM (Near Mint) - So gut wie neu, 1-2 Mal gespielt

EX (Excellent) - Mit geringfügige Spuren des Gebrauchs, minimale Störungen möglich

VG (Very Good) - Unter Umständen deutliche Spuren des Gebrauchs, einige Störungen hier und hörbar, Platte aber voll geniessbar (95% aller gebrauchten Platten weltweit sind VG/VG+)

Das Pluszeichen (+) wertet die entsprechende Benotung etwas auf


M (Mint) - New, mostly sealed, never played

NM (Near Mint) - As good as new, played 1-2 times

EX (Excellent) - With minor traces of use, minimal interference possible

VG (Very Good) - Under certain circumstances clear traces of use, some disturbances audible here and there, but vinyl fully enjoyable (95% of all used records worldwide are VG / VG +)

The plus sign (+) evaluates the corresponding rating slightly

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Deutschland: Versand 6,50 EUR, versichert und trackbar, durch Hermes


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