PRINCE Around The World In A Day RARE Record Club Edition 1985 Vinyl LP

$

24

PRINCE AND THE REVOLUTION – AROUND THE WORLD IN A DAY

ORIGINAL1st EDITION 1985 VINYL LP

COLUMBIA HOUSE RECORD CLUB EDITION

PAISLEY PARK RECORDS / WARNER BROTHERS

The catalog numbers appear as follows:
9 W1-25286 (flap)
1-25286 (labels)

Vinyl- EXCELLENT PLUS (EX+) One small scuff. Otherwise NM

Outer Sleeve - VERY GOOD (VG) The highly fragile perforated flap has wear on the spine and is starting to come attached. A little ringwear and some wear at corners/edges. A few small creases at edges.. NO BARCODE. Gatefold Sleeve.

Inner Sleeve – Shipped in a new sleeve.

Smoke-free home

Tracklist

A1

Around The World In A Day

3:25

A2

Paisley Park

4:41

A3

Condition Of The Heart

6:46

A4

Raspberry Beret

3:31

A5

Tamborine

2:46

B1

America

3:40

B2

Pop Life

3:42

B3

The Ladder

5:26

B4

Temptation

8:21

Barcodeand Other Identifiers

• Barcode: none
• Rights Society: ASCAP
• Matrix / Runout (Side A): WI-25286 A-IB  o G1
• Matrix / Runout (Side B): WI-25286 B-IC o G1

Companies, etc.

• Published By – Controversy Music
• Copyright (c) – Warner Bros. Records Inc.
• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Recorded At – Paisley Park Studios
• Recorded At – Sunset Sound
• Recorded At – Mobile Audio
• Recorded At – Capitol Studios
• Mastered At – Bernie Grundman Mastering
• Manufactured By – Columbia House – 1-25286

Credits

• Cover, Design [Design And Assembly] – Laura LiPuma
• Cover, Painting [Cover Painting] – Doug Henders
• Cover, Photography By [Interspread] – Nancy Bundt
• Engineer [Engineered] – David Leonard, David Tickle, Peggy Mac*, Prince, Susan Rogers
• Illustration [Photo Illustration] – Dan Chapman (3)
• Legal [Legal Rep] – Lee Philips*
• Management – Cavallo, Ruffalo & Fargnoli
• Management [Accounting] – Moultrie Accountancy*
• Mixed By – Prince
• Mixed By [Assisted By] – Susan Rogers
• Producer, Arranged By, Composed By, Performer – Prince And The Revolution

Notes

Gatefold sleeve with perforated flap

Manufactured by Columbia House Under License (inside of cover)

All songs © 1985
Controversy Music ASCAP

Flap:
Paisley Park, manufactured and distributed by Warner Bros. Records Inc., aWarner Communications Company © 1985 Warner Bros. Records Inc. ? 1985 WarnerBros. Records Inc. for the U.S. and WEA International Inc. for the worldoutside of the U.S. Made in U.S.A.

Printed in U.S.A.

Recorded at Paisley Park (tracks A1, A2, A4 to B1), Sunset Sound (tracks A3& B2), Mobile Audio (Track B3) and ar Capitol Records (track B4)

ALL ALBUMS VISUALLY GRADED but mayhave notes from listening.
ALL ALBUMS ARE FIRST ISSUES. 1st Pressing, Repressing,Reissue, or Unofficial will be noted.

SHIPPING CHARGES and information

• Items packaged securely with bubble wrap in a cardboard box made for LPs. Albums removed from outer sleeve and shipped in new inner sleeves to protect the original (when appropriate). Cardboard filler added for stability.

• Shipping is $4.25 for the first album (unless otherwise noted).
• 50¢ for each additional album.
• Please wait for invoice on combined ship order.

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GOLDMINE / DISCOGS RECORD GRADING
MINT (M)
Absolutely perfect in every way. Certainly never been played, possibly evenstill sealed. Should be used sparingly as a grade, if at all. 
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retailstore and it was opened for the first time.” In other words, it’s nearlyperfect. Many dealers won’t use a grade higher than this, implying (perhapscorrectly) that no record or sleeve is ever truly perfect. NM records areshiny, with no visible defects, more than likely never been played. The record should showno obvious signs of wear. Writing, stickers or other markings cannot appear onthe label, nor can any “spindle marks” from someone trying to blindly put therecord on the turntable. Major factory defects also must be absent; a recordand label obviously pressed off center is not Near Mint. If played, it will doso with no surface noise. (NM records don’t have to be “never played”; a recordused on an excellent turntable can remain NM after many plays if the disc isproperly cared for.) NM covers are free of creases, folds, cut-out holes, ringwear and seam splits of any kind. The same should be true of any other inserts,such as posters, lyric sleeves, etc.  NOTE: These are high standards, andthey are not on a sliding scale. A record or sleeve from the1950s must meet thesame standards as one from the 1990s or 2000s to be Near Mint! It’s estimatedthat no more than 2 to 4 percent of all records remaining from the 1950s and1960s are truly Near Mint. This is why they fetch such high prices, even formore common items.
VERY GOOD PLUS (VG+) or EXCELLENT (E)
A good description of a VG+ record is “except for a couple minor things, thiswould be Near Mint.” Most collectors, especially those who want to play theirrecords, will be happy with a VG+ record, especially if it toward the high endof the grade (sometimes called VG++ or E+).
VG+ records may show some slight signs of wear, including light scuffs or verylight scratches that do not affect the listening experience. Slight warps thatdo not affect the sound are OK. Minor signs of handling are OK, too, such astelltale marks around the center hole, but repeated playing has not misshapenthe hole. There may be some very light ring wear or discoloration, but itshould be barely noticeable. VG+ covers should have only minor wear. A VG+cover might have some very minor seam wear or a split (less than one inch long)at the bottom, the most vulnerable location. Also, a VG+ cover may have somedefacing, such as a cut-out marking. Covers with cut-out markings can never beconsidered Near Mint.
Very Good (VG)
Many of the imperfections found on a VG+ record are more obvious on a VGrecord. That said, VG records are among the biggest bargains in recordcollecting, because most of the “big money” goes for more perfect copies. Formany listeners, a VG record or sleeve will be worth the money. VG records havemore obvious flaws than their counterparts in better shape. They lack most ofthe original gloss found on factory-fresh records. Groove wear is evident onsight, as are light scratches deep enough to feel with a fingernail. Whenplayed, a VG record has surface noise, and some scratches may be audible,especially in soft passages and during a song’s intro and ending. But the noisewill not overpower the music otherwise.
Minor writing, tape or a sticker can detract from the label. Many collectorswho have jukeboxes will use VG records in them and not think twice. They remaina fine listening experience, just not the same as if it were in better shape.VG covers will have many signs of human handling. Ring wear in the middle oralong the edges of the cover where the edge of a record would reside, isobvious,though not overwhelming. Some more creases might be visible. Seamsplitting will be more obvious; it may appear on all three sides, though itwon’t be obvious upon looking. Someone might have written or it or stamped aprice tag on it,too. Goldmine price guides with more than one price will listVery Good as the lowest price.  
Good (G), Good Plus (G+) or Very Good Minus (VG–)
Good does not mean bad! The record still plays through without skipping, so itcan serve as filler until something better comes along. But it has significantsurface noise, scratches groove wear, and the label is worn, with significantring wear, heavy writing, or obvious damage caused by someone trying to removetape or stickers and failing miserably. A Good to VG– cover has ring wear tothe point of distraction, has seam splits obvious on sight and may have evenheavier writing, such as, for example, huge radio station letters writtenacross the front to deter theft. If the item is common, it’s probably better topass it up. But if you’ve been seeking it for a long time, get it cheap andlook to upgrade. While the record will be playable without skipping, noticeablesurface noise and "ticks" will almost certainly accompany theplayback.  
POOR (P) and Fair (F)
Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, ifthey go at all. More likely, they end up going in the trash. Records arecracked, impossibly warped, or skip and/or repeat when an attempt is made toplay them. Covers are so heavily damaged that you almost want to cry