PLUS - THE SEVEN DEADLY SINS - PROBE CPLP-4513 - RARE PSYCH ART ROCK
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Description
PLUS - THE SEVEN DEADLY SINS - PROBE CPLP-4513 - RARE PSYCH ART ROCK
Description :
PLUS - THE SEVEN DEADLY SINS
RECORD LABEL CATALOG #
PROBE\ABC - CPLP-4513
VINYL GRADE
NM8 - Stock Copy
COVER GRADE
EX7 to NM8 with top left corner drill hole and faint amount of front cover wear. Die-cut cover
ARTIST
PLUS
Mike Newman - drums
Tony Newman - lead guitar
Max Simms - bass
PERFORMANCE/TRACKS
(side 1)1.) Introit: Twenty Thousand People
2.) Gloria In Excelsis: Toccata
3.) Avarice: Daddy's Thing
4.) Pride: Pride
5.) Sloth: Open Up Your Eyes
6.) Wrath: Gemegemera
(side 2)
1.) The Secrets: Devil's Hymn (instrumental)
2.) Lust: Maybe You're The Same
3.) Envy: I'm Talking As a Friend
4.) Gluttony: Something To Threaten Your Family
5.) The Dismissal: Twenty Thousand People
Comments or Matrix notes
As Plus, brothers Mike (drums) and Tony (guitar) Newman and bassist Max Simms found an impressive mentor in the form of ex-Yardbirds bassist/producer Simon Napier-Bell. Guitarist Tony Newman had been a member of The Jeff Beck Group which seeming brought him to the attention of Napier-Bell who was instrumental in getting the trio a recording deal with ABC's short-lived Probe subsidiary, debuting with a 1968 single:
- 'Twenty Thousand People' b/w 'I'm Talking As a Friend' (Probe catalog number 478)
In addition to co-producing 1969's "The Seven Deadly Sings", Napier-Bell and Ray Singer were credited with co-writing roughly half the album. A goofy concept piece that essentially surrounded the seven deadly sins with an ever changing series of musical genres, the set seemed to be a clumsy effort to cash in on the public's interest in religion-meets rock and roll (aka The Electric Prunes' 1968 "Mass In F Minor"). Thematically and lyrically the album was clearly linked via brief spoken intros and instrumental interludes, which made it even funnier to discover that musically the set was all over the spectrum. Material such as their rendition of 'Gloria In Excelsis: Toccata' and 'The Secrets: Devil's Hymn' mixed classical influences with church choirs and progressive moves. Elsewhere 'Pride: Pride' and 'Envy: I'm Talking As a Friend' offered up a startling pair of Badfinger-styled pop jewels, while 'Avarice: Daddy's Thing' was surprisingly funky and 'Wrath: Gemegemera' was standard hard rock. The musicianship was actually quite impressive with the Mike Newman and Max Simms rhythm section generating quite a bit of energy on tracks like 'Twenty Thousand People'. The liner notes didn't provide any information with respect to vocals, but whoever the lead singer was had a pretty interesting voice that was capable of handling everything from quasi-punk aggression ('Wrath: Gemegemera'), to Badfinger-styled pop.
- 'Introit' started out sounding like a bunch of warlocks chanting some sort of incantation ... and the someone yelling out "the internal circle" over and over ... very strange. rating: ** stars
- In spite of the dark and depressing lyric, musically 'Twenty Thousand People' has always reminded me of one of those '60s-era soda commercials, but instead of selling Coke, or Pepsi this one sounded like it was marketing arsenic, or rat poison. The title refrain was quite commercial, as was one the song itself - easy to see why Probe tapped it as the single. Darn, I'm humming it right now. rating: *** stars
- It was nice to see Napier Bell and Singer giving themselves credit for penning 'Gloria In Excelsis: Toccata' since the melody was a straight lift from what you hear in at your local church's midnight mass. Yeah, the lyrics were updated a bit to fit the overarching theme. Regardless, it stood as one of the album's most impressive performances. How could you go wrong with one of mankind's classic melodies ? rating: **** stars
- Written by the Newman brothers, 'Avarice: Daddy's Thing' opened up with some interesting classical moves before morphing into a rollicking guitar and keyboard-propelled rocker. Very English sounding. rating: **** stars
- 'Pride: Pride' Sounds like a Badfinger tune. As mentioned, I'm not sure who handled vocals on these tracks, but this one was a dead ringer for Pete Ham and company with one of those Beatles-styled melodies that was simply perfect for top-40 radio. rating: **** stars
- 'Sloth: Open Up Your Eyes' was another first-rate rocker with some pounding Max Simms bass and one of the album's best Tony Newman guitar solos. rating: **** stars
- Opening up with another brief Badfinger-styled melodic snippet, 'Wrath: Gemegemera' then went off into a Black Sabbath-meets-Motorhead direction. Simms' crashing bass and the soccer hooligan chants were the icing on the cake. rating: **** stars
- The maniacal "turn your eyes .." opening was worth a chuckle; the Gregorian chanting was momentarily interesting and then 'The Secrets: Devil's Hymn' turned into a forgettable atmospheric piece with a totally out-of-place jazzy interlude dumped in the middle of the track. rating: ** stars
- Kicked along by some jangle-rock guitar and Mike Newman Keith Moon-styled drumming, 'Lust: Maybe You're The Same' really did sound a bit like a lost Who piece. Certainly one of the more interesting tracks on the LP. rating: *** stars
- 'Envy: I'm Talking As a Friend' was another track bathed in a gleaming pop melody and some wonderful harmony vocals. The lyrics on this one were actually hysterical - hard to imagine some nailing the envy concept any better. rating: **** stars
- 'Gluttony: Something To Threaten Your Family' was given a suitable molten rock treatment. The inclusion of some nice Newman lead guitar and glistening harmony vocals saved it from also-ran status. rating: *** stars
- Ah back to a moment of hell and brimstone before the album ended with a totally strange mix of pop, doo-wop and sound collage reprise of the opener 'The Dismissal: Twenty Thousand People'. Yeah, it didn't make much sense, but was kind of an interesting way to end this freaky set. rating: ** stars
Needless to say, sales were far and few.
I have been a part time seller of Original Vintage Audiophile, Classical, Jazz, and Rock records on eBay for over 15 years and an avid vinyl junkie for over 35 years when I got my first job in a used record store in Northern CA. With 100% satisfaction rating and many repeat customers, I aim to please with every transaction.
All records are professionally cleaned and graded visually and if necessary play graded.
I will try and answer all questions prior to end of auction but please give as much time as possible. Buy with confidence! All items come with a money back guarantee!!
Goldmine grading guidelines
10 point Grading System-- GRADING STANDARDS FOR EP AND LP COVERS The following are the grading standards used by Vinylfever for 45 RPM and LP covers and records Note that there are two grades in each listing for every 45 RPM and LP.
COVERS
GEM MINT (GEM-MT 10): Cover is brand new! Cover artwork is virtually perfect with no noticeable manufacturing defects.
MINT (MT 9): Cover is new with no visible wear. Cover artwork colors are full and bright. There will be no serious manufacturing defects.
NEAR MINT (NM 8 or "M-"): Cover appears new at first glance. There will be some barely noticeable wear. Cover artwork colors are full, but may be subdued. White areas may show some very slight mellowing.
EXCELLENT (EX 7 or "VG++"): Cover shows some very minor wear, but no serious defects. Cover artwork colors are complete, but may show some minor friction or light flaking. The corners will still be relatively sharp. May show some age mellowing of the white and colored areas.
VERY GOOD to EXCELLENT (VG-EX 6 or "VG+"): Some moderate wear will be noticeable on artwork, but there will be no serious problems. There will be no major fraying of the corners.
VERY GOOD (VG 5): Cover will show obvious signs of wear. Portions of the artwork colors may be flaked off. There may be writing, non-major tears, stains, or other abuses. Corners may be somewhat frayed.
GOOD to VERY GOOD (GD-VG 4 or "VG-"): Cover shows heavy wear. Portions of the cover artwork may be almost worn off and may show some scratches, or other major abuses. Corners may be very tattered.
GOOD (GD 3): Cover shows very heavy wear. Some portions of the cover artwork may be worn off. Corners may be rounded. There may be some serious scratches, tears, splits, or serious problems.
FAIR (FR 2): Cover shows extreme wear and major portions of cover artwork may be missing. Cover may have very serious scratches and tears, or other disfiguring defects.
POOR (PR 1): Mutilated, but identifiable.
RECORDS
GEM MINT (GEM-MT 10): Vinyl has no imperfections. Vinyl gloss is 100% full and blazing. Label has no wear. Label has no noticeable imperfections. Label displays ultra bright, original color.
MINT (MT 9): Vinyl has no noticeable imperfections. Vinyl gloss is full. No label wear should be evident. Label has no major imperfections. Label should display full, original color, but may have a spindle mark or two.
NEAR MINT (NM 8 or "M-"): Vinyl has a few minor imperfections. Vinyl
gloss nearly full. Label wear, if any, should be barely dectectable. May have a few minor label imperfections. Label should display full, original color, although it may be somewhat subdued. Record should play without surface noise.
EXCELLENT (EX 7 or "VG++"): Vinyl has a few noticeable imperfections. Vinyl should display some gloss. May have slight label wear. May display some label imperfections, but nothing major. May exhibit slight fading of label color. Record may play with some very slight surface noise, but nothing distracting.
VERY GOOD to EXCELLENT (VG-EX 6 or "VG+"): Vinyl has noticeable, but not major, imperfections. May display some original gloss. Label can show some wear, but cannot have large areas of wear. Can have some noticeable label imperfections. Record may play with some slight surface noise, but nothing that impedes the sound.
VERY GOOD (VG 5): Vinyl has several moderate and/or one or two major flaws. Vinyl gloss may not be evident. Label may show wear. Label has several moderate and/or one or two major imperfections, such as writing, tears, stains, etc. Record may play with some slight surface noise, but nothing that overwhelms the sound. Label may be somewhat faded or discolored. May have some writing, tears, tape or seam splits.
GOOD to VERY GOOD (GD-VG 4 or "VG-"): Vinyl has some major imperfections. Label may be very worn. Label may have some major imperfections. Label may exhibit definite fading or discoloration. Record will play with noise but no skips.
GOOD (GD 3): Vinyl has major scratches. Label may be well worn. Some of the lettering or label design may be worn away. Label may have major flaws. Record will play through, but may be rather noisy.
FAIR (FR 2): Both vinyl and label exhibit major abuses to the surfaces. Major portions of the lettering and label design may be missing. Record may barely play through.
POOR (PR 1): Vinyl has so many imperfections that the record may not be playable. Label may be barely readable.
Shipping :
All record are removed from covers and enclosed in a 3 mil LP bag. All packages are professionally shipped using corrugated LP fillers surrounding the records and are packaged in a heavy weight bubble package. (Items are typically sent out the day after payment unless I am on a road trip. I always ship on Friday of each week at the latest) USA: $4.00 - USPS Media Mail delivery confirmation included (add 1.00 each additional LP/disc) CANADA: $8.50 - USPS 1st Class AIRMAIL + $4.00 for each additional LP ASIA, AUSTRALIA, CHINA, EUROPE & UK: $15.00 - USPS 1st Class AIRMAIL + $4.00 for each additional LP MULTIPLE LP SETS COUNT EACH DISC FOR SHIPPING COST (double LP count as 2-Lp, etc.) Larger quantity orders are shipped at calculated cost postage and may be split to save the buyer shipping costs.
Payment :
California Residents are subject to 8.75% sales tax which will be added to purchase price. International Bidders are responsible for applicable duty charged by their respective country for the item purchased. I reserve the right to insure packages for my protection at my expense and always state the actual value of the item as required by USPS and my insurance provider. Please do not ask me to make any exceptions.
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