PINK FLOYD "THE FINAL CUT" 1983 GATEFOLD-UNPLAYED-SPECIAL BANDED RADIO PROMO LP
$
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Description
THIS ALBUM COMES FROM THE TIME I WAS THE MUSIC & PROMOTIONS COORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK BASED IN THE L.A. AREA. WHEN I STARTED WORKING THERE THEY WERE IN THE PROCESS OF GETTING RID OF THEIR RECORDS FOR CD'S. I ALSO HAVE SOME THAT WERE GIFTED TO ME BY AN EMPLOYEE OF THE NETWORK THAT WAS RELOCATING BACK EAST AND DIDNT WANT TO KEEP HAULING THEIR RECORDS ALL OVER THE COUNTRY. ALSO A FEW MAY BE THRIFT STORE FINDS. I AM CURRENTLY DOWNSIZING.THIS LP IS OPENED BUT UNPLAYED. VISUALLY GRADED.
THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING.
ARTIST- PINK FLOYD
TITLE- “THE FINAL CUT” (SPECIAL BANDED VERSION FOR RADIO)
TRACK LISTING- SEE BELOW
YEAR OF RELEASE- 1983
LABEL- COLUMBIA RECORDS
CAT.#- AS-1636
RECORD CONDITION- THE VINYL VISUAL & PLAY GRADED AS EXELLENT A COUPLE OF TINY CLICKS ON THE LEAD IN GROOVE ON SIDE “A” THEN WHEN THE MUSIC KICKS IN IT SOUNDS SUPER CLEAN, “B” SIDE SOUNDS PERFECT.
JACKET CONDITION- COOL GATEFOLD COVER, THERE IS VERY VERY LIGHT RING WEAR ALONG THE TOP OF THE JACKET ON THE FRONT & BACK, KIND OF VISIBLE IN THE PHOTO'S/
MORE INFO- PRINTED ON THE BACK OF THE JACKET AND ON THE TWO LABELS IS “DEMONSTRATION-NOT FOR SALE”. THIS IS A COOL RARE FLOYD PROMO ITEM.
MORE INFO ON THE ARTIST & RELEASE-
Pink Floyd were an English rock band formed in London. They achieved international acclaim with their progressive and psychedelic music. Distinguished by their use of philosophical lyrics, sonic experimentation, extended compositions and elaborate live shows, they are one of the most commercially successful and influential groups in the history of popular music.
Pink Floyd were founded in 1965 by students Syd Barrett on guitar, Nick Mason on drums, Roger Waters on bass, and Richard Wright on keyboards. They gained popularity performing in London's underground music scene during the late 1960s, and under Barrett's leadership released two charting singles and a successful debut album, The Piper at the Gates of Dawn (1967). Guitarist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the band's primary lyricist and eventually their dominant songwriter, devising the concepts behind their albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983). The Dark Side of the Moon and The Wall became two of the best-selling albums of all time.
Following creative tensions, Wright left Pink Floyd in 1979, followed by Waters in 1985. Gilmour and Mason continued as Pink Floyd; Wright rejoined them as a session musician and, later, a band member. The three produced two more albums, A Momentary Lapse of Reason (1987) and The Division Bell (1994), and toured until 1994. After nearly two decades of acrimony, Pink Floyd reunited with Waters in 2005 for a performance at the global awareness event Live 8, but Gilmour and Waters have since stated they have no plans to reunite as a band again. Barrett died in 2006 and Wright in 2008. The final Pink Floyd studio album, The Endless River (2014), was recorded without Waters and largely based on unreleased material from 1993–94.
Pink Floyd were inducted into the US Rock and Roll Hall of Fame in 1996, and the UK Music Hall of Fame in 2005. By 2013, the band had sold more than 250 million records worldwide, including 75 million certified units in the United States.
The Final Cut is the twelfth studio album by the English progressive rock band Pink Floyd, released on 21 March 1983 by Harvest Records in the United Kingdom and internationally and on 2 April 1983 in the United States by Columbia Records. It is Pink Floyd's last studio album to include founding member, bass guitarist and songwriter Roger Waters, and their only album on which he alone is credited for writing and composition. It is also the only Pink Floyd album that does not feature keyboardist Richard Wright.
Waters originally planned The Final Cut as a soundtrack album for the 1982 film Pink Floyd – The Wall. With the onset of the Falklands War, he rewrote it as a concept album, exploring what he considered the betrayal of his father, who died serving in the Second World War. Waters sings most of the lyrics; lead guitarist David Gilmour provides vocals on only one track. The packaging, also designed by Waters, reflects the album's war theme. Although it reached the top of the UK Albums Chart, the album received mixed reviews.
Recorded in eight British studios from July to December 1982, with an accompanying short film released in the same year, production of The Final Cut was dominated by interpersonal conflict. Waters left the band in 1985 and The Final Cut remains the last Pink Floyd studio album he worked on.
Background
The Final Cut was originally planned as a soundtrack album for the 1982 film Pink Floyd – The Wall. Under its working title Spare Bricks, it would have featured new music or songs re-recorded for the film, such as "When the Tigers Broke Free" and "Bring the Boys Back Home", respectively. Bass guitarist, vocalist, and primary songwriter Roger Waters also planned to record a small amount of new material for the album, further expanding The Wall's narrative.
As a result of the Falklands War, Waters changed direction and wrote new material. He saw British Prime Minister Margaret Thatcher's response to Argentina's invasion of the islands as jingoistic and unnecessary, and dedicated the new album—provisionally titled Requiem for a Post-War Dream—to his father, Eric Fletcher Waters. A second lieutenant of the 8th Royal Fusiliers, Eric Waters died during the Second World War at Aprilia in Italy, on 18 February 1944. Gilmour was unimpressed by Waters' apparent politicising and the new creative direction prompted arguments between the two. Several pieces of music considered for but not used on The Wall, including "Your Possible Pasts", "One of the Few", "The Final Cut" and "The Hero's Return", had initially been set aside for Spare Bricks, and although Pink Floyd had often re-used older material in their work, Gilmour felt the songs were not good enough for a new album. He wanted to write new material, but Waters remained doubtful as Gilmour had lately contributed little to the band's repertoire.
The Final Cut was about how, with the introduction of the Welfare State, we felt we were moving forward into something resembling a liberal country where we would all look after one another ... but I'd seen all that chiselled away, and I'd seen a return to an almost Dickensian society under Margaret Thatcher. I felt then, as now, that the British government should have pursued diplomatic avenues, rather than steaming in the moment that task force arrived in the South Atlantic.
—?Roger WatersI'm certainly guilty at times of being lazy, and moments have arrived when Roger might say, "Well, what have you got?" And I'd be like, "Well, I haven't got anything right now. I need a bit of time to put some ideas on tape." There are elements of all this stuff that, years later, you can look back on and say, "Well, he had a point there." But he wasn't right about wanting to put some duff tracks on The Final Cut. I said to Roger, "If these songs weren't good enough for The Wall, why are they good enough now?"
—?David GilmourThe album's working title was changed to The Final Cut, a reference to William Shakespeare's Julius Caesar: "This was the most unkindest cut of all". "When the Tigers Broke Free" was issued as a single on 26 July 1982, with "Bring the Boys Back Home" on the B-side. The single was labelled "Taken from the album The Final Cut" but was not included on that album until the 2004 CD reissue.
Packaging
Poppies are a recurring theme on the album's artwork.Storm Thorgerson, a founder member of Hipgnosis (designers of most of Pink Floyd's previous artwork), was passed over for the cover design. Instead, Waters created the cover himself, using photographs taken by his brother-in-law, Willie Christie. The front cover shows a Remembrance poppy and four Second World War medal ribbons against a black fabric background. From left to right the medals are the 1939–45 Star, the Africa Star, the Defence Medal, and the Distinguished Flying Cross.
The poppy is a recurring design theme. The interior gatefold featured three photographs, the first depicting an outdoor scene with an outstretched hand holding three poppies and in the distance, a soldier with his back to the camera. Two more photographs show a welder at work, his mask emblazoned with the Japanese Rising Sun Flag, and a nuclear explosion; a clear reference to "Two Suns in the Sunset". The album's lyrics are printed on the gatefold. Side one of the vinyl disc carries an image of a poppy field and on side two, a soldier with a knife in his back lies face down amongst the poppies, a dog beside him. The back cover features a photograph of a soldier stood upright and holding a film canister, with a knife protruding from his back (the film canister and knife may reflect Waters' tumultuous relationship with The Wall film director Alan Parker).
Track listing
All songs written and composed by Roger Waters.
All lead vocals performed by Roger Waters, except "Not Now John" by David Gilmour and Waters.
Side one No. Title Length 1. "The Post War Dream" 3:02 2. "Your Possible Pasts" 4:22 3. "One of the Few" 1:23 4. "The Hero's Return" 2:56 5. "The Gunner's Dream" 5:07 6. "Paranoid Eyes" 3:40 Side two No. Title Length 7. "Get Your Filthy Hands Off My Desert" 1:19 8. "The Fletcher Memorial Home" 4:11 9. "Southampton Dock" 2:13 10. "The Final Cut" 4:46 11. "Not Now John" 5:01 12. "Two Suns in the Sunset" 5:14I DO COMBINE SHIPPING. THE SHIPPING PRICE INCLUDES THE COST OF THE LP MAILER.
INTERNATIONAL BIDDERS TAKE NOTE !!! SHIPPING RATES JUST WENT UP A LITTLE ON JUNE 1, 2015..JUST A HEADS UP.
SHIPPING IS BASED ON THE WEIGHT AND DESTINATION OF THE PACKAGE, YOU CAN LOOK IT UP UNDER THE “SHIPPING” TAB.
IF YOU OPT TO NOT PAY FOR THE EXTRA INTERNATIONAL REGISTERED MAIL, AND OPT FOR THE REGULAR INTERNATIONAL FIRST CLASS WHICH HAS NO TRACKING AT ALL, I WILL NOT BE RESPONSIBLE FOR YOUR PACKAGE, AND I WILL TAKE PICTURES OF MY POST OFFICE RECEIPTS AND MY U.S. CUSTOMS FORMS AND SEND THEM TO YOU AS PROOF OF MY MAILING YOUR ITEM OUT, I AM NOT RESPONSIBLE FOR THE FAILINGS OF YOUR COUNTRIES POSTAL SERVICE, KNOW THIS BEFORE YOU BID ON ANY OF MY ITEMS!!! IF YOUR ITEM DOES NOT ARRIVE DO NOT BLAME ME!
DUE TO THE RECENT INCREASE IN THE INTERNATIONAL MAILING RATES THAT WENT UP ON JAN. 27,2013, I WILL NOT DO A FLAT RATE FOR ANY ITEMS, FROM NOW ON YOU WILL HAVE TO CALCULATE THE RATE BASED UPON YOUR COUNTRY. ALSO ADDITIONAL COMBINED ITEMS WILL MEAN A HIGHER SHIPPING CHARGED BASED ON EACH ITEM. SORRY ABOUT THIS, BUT THERE’S NOTHING I CAN DO ABOUT THAT. REGISTERED INTERNATIONAL MAIL WHICH ALLOWS FOR DOOR TO DOOR TRACKING IS AN ADDITIONAL $14.30.
I DO COMBINE SHIPPING……….
THIS RECORD ALBUM IS STILL SEALED IN IT’S ORIGINAL SHRINK WRAP.
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PLEASE PAY FOR ALL ITEMS WITHIN 5 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN TWO WORKING DAYS ONCE PAYMENT IS RECEIVED. DO NOT ASK FOR ITEM TO ME MARKED “GIFT” ON CUSTOMS FORMS, INTERNATIONAL BUYERS ARE RESPONSIBLE FOR ALL DUTIES AND CUSTOMS FEE’S! CHECK WITH YOUR POST OFFICE, I WILL NOT PAY THEM.
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