PINK FLOYD PIPER AT GATES OF DAWN RAREST STEREO ONE EMI BOX SOLD IN UK, E.J. DAY

	£		100
	$		133

All my items have a full money-back guarantee - if it's not as described you can return it for a full refund.

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P&P charges for bidders outside the UK: Please note that I send ALL international items tracked, which costs more than the standard airmail rate.
 
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Easily the rarest stereo version of The Piper at the Gates of Dawn, this is the rare 1969 one box label WITH the 'Sold in the UK . . .' text and the original E.J. Day cover. This was the last pressing to have an E.J. Day cover (with the original grey background on the rear) before printing moved to Garrod and Lofthouse and the background colour changed to white.

Columbia only used this label design for a couple of months in the second half of 1969 and it is believed that only a few hundred copies exist.

This rare pressing is not to be confused with the much more common one box label WITHOUT the 'Sold in the UK . . .' text, which was used for nearly two years between 1969 and 1971 (when the second EMI box was added), and which comes in a Garrod and Lofthouse cover.

This has the following matrix numbers:

Side one:  YAX 3419-1

Side two:  YAX 3420-1

Vinyl: There are just a handful of long hairlines and some sleeve removal marks on each side, but there are relatively few marks overall and the vinyl has retained a high sheen and appears to have been fairly lightly played. However, close examination of the surface of the vinyl reveals a large number of tiny pressing flaws, almost like microscopic bubbles in the vinyl. These have clearly been there from new, from the manufacturing process.  Although the record generally sounds very clear and bright, these tiny blips in the vinyl do cause a number of random pops and clicks, which are most noticeable in the fades, silent grooves and intros. Where the music is loud these small flaws have no impact.

I attach links to recordings of excerpts from both sides of the actual record for sale. The files contain almost half of the entire album and include ALL of the fades, silent grooves and intros, so you can judge for yourself.

Side one:

https://vimeo.com/619983700

Side two:

https://vimeo.com/619993821

Cover: There are some creases around the edges and corners, mainly near the opening. There is a near-invisible repair to a small split in the top seam and some wear to the corners and opening. The flipbacks are complete and intact and the unlaminated rear has just a few slight marks. The only noteworthy issue is a small sticker in the top right corner of the rear under the catalogue number, which I've shown close-up in the photos.

Detracting features not covered above:  None.

All photographs are of the actual item for sale. Please ask any questions before you bid or buy.

Where gradings are given these are based on the UK Record Collector Grading System (see below for details).

Please check out my other items and take advantage of reduced postage costs for multiple buys.

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Information about descriptions and gradings.
My items are always described accurately and fairly. I always do my best to point out any blemishes which might detract from the item and all photographs are of the actual item you will get. I am aware that different grading systems have different definitions and so I try as much as possible to describe items in plain English, rather than simply using gradings. Where gradings are given these are based on the UK RECORD COLLECTOR GRADING SYSTEM. This grading system differs from some other grading systems, in particular the Goldmine grading system. Please make sure that you are familiar with the UK record collector grading system before you bid.

Mint: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packag­ing might have slight wear and/or creasing.

Very Good: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable sur­face marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

Fair: The record is still just playable but has not been cared for prop­erly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken, and is only of use as a collection-filler.

Visually-graded vinyl vs play-graded vinyl: Many people collect vinyl and never play it, whereas other people collect records because they want to play them. A visual grading will identify physical flaws (such as scratches) and can help determine whether a record has been cared-for properly, but it will not identify noise or crackle caused by non-visible sources. Most vintage records are likely to have some background noise even if they look perfect. I believe that records are for playing and so I try to play-grade records whenever possible. I always state in the listing if I have played a record prior to listing it. If I have play-graded the record I will usually only give a brief description of how the record looks (i.e. not a visual grading). The grading in the listing will be a play-grading and may be slightly different from the grading that the record would receive from a purely visual inspection. Most vintage records are not 100% perfectly flat and so I will only mention this aspect if it is very significant or has an impact on the way the record sounds. If I haven't play-graded the record, it will be given a visual grading.

Play-grading MONO records: Mono records and stereo records have different grooves. A stereo record produces a stereo sound via both lateral and vertical groove modulation whereas a mono record is not intended to produce any sound from vertical modulation. Playing a mono record with a stereo cartridge will create distortion because it is trying to pick-up the vertical (stereo) part of the signal, whereas this is not intended to be heard on a mono record and so is just noise.  Using a pre-amp with a mono switch will eliminate the noise caused by vertical modulation leaving just the lateral groove signal which is how the record was intended to be heard. Based on the assumption that most people choosing to listen to a mono record will have the right equipment to listen to it, I play all mono records via a pre-amp with a mono switch.  My play-grading is based on how the record sounds when played through a mono switch. If you do not have a mono switch on your amp or pre-amp you will be reproducing the noise from the vertical part of the signal and so the record will not sound as good. This is not any fault of the record, it is inherent to playing any mono record through a system that it was not designed for.

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I have some very simple terms and conditions. Please read them and ensure that you understand them before bidding. Thank you.

TERMS & CONDITIONS

• My items are fully guaranteed - if it is not as described you can return it for a full refund, including postage. Refunds for visually graded records which are returned based upon the buyer's assessment of the record's playgrade, will not include postage costs in either direction.
• Your bid is binding, so please make sure you have READ and UNDERSTOOD the WHOLE LISTING before you bid. I will not accept returns where the buyer has not read or not understood something which is stated/shown in the listing.
  
• I accept Paypal and postal orders (in UK Sterling GBP) for all purchases.  I also accept cheques (in UK Sterling GBP) on orders OVER £50.
• Please pay for your item within three days of the auction closing. If you are intending to bid on other items and wish to pay when they have closed, please contact me to let me know. I reserve the right to cancel any transactions and offer the item to the second highest bidder if no contact or payment is made within three days.

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POSTAGE & PACKING

I care about the records I sell and believe that they need to be carefully and securely packaged to ensure that they survive their journey through the post. Vinyl is removed from the sleeve for posting and the contents will be protected with rigid cardboard stiffeners. Packages are labelled "Do not bend" and securely sealed with "FRAGILE" parcel tape.

I support the use of recycled materials and so I may sometimes use recycled packaging. If you wish your item to be sent in entirely new packaging please let me know before paying for it. Thanks.

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P&P charges

My P&P charges are 'totally transparent'. Please read below and if you have any questions about P&P costs please contact me BEFORE you bid. Thank you.

Sending items costs more than just the stamps on the package, but I try not to charge more for packing and posting your item than it actually costs me to do so. I need to cover the cost of packing materials, plastic sleeves, new inner sleeves (where applicable), transportation, fees and charges associated with sending the item (including fees incurred to receive the cost of postage and, where applicable, currency exchange) etc. To cover some of these expenses I add a nominal figure to the basic cost charged at the post office athough the actual cost to me is always higher than this. I do not view P&P costs as a means of making money.

To quote an exact cost for every LP is difficult because of the wide variance in weight (e.g. Abbey Road weighs around 230 grams whereas Led Zeppelin III weighs around 390 grams). But the majority of single LPs, when packed, will weigh around 550 grams and I have based my P&P rates on this.

Double LPs will be charged as two LPs, triple LPs will be charged as three LPs. Box sets etc will be charged according to weight.

If, when you receive your item, there is a significant discrepancy in your favour, please contact me and I will refund the difference.

UK P&P costs

I offer three UK services. I DO NOT offer 'click and collect', 'collection in person' or FREE postage, so please do not select these options if they appear in the invoice.

UK Standard service - Items valued up to £20 are sent using either Hermes courier or Royal Mail Second class. Usually delivered within 3-5 days of despatch. The cost is £4.95.

For items or combined purchases valued above £20 I use the following service, so please wait for my invoice:

UK First class recorded post. The cost for one to three LPs is £5.50. Usually delivered within one day of despatch.

For more than three LPs please enquire before bidding.

UK Special Delivery - Any order valued over £80 will be sent fully insured using Royal Mail Special Delivery (next day delivery guarantee) and the total cost of this will be £9.35 for one to four LPs and £12.00 for five or more LPs . Please wait for my invoice before paying.

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Airmail (tracked and/or signed) to any country OUTSIDE the UK

Europe

First LP or 12" = £13.60, each additional LP or 12" add £2.20.

Rest of the world (anywhere outside Europe)

First LP or 12" = £17.50, each additional LP or 12" add £3.80.

Please note that overseas orders outside the EU need a customs declaration with the value of the package.

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 If you have any queries please email BEFORE you bid.