PIERRE HENRY-PENDERECKI-RIEDL ELECTRONIC LP SUPRAPHON
$
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Description
PIERRE HENRY / JOSEF ANTON RIEDL / KRZYSZTOF PENDERECKI / RUDOLF KOMOROUS / LEJAREN HILLER / ETC.
ELECTRONIC MUSIC LP
Supraphon
w/12" sized insert/booklet
Original Czech Republic compilation from 1968 with rare early electronic tracks from Pierre Henry, Josef Anton Riedl and many eastern block composers.
Some info on the release: Original pressing on Supraphon. Nearly never seen for sale. Recently rereleased on CD from the Creel Pone label in the Usa. In the tradition of Pierre Schaeffer, Guy Reibel, Luc ferrari, Ivo Malec, Jacques Lejeune Francois Bayle, Jean Schwarz and others. Close to the aesthetics of Karlheinz Stockhausen, Rune Lindblad, Ilhan Mimaroglu, Edgardo Canton, Arne Nordheim, Michel Puig, Dubravko Detoni and Iannis Xenakis.
The celebrated French composer Pierre Henry was among the pivotal forces behind the development of musique concrète, becoming the first formally educated musician to devote his energies to the electronic medium. Born in Paris on December 9, 1927, he began training at the Paris Conservatoire at the age of ten, studying piano under Nadia Boulanger and percussion under Felix Passerone while also attending the classes of Olivier Messiaen. Still, Henry had little regard for traditional musical instruments, preferring instead to privately experiment with non-musical sound sources; over time, he grew fascinated with the notion of incorporating noise into the compositional process, and perhaps unsurprisingly first attracted notice in performing circles for his prowess as a percussionist. One of the first electronic music composers with Richard Maxfield, Tod Dockstader, Trevor Wishart and Luigi Nono, Pietro Grossi, Desmond Leslie, Penderecki, John Cage and Bernard Parmegiani. In 1949, Henry joined the staff of the RTF electronic studio, founded by Pierre Schaeffer five years earlier; he soon immersed himself completely in electronic music, heading the Groupe de Recherche de Musique Concrète throughout the greater part of the 1950s. In 1952, Henry produced the first musique concrète ever commissioned for commercial films when he scored Jean Grémillon's Astrologie (on side A: of this record); a year later, at the Donaueschingen Festival, he premiered Orpheé 53, the first musique concrète piece composed for the stage. Henry also frequently collaborated with choreographer Maurice Béjart, a pairing which yielded Le Voyage, 1963's La Reine, 1967's Messe pour le temps présent and 1971's Nijinsky, clown de Dieu — in all, he scored more than 30 films and stage productions during his long career. In 1958, Henry left the RTF, and in 1960 he teamed with Jean Baronnet to found the Apsone-Cabasse Studio, the first private electronic music worskshop in France; concurrent was his realization that for musique concrète to evolve, it would need to begin incorporating the electronic aesthetics pioneered in other areas of the world. In 1969, he premiered Ceremony, which included music by the pop band Spooky Tooth. He has influenced composers Guy Reibel, Francois Bayle, Ivo Malec and Michel Redolfi, Alain Savouret and Francois-Bernard Mache, Jean Claude-Risset and Jean Schwarz. During the mid-'70s, Henry's project frequently paid homage to his own inspirations — 1975's Futuriste celebrated the Italian futurist Luigi Russolo and his 1913 work The Art of Noises, while 1979's La Dixieme Symphonie served as a follow-up to Beethoven's nine symphonies. Continuing to work reguarly throughout the years that followed in a vast range of musical contexts — he even collaborated with the American alternative rock trio Violent Femmes — in 1997 Henry completed Interieur/Exterieur, a work commissioned by Radio France which he declared the culmination of his life's work. His influence on contemporary music was underlined by the concurrent release of the LP Metamorphosé which featured remixes of his work by the likes of Coldcut, DJ Vadim, William Orbit, Fatboy Slim and Funki Porcini. Pierre Henry is featured on the infamous Nurse with wound list of influences.
Condition: Cover lies in excellent- condition, quite well preserved (see photo), its' only defect being some lamination coming off at the opening. Vinyl lies in very good+ condition, seems crystal clear and shiny, but has two "spots", one on each side.
Tracklist
A1 Vladimír Lébl - Sound Examples 3:40 Other [Technical Interpretation] - Miloš Bláha A2 Rudolf Komorous - The Tomb Of Malevitch 3:00 A3 Ilja Zeljenka - Study 0, 3 2:50 A4 Josef Anton Riedl - Study 1959 / Study 1962/2 5:45 B1 Lejaren Arthur Hiller - Vocalise 5:35 B2 Jozef Malovec - Music To The Film "Výhybka" 4:15 B3 Krzysztof Penderecki - Psalmus 5:05 B4 Pierre Henry - The Veil Of Orpheus 6:30SHIPPING & PAYMENT
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