PAPPO'S BLUES Vol.5 Triangulo PSYCH ARG 1974
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Mar 25, 2004 Sold Date
Mar 18, 2004 Start Date
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Description LP PAPPO'S BLUES - Volumen Vol. 5 TRIANGULO
                     Label  MUSIC-HALL 14.109 ARGENTINA 1974

                     Cradle in the Goldmine Vinyl Grading System

                     Cover EX-
                     Vinyl Media EX+
 

Lado 1

1. MALAS COMPAÑIAS 6'03

2. NERVIOSO VISITANTE 6'35

3. MIRESE ADENTRO 4'20

 

Lado 2

1. HUBO DISTANCIAS EN UN CURIOSO BAILE MATINAL parte I 3'40

2. HUBO DISTANCIAS EN UN CURIOSO BAILE MATINAL parte II 11'50

3. EL BUZO 3'55

 

Pappo agradece la cortecia de Leon Gieco y Nacho Smilari por su intervención en "El Buzo" como cantantes

PAPPO: Along with Almendra and Vox Dei, this was Argentina's top band of the era. They recorded a series of blues-rock albums throughout the decade, though by the time of Pappo's Blues, Vol. 7 in 1978 they had moved on to a more 'straight ahead' rock format.

Pappo (real name Noberto Napolitano) was born on 10th March 1950. In 1967, he joined Los Abuelos de la Nada. He wrote La Estaución for them, which was included on Mandioca Underground (Mandioca MLP 331) 1969.

After joining Manal on piano for a tour and a brief spell in Conexión No. 5, Pappo recorded Nunca Lo Sabrán for inclusion on the Pidamos Peras A Mandioca (Mandioca MLP 335) compilation.

In 1969, Pappo replaced Kay Galiffi on guitar in Los Gatos. After spells in short-term groups Engranaje and Pistola, he played on Billy Bond y La Pesada's first two albums.

In 1971, he formed Pappo's Blues (always a loose-knit group) and cut a primitively recorded but skilful blues-rock album with line-up 'A'. Its highlights included Algo Ha Cambiado and Adonde Está La Libertad.

Pappo's Blues 2, recorded with line-up 'B' was notable for some good guitar riffs. Recorded 'live in the studio' it included some of his strongest songs like Blues De Sante Fe, El Tren De Las 16 and Desconfio and was a definite progression on his first effort.

Pappo's Blues Volumen 3 was recorded with another new line-up 'C' and again included more excellent blues Siempe Es Lo Mismo, Nena as well as the fast-paced instrumental Stratocaster Boogie and the classic Sucio Y Desprolijo. After this, Machi and Pomo left to join Invisible and he recorded Volumen 4 with a new line-up 'D' (which included part of line-up 'A'). This included his tribute to beer drinking Fiesta Cervezal and the rather offbeat Aberlardo El Pollo.

His fifth album Triángulo was more improvised than some previous efforts, but still had its moments on cuts like Malas Compañiás.

Volumen 6 was a largely instrumental album, comprising mostly studio outtakes which the record company released whilst Pappo was in England for a couple of years jamming with Peter Green. When he returned to Argentina he formed Aeroblus and they recorded a hard rock album - but that's beyond the time frame of this book.

Pappo is recognised to be one of South America's best rock guitarists.


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