PALE SAINTS - In Ribbons LP with Free 7" Single (Vinyl, 4AD, Shoegaze, V23 Art)

	£		24
	$		32

Pristine condition throughout, archetypal Shoegaze LP from 1992, 'In Ribbons' by Pale Saints. This is the limited edition version with free 7": 'A Thousand Stars Burst Open' b/w 'A Revelation'. Comes wrapped in gorgeous artwork, as you would expect from 4AD.

FORMAT: Vinyl LP, 33rpm
RECORD LABEL: 4AD
COUNTRY OF ORIGIN: UK
RELEASE DATE: 23 March 1992
CATALOGUE NO: CAD 2004

(NOTE: I am now play-grading all my vinyl. I can't promise to play everything all the way through, but will be checking for any curving or warping and/or excessive surface noise - hiss, snap, crackles & pops. And if there are any dodgy looking areas with gouges, scratches, pit marks etc. I will double check that there is no skipping or sticking, and that playback is not adversely affected)

MEDIA: Excellent
OUTER SLEEVE: Excellent
INNER SLEEVE: Excellent
7" SINGLE: Near Mint

POSTAGE: £3.00 UK. £4.00 EUROPE. £7.00 THE REST OF THE WORLD.

STORED OUT OF SUNLIGHT IN VERTICAL POSITION. FROM A PET, DAMP AND SMOKE FREE HOME.

ALL VINYL CAREFULLY CLEANED WITH ACC-SEES PRO VINYL LINT-FREE, ANTI-STATIC RECORD CLEANING CLOTH & GROOVESHINE RECORD CLEANING FLUID.

ANY QUESTIONS OR REQUESTS FOR MORE DETAILED PHOTOS ETC, PLEASE DO NOT HESITATE TO CONTACT ME.

I TRY & GRADE ALL SLEEVES AND VINYL AS FAIRLY & ACCURATELY AS POSSIBLE, BUT IF YOU FEEL I HAVE GRADED THIS RECORD INCORRECTLY, OR IF ANY OF THE ABOVE INFORMATION IS INCORRECT PLEASE TELL ME.

ALL VINYL WILL BE POSTED IN A GLASS CLEAR, VERY BEST QUALITY 450G PVC SLEEVE, IN A CARDBOARD RECORD MAILER, WITH CARDBOARD STIFFENERS, REMOVING ALL INNERS TO PREVENT SPLITTING TO THE SEAMS IN TRANSIT.

RECORD WILL BE REMOVED FROM ORIGINAL INNER & PLACED IN BEST QUALITY GENERIC PAPER SLEEVE FOR SHIPMENT.

        Tracklisting
A1         Throwing Back The Apple         
A2         Ordeal         
A3         Thread Of Light         
A4         Shell         
A5         There Is No Day         
A6         Hunted     
   
B1         Hair Shoes         
B2         Babymaker         
B3         Liquid         
B4         Neverending Night     
B5         Featherframe         
B6         A Thousand Stars Burst Open     

LP Review (Courtesy of Allmusic.com)

by Andy Kellman

An argument could be made for In Ribbons topping the Pale Saints' debut, and it would be a rather solid one. Thanks to yet another stellar job by "knob twiddler of the mighty atmospheric pop bands" Hugh Jones, the Pale Saints sound full and polished, gleaming and bright. What makes this a lesser record in comparison to its predecessor is the absence of that loose sense of adventure from before. The songs are strong, the musicianship is improved, and Meriel Barham's presence as second guitarist and vocalist provides for more muscularity, but In Ribbons is missing the slightly perverse sense of experimentation that The Comforts of Madness had in spades. The unpredictability is gone, which is one of the few downsides of a band whose members are getting to know each other musically. That doesn't prevent In Ribbons from being a great record, stacked to the gills with great songs. Barham's sporadic contributions provide a fine spoil to those of Ian Masters. The mid-tempo moodiness of "Thread of Light" benefits from Jones' excellent treatment of her voice, with swooning backgrounds that dart between the left and right channels. (The verses bear odd sonic resemblance to Duran Duran's "Save a Prayer" -- no kidding.) Her reading of Slapp Happy's "Blue Flower" tops Mazzy Star's version, and "Baby Maker" also makes the grade with its dizzied liveliness. Masters' love for the abandonment of rock constructs strikes upon a zenith on "Hair Shoes," a drumless cluster of limpidly jousting guitars that simultaneously jiggle, rattle, moan, twinkle, and reverberate. His miasmatic vocals seal the track off as a brilliant approximation of the oceanic wash of 69-era AR Kane. Otherwise, more accessible fare, like the sprightly "Throwing Back the Apple" (a single) and the melancholy epic "Hunted," are also accountable for the record's success. Though these tracks' more traditionally structured material doesn't sound a great deal different from many of the Pale Saints' peers, the wan voice of Masters -- who sounds less world-weary here -- clearly sets this unit apart.