OZ KNOZZ Ruff Mix LP/1975 Houston, Texas/PROG-STONER HARD ROCK PRIVATE PRESS

$

35

OZ KNOZZ 'Ruff Mix' LP (US, ShroomAngel Records, Catalogue #OZ-1000) Brand new/unplayed copy of limited year 2019 ShroomAngel Records edition of 1975 Progressive-Stoner Hard Rock LP by Houston, Texas band Oz Knozz entitled Ruff Mix (originally released in 1975 on the Ozone label.)

(NOTE: ALL RECORDS ARE PACKED AND SHIPPED IN PROFESSIONAL, SUPERIOR QUALITY RECTANGULAR SHAPED, CORNER PROTECTING CORRUGATED CARDBOARD RECORD MAILERS WITH FILLER PADS. SATISFACTION GUARANTEED!)

(NOTE: BRAND NEW/NON-FACTORY SEALED ITEM!)

NOTE: LIMITED VINYL EDITION!)

"First legitimate reissue of one of the best US private press hard rock/progressive rock albums of the 1970s. From the master tapes. Formed in 1969 in Houston, TX, Oz Knozz's original crew included multi-instrumentalists Jack Alford, Bill Massey and Duane Massey. Alford left the group in 1971 and was replaced by drummer Marty Naul, while the next year the trio was joined by guitarist Richard Heath. The band had also a three-man horn section, which was dropped quite fast, although horns remained a part of the band's sound, even on their rare and epochal 1975 private press debut Ruff Mix, released on the band's own Ozone label. Ruff Mix mainly grooves in hard rock territory -- the second track "Peanut Butter Yoni" sounds a bit like Judas Priest with a proto-metal feeling; but the album also has elements of progressive rock, horn rock, and pomp rock. Like most bands of the era, the idea was to throw out a few different styles to see if something would stick... the theory being that a major label would hear the private album by chance and sign said band so they could open for Led Zeppelin or Foghat's next US tour... or something like that. What separates Oz Knozz from others is a strong compositional component, the band have plenty of original ideas and muster superb instrumentation. The guitar work ranges from hard and powerful to melodic and bluesy and is supported by some great keyboard, including awe-inspiring organ and synth waves. The three-part 15-minute 'Doodley Squat' suite features heavy dual keyboard parts, crunchy guitars and expressive vocals; the result is a terrific hard prog track with lot of energy. For many, the standout track is the groovy and infectious horn rocker, which sounds as dated as the movement itself and easily could have been from 1969. High energy and impressive songwriting. Love it."

"You have to like a band that names three consecutive songs "Doodley Squat." On the other hand, this weird mix of prog, hardrock, and jazz is full of cliches: there are synths and mellotrons, long guitar solos, jazzy instrumental breaks, high-pitched male singing, a long blues song, a souful song with a horn section. Despite that (or partly because of it), there's an appealing kind of energy and kitchen sink experimentalism. It works best when it's most surprising (i.e. the loud, jarring way the guitar solo begins in "Peanut Butter Yoni," some occasional stereo tricks), worst when it settles into long soloing or focuses on the weak melodies. Most of the vocals are pretty tuneless or annoying in the hardrock high-pitched way, but occassionally they get kind of unhinged, which is great fun. The musicianship is pretty strong, and they probably came across very well on stage, where the vocal and melodic limitations are less obvious. If you're in the right mood, much of this album provides dumb fun and excitement." - Aaron Milenski/The Acid Archives.

Tracks on this LP are as follows:

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