OTIS RUSH w/DUANE ALLMAN MOURNING IN MORNING RARE ORIG '69 LP 1A AUTOGRAPHED

$

102

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·       OTIS RUSH  with DUANE ALLMAN, MIKE BLOOMFIELD AND A STELLAR MUSCLE SHOALS STUDIO CREW - MOURNING IN THE MORNING - ORIGINAL 1969 COTILLION STEREO LP SD-9006

·       ORIGINAL US PRESSING

·       PERSONALLY AUTOGRAPHED BY THE LEGENDARY CHICAGO BLUESMAN – PLEASE SEE THE MAGNIFIED DETAIL OF HIS SIGNATURE, SHOWN BELOW

·       ORIGINAL PALE BLUE COTILLION LABEL WITH GREEN ‘COTILLION’ LOGO ON TOP

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-2A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Panned by many a critic upon its 1969 release, Otis Rush's trip to Muscle Shoals sounds pretty fine now (with the obvious exceptions of "My Old Lady" and "Me," which no amount of time will ever save). The house band (including Duane Allman and drummer Roger Hawkins) picks up on Rush's harrowing vibe and runs with it on the stunning "Gambler's Blues," a chomping "Feel So Bad," and a shimmering instrumental treatment of Aretha Franklin's "Baby I Love You."

 (EXCERPT FROM AN ONLINE REVIEW BY BILL DAHL, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

How many times do you find Otis Rush, Mike Bloomfield and Duane Allman in action , on the same album (in a variety of roles and functions). Well, if you answered: NEVER - you were close. This legendary electric blues album is for all practical purposes the ONLY album Otis Rush recorded  in the first ten years of his career - and it is the only place where RUSH-ALLMAN-BLOOMFIELD guitar "triumvirate" can be found in action, although not on all songs, and not at the same time. The backup band (the entire Muscle Shoals studio band) leaves absolutely nothing to be desired. . The rhythm section positively rocks and rocks (and then rolls and rolls) BIG time . And, just when you think it’s over, the band shakes, rattles and rolls some more.  And more.  And then some.

You will find songwriting credits by Paul Butterfield, Chuck Willis, Nick Gravenites (of Electric Flag and Janis Joplin's Kozmic Blues Band) and many others. If you are a serious bluesman, you will have "I’ve-died-and-gone-to-heaven" feeling (figuratively speaking)  after only a few chords. Be forewarned: these blues are serious, masculine ones - this stuff is not for the faint of heart. These are the blues with the big, bad blooooz attitude: in other words, a real ass-kicking blues. Track listing: Me - Working man - You're killing my love - Feel so bad - Gambler's blues - Baby I love you - My old lady - Reap what you sow - It takes time - Can't wait no longer.

For additional historical or discography information on this album, including track listing ►click here

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 4 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing  (EXCEPT for Otis Rush's autograph)

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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