ORNETTE COLEMAN+ERIC DOLPHY FREE JAZZ RARE ORIG '60 STEREO LP w/DIE-CUT COVER NM

$

153

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       ORNETTE COLEMAN with ERIC DOLPHY, FREDDIE HUBBARD, SCOTT LaFARO, DON CHERRY, BILLY HIGGINS, CHARLIE HADEN, and ED BLACKWELL – FREE JAZZ –  ORIGINAL 1960 ATLANTIC RECORDS STEREO LP SD-1364

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLUE AND GREEN ATLANTIC STEREO LABEL WITH WHITE  "FAN" LOGO

·       CAPITOL RECORDS PRESSING (UNKNOWN LOCATION, MOST LIKELY HOLLYWOOD, CA)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       ORIGINAL LAMINATED COVER

·       ORIGINAL DIE-CUT COVER (WITH A SQUARE "WINDOW" THROUGH WHICH A JACKSON POLLOCK PAINTING INSIDE CAN BE SEEN)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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As jazz's first extended, continuous free improvisation LP, Free Jazz practically defies superlatives in its historical importance. Ornette Coleman's music had already been tagged "free," but this album took the term to a whole new level. Aside from a predetermined order of featured soloists and several brief transition signals cued by Coleman, the entire piece was created spontaneously, right on the spot. The lineup was expanded to a double-quartet format, split into one quartet for each stereo channel: Ornette, trumpeter Don Cherry, bassist Scott LaFaro, and drummer Billy Higgins on the left; trumpeter Freddie Hubbard, bass clarinetist Eric Dolphy, bassist Charlie Haden, and drummer Ed Blackwell on the right. The rhythm sections all play at once, anchoring the whole improvisation with a steady, driving pulse. The six spotlight sections feature each horn in turn, plus a bass duet and drum duet; the "soloists" are really leading dialogues, where the other instruments are free to support, push, or punctuate the featured player's lines. Since there was no road map for this kind of recording, each player simply brought his already established style to the table. That means there are still elements of convention and melody in the individual voices, which makes Free Jazz far more accessible than the efforts that followed once more of the jazz world caught up. Still, the album was enormously controversial in its bare-bones structure and lack of repeated themes. Despite resembling the abstract painting on the cover, it wasn't quite as radical as it seemed; the concept of collective improvisation actually had deep roots in jazz history, going all the way back to the freewheeling early Dixieland ensembles of New Orleans. Jazz had long prided itself on reflecting American freedom and democracy and, with Free Jazz, Coleman simply took those ideals to the next level. A staggering achievement.

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The single most radical, revolutionary album in the history of Jazz; when this came out, it caused an uproar and upheaval of galactic proportions, and after only a single playing, one can figure out why: simply put, this is a most astonishing one-way-ticket departure from all existing forms, tonal and atonal structures, conventions and dogmas known to Jazz. Think of this as Ornette Coleman taking traditional Jazz to the guillotine. More than half a century later, it is still too radical and revolutionary for some narrow minds. The mountaintop of Jazz originality and creativity.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY DIE-CUT 'GIMMICK' COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++ (VG+++).

The following flaws or imperfections are noted on the cover:

-        Minor (1/2") tear noted on the paper slick on the inside gatefold.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.   Yellowing is also noted on the INSIDE gatefold

-         Cover has one corner slightly worn / dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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