Nik Pascal - Magnetic Web 1973 Narco lp OG RARE Private Electronic Psych Pink

$

43

Welcome to our Spring 2026 Rock / Psych / Country / SSW / Electronic & Ambient sale, a curated selection featuring Psych Rock, Garage Rock, Metal, the funkier side of Rock with open drum breaks, Country Rock / Outlaw country, classic rock all originals, no reissues! WE COMBINE SHIPPING! :)
Approximately 115 lp's, all originals (no reissues!), many have soundclips, which are from the actual record!  **Note, all soundclips are checked and working, last auction's issue resolved :)

This week features a really nice curated slab of rare, original Rock / Country / AOR SSW oriented lps from rare private presses like the 1982 Damascus Road "I Am A Light" lp, the extremely rare top shelf tax scam grail Jason - S/T 1977 on Manilla, original classics like the first US 1971 Black Sabbath - "Paranoid", the incredible 1972 Kama Sutra Dust - "Hard Attack", a rare promo 1971 copy on Kapp of "Budgie" (the debut album!), a completely unknown rare SSW / Folk lp by John K. O'Brien "Disarming Charms" 1984 (from Portland, OR, only 50 were made!), Frank Zappa "Hot Rats" & "Waka/Jawaka", Neu! the 1978 Brain release x2 lp of their first two albums(!), Leonard Cohen, Warren Zevon, The Eagles 1st press "Hotel California", Michael Sterns, Nik Pascal, Ananda Shankar, Michaels & Hack - "Back To Back" -(extremely rare 1977 private press Psych utilizing drum machines!), the rare as hen's teeth 1st press "Bandolero" 1970 psych grail, Captain Beyond, Terry Reid, Michael Garrison, Jordan De La Sierra, Edgar Froese, Craig Leon's rare 1982 private press lp "Visiting" follow up to "Nommos" Sandy Bull, Redbone "Wovoka" 1973 original 1st press lp and so much more :) 

**Note on grading: We have been proud to send thousands of records to delighted customers, but there is always room for improvement, we want to continually strive to be as accurate, honest, and detailed as possible. These records that have been collected and loved over the years, coming from a collector, one who listens to the records, enjoys the music, we are only growing more meticulous in our visual aspect of grading the vinyl, while also maintaining a balanced emphasis on the sound quality, utilizing sound clips (we do not manipulate them whatsoever, and we never will!), full front to back recent thorough listenings, and for the covers to use detailed photos, write detailed aspects for the grade, we want people to know exactly what they're getting, as collectors, lovers of music, we promise to always carry ourselves with integrity, we're in the business of delighting people, to treat others as the best experiences we've had as buyers, and all of our items are guaranteed. We won't stop growing, learning, and listening. A very special warm thank you to all our incredible return "customers", we really think of you all as fellow friends in vinyl, and if this is your first time bidding with us, we hope our "record" speaks for itself, ensuring a secure feeling to bid with confidence, thank you all, truly together we make this community one that spreads the love, sharing in this special thing of all of ours :) ***

* After this week's auction, (In no particular order) we have in the auction pipeline:
A major Modern soul/Gospel Boogie/AOR lp's
A "golden era" late 70's - early 70's funk/soul lp's
A Random Rap GFunk Indie R&B, Rare Hip-Hop, Neo-Soul, New Jack Swing CD's & Tapes
A Part 4 "Giant Jazz" sale lp's
A funk/soul/boogie 7" 45rpm's
*^(Each are loaded with some of the rarest, high end stuff, plenty that haven't shown up in years, unknown mind-blowers, Grail Pieces, like always, all original editions!)
We'd be honored if you'd consider saving us as a favorite seller :)***


All soundclips used are unedited directly from the item up for sale :). See below for detailed grading!
***Everything is 100% guaranteed! We've sold over 1,500+ records in the past year alone, with 100% positive feedback, bid with confidence :)

Feel free to message any questions!

*Note: Any Item that does not have a soundclip, feel free to message us, and we can make one for you :)

**Note: for items with multiple players, the title of track is above each player; the player enables scrolling through!**


[Please feel free to message us if you'd like a soundclip from this lp :)

Media Grade:  EX (very faint paper sleeve scuffs, extremely high-gloss, my own personal copy, recent play graded, plays front to back like a dream!)
Sleeve Grade:  VG (downgraded from VG+ due to heavy ringwear on front, staining, light discoloration on back, otherwise structurally solid, decent used copy, see photos!)
Year / Label / Catalogue #:   1973  /  Narco Records  / NR 321 (1st press, stereo, "Pink Back Sleeve" first) 
Brief Comments: Rare private press minimal synth electronic masterpiece by Nik Pascal (aka Nik Raicevic), self-released on his private "Narco" records label. Original 1st press, this one is probably his best record, most developed, he utilizes the ARP 2600 and Moog synthesizers, features his enigmatic collaborator Gypsy Flemming on an electric organ, "special effects". Definitely the one in which his signature pioneering electronic sound is at some of its most psychedelic, it seems he had mastered the programming for the Moog and ARP, cutting down on noodling areas, instead breathing an almost hypnotic form and structure. 
Despite what the original warning label stated, I would recommend listening to while stoned, but honestly it's such a hazy mind-melter, listening to this feels like a nice indica/sativa hybrid..... Pascal was also a visual artist (all the Narco covers, Buddah "Head" lp cover, are his paintings) as well as musical artist, this sense of visual arts, helped translate I think into his music to create more depth, nuance, layers, he was far ahead of just about anyone else on the scene (Mort Garson, influential synthesizer pioneer, was a fan, he was inspired to create the 1975 "Ataraxia" on RCA lp from Pascal's work), interestingly Raicevic plays on the Rolling Stone's "Goat Head Soup" 1973 album, his only credit for any other artist/group. His lp's had limited distribution, mostly within California, the American West, places like Head Shops, a few record stores would carry some copies, he mostly sold on spot, at Art Shows (the only hit for a recently sold Nik Pascal "Raicevic" painting I could find, was in 2015, for $3,000, and it looked amazing, very much like these Narco covers, but not one he used for a cover, I would have loved to get that....) in California. He seems to have mostly disappeared after 1975, there's a few known paintings going into the early 80's, it's hard to know if Nicolas Pascal Raicevic, or any variation is even his legal name or not. 
He was one of the original "bedroom producers / musicians", an artist, utilizing the cutting-edge electronics of the day, to create something extremely fresh, unique. Very enigmatic, I don't know if we even know how or why he ended up playing with the Rolling Stone's for "Goat Head Soup" (he's credited with miscellaneous percussion), I've heard two stories, one is that Bill Wyman bought one of his records at a Head Shop in LA, on a whim, and brought him in, the other story is that cover designer / Australian film maker Ray Lawrence had heard through art circles about Pascal, and knew he had recorded with Buddah, and pitched the idea to Bill Wyman, I honestly couldn't say. 
It's one of the finest, truly greatest examples of early electronic music, the world of the private press, and in many ways, is more Lysergic than a lot of psychedelia. 
A really solid copy, of this rare first press :)





*Tariffs aren't going to impact used vinyl records / music media, we wish they were never in place at all, so for international buyers, don't worry on that account!
For our record grading, we stand by the merits outlined in the scale below, anything VG or below will have a detailed explanation in brackets next to the grade.
For sleeves, we will mention anytime there is split, or defect not visible in the photos in brackets next to the grade, otherwise we refer to the photos for the merit of the grade. Of course any questions, concerns, are always welcome :) 
Our media grading scale is as follows: [*Quick note, our VPI is still in storage on the other side of the US, we do brush clean many  items carefully, but we have to prioritize, we won't leave anyone stranded with a filthy record, only "filthy" good! We don't factor dust particles into the grading]
NM = Essentially a pristine album, like new, rarely used.
EX = Under bright light if there is any scuffs or mark, which will be inaudible, most collectors and sellers would tend to consider it closer to NM, EX is also the grade others might call VG++ under the same level of conservative scrutiny.
VG+ = More then a small handful of scuffs, light marks, nothing feelable, will have high-gloss, a thoroughly enjoyable copy that may only have tiny moments of barely perceptible surface noise overpowered by the music. Our VG+ will satisfy the vast majority of collectors as a nice keeper copy, as collector's ourselves for nearly two decades, this grade is aimed to be a great keeper. Note if say the record has a light DNAP warp, but otherwise is NM, we will automatically put it to VG+ and detail that. Another scenario is if a copy plays at a solid EX, but visually is VG, the composite grade will be VG+, and detailed as such.
VG = More hairlines, more marks, maybe a few visible scratches, no more then two feelable scratches (which automatically lowers to VG-), there likely will be surface noise, but will play through, still being an enjoyable copy, the audio quality will satisfy most collector's (the golden rule: if it doesn't satisfy us, it won't be VG), if a record is otherwise EX, but has a slight momentary skip, where 99% of the record is EX, we will note that, and put it at VG. Usually will retain a nice gloss.
VG- = More Scratches than VG, surface noise will jump out more, it be overpowered for longer stretches, or compete with the music in places, it will likely play all the way through on most turntables, a copy that you can still get a decent play enjoyment from.
G+ = Lots of scratches, deeper ones, surface noise now mostly overpowers or competes with the music. It may skip in some places. We don't tend to sell G+ copies, unless the rarity is so great, and that will be precisely detailed.
Thrashed = Pretty much a "Theoretical Grade" for us, it be for all intents & purposes virtually unplayable, it would be for display purposes, or perhaps if you needed the cover but not the record. It's "theoretical" because so far we haven't sold or identified anything intended to sell at this bottom level.
Every item is guaranteed to YOUR satisfaction, no questions asked, 100% refund. We stand by our integrity, our goal is to make sure you are absolutely delighted with your purchase, to deliver a cherished album to your collection :). On the slightest chance of human error, if we make a mistake, we take accountability for that, we don't anyone to have a record they aren't happy with! Bid with confidence :)
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Thank you from EnfieldVinyl, a family business, and the auction venture of EnfieldRecords :)
Kindly,
-Alec :D
&
-Ellie :)