NOMADDS original press album very good condition
  $   214

 


$ 214 Sold For
Apr 15, 2011 Sold Date
Apr 5, 2011 Start Date
$   200 Start price
2   Number Of Bids
  USA Country Of Seller
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Description

NOMADDS original pressing LP album. Very good condition, Recorded at Radex Stereo in Freeport IL. Collectors item. Only played a couple times on a high quality turntable, no scratches or skips on vinyl surface.

On Apr-05-11 at 16:44:12 PDT, seller added the following information:

The Nomadds was originally released by Radex in 1965. They enjoyed quite a local following in Freeport and were Northwestern Illinois’ most popular teenbeat group bar none. The group’s lineup is: Lee Garner (lead guitar), Tony Cannova (drums), Greg Johnson (rhythm guitar, vocals), Denny Kuhl (bass), and Dean Kuehl “Stick” (vocals, harmonica – the big guy who stands center on the album’s cover). The Nomadds is closer in spirit to early British Invasion records like Meet The Beatles or Gerry and the Pacemakers from their giddy 1963/1964 prime. For this reason interest may be limited: there are no fuzz guitars, walls of feedback, psychedelic freakouts, or shouting punk vocals; this album was recorded in 1964! That being said, the song arrangements are articulate and take interesting detours that most teenbeat/garage groups couldn’t handle. The Nomadds cut their teeth playing the bars and teen clubs of Illinois which would explain the accomplished nature of their performances. You’re buying the album for the five great originals but some of the covers are pretty solid too. Standout covers to these ears are a rocking version of “Roll Over Beethoven,” a rollicking “W.P.L.J.,” Jimmy Reed’s “Shame Shame Shame,” and the ultimate teenage heartbreak of “Tragedy.” Excellent originals like “There Is No More” and “You Can Fall In Love” mix minor chords, folk-like guitars and rocking rhythms while other good tracks hit more of a tender, love song vibe. My favorite tune is “Don’t Cheat On Me”, a great performance with an interesting guitar intro and a marvelous vocal arrangement – this is teenbeat at it’s finest, really. So while this LP may not be a definitive classic, it’s still very good and recommended to those who appreciate the British Invasion or very early American garage/teenbeat sounds.


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