NEW MUSIC FOR ELECTRONIC & RECORDED MEDIA LP 1750 ARCH Minimal Abstract
$
24
$ 24
Sold For
Jul 8, 2025
Sold Date
Jul 1, 2025
Start Date
3
Number Of Bids
USA
Country Of Seller
eBay
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Description
Label:
1750 Arch Records – S-1765Format:
Vinyl, LP, Album, StereoCountry:
USReleased:
1977Genre:
ElectronicStyle:
Abstract, MinimalTracklist
Hide Credits A1 Johanna M. Beyer*– Music Of The Spheres Electronics [Frequency Shifting], Mixed By [Mix] – Donald Buchla Electronics [Pulse Control] – Brenda Hutchinson Ensemble [Performed By] – The Electric Weasel Ensemble Guest [With], Triangle – Charles Amirkhanian Recorded By – Robert Shumaker Synthesizer [Music Easel Synthesizers] – Allen Strange, David Morse, Stephen Ruppenthal Electronics [Frequency Shifting], Mixed By [Mix] – Donald Buchla Electronics [Pulse Control] – Brenda Hutchinson Ensemble [Performed By] – The Electric Weasel Ensemble Guest [With], Triangle – Charles Amirkhanian Recorded By – Robert Shumaker Synthesizer [Music Easel Synthesizers] – Allen Strange, David Morse, Stephen Ruppenthal 5:51 A2 Annea Lockwood– World Rhythms 8:20 A3 Pauline Oliveros– Bye Bye Butterfly 8:05 B1 Laurie Spiegel– Appalachian Grove I 5:20 B2 Megan Roberts– I Could Sit Here All Day Drums – Danny Sofer* Vocals [Vocalists] – Phil Loarie, William Novak Drums – Danny Sofer* Vocals [Vocalists] – Phil Loarie, William Novak 6:22 B3 Ruth Anderson– Points 5:25 B4 Laurie Anderson– New York Social Life Tambura [Tamboura] – Scott Johnson Voice, Performer [Telephone] – Laurie Anderson Tambura [Tamboura] – Scott Johnson Voice, Performer [Telephone] – Laurie Anderson 3:21 B5 Laurie Anderson– Time To Go (For Diego) Guitar, Organ – Scott Johnson Voice, Violin – Laurie Anderson Guitar, Organ – Scott Johnson Voice, Violin – Laurie Anderson 2:56Companies, etc.
- Copyright © – 1750 Arch, Inc.
- Phonographic Copyright ℗ – 1750 Arch, Inc.
- Recorded At – 1750 Arch Studios
- Recorded At – Hunter College Electronic Music Studio
- Recorded At – San Francisco Tape Music Center
- Recorded At – Bell Labs, Murray Hill, NJ
- Recorded At – Center for Contemporary Music, Mills College
- Recorded At – Studios Of Laurie Anderson
- Mastered At – 1750 Arch Studios
- Manufactured By – Wakefield Manufacturing – 31684
Credits
- Design – Sharon Stein
- Lacquer Cut By – JB*
- Mastered By [Master Tape Of Album Prepared, Using Dolby Process, By] – Robert Shumaker
- Producer [Produced], Edited By – Charles Amirkhanian
- Sleeve Notes [August 1977] – Charles Amirkhanian
Notes
Master tape of album prepared, using Dolby process, at 1750 Arch Studios, Berkeley, California"The music on this album exhibits an exciting, wide-open, free-wheeling approach to the medium of electronic music which has come to be typical of this genre in the late 1970's.
No longer are composers obsessively concerned with the agonizing, expressionistic, and purely "electronic" (synthesized) sound formulas which marked much of this music composed between the mid-Fifties and the late-Sixties. Instead, today we have composers willing to mix media and sonic materials in thoroughly inventive ways to achieve ends which are new-sounding, and often more engaging, than that of the "academic" avantgarde."
(Excerpt of the sleeve notes by Charles Amirkhanian)
Johanna M. Beyer - Music of the Spheres (1938) recorded by Robert Shumaker, 1750 Arch Studios.
Annea Lockwood - World Rhythms (1975) (BMI) realized at Hunter College Electronic Music Studio.
Pauline Oliveros - Bye Bye Butterfly (1965) realized at San Francisco Tape Music Center.
Laurie Spiegel - Appalachian Grove I (1974) (ASCAP) realized at Bell Labs, Murray Hill, New Jersey.
Megan Roberts - I Could Sit Here All Day (1976) (BMI) realized at Mills Center for Contemporary Music and 1750 Arch Studios.
Ruth Anderson - Points (1973-74) (BMI) realized at Hunter College Electronic Music Studio.
Laurie Anderson - New York Social Life (1977)
Laurie Anderson - Time To Go (for Diego) (1977) both realized at studios of Laurie Anderson, New York City.
Insert enclosed: Complete biographical and program notes for each composer and piece, with photographs of the composers.
1750 Arch Records wishes to thank Pauline Oliveros for her advice and encouragement in the production of this album.
1750 Arch Records, a division of 1750 Arch, Inc.
© & (P) 1977, 1750 Arch, Inc. [on sleeve]
© and ℗ 1977, 1750 Arch, Inc. [on insert]
℗1977, 1750 Arch, Inc. [on labels]
Runouts are etched except for the 'Tulip' logos which are stamped.
Barcode and Other Identifiers
- Rights Society (Performance rights): BMI
- Rights Society (Performance rights): ASCAP
- Matrix / Runout (On both labels): 31684
- Matrix / Runout (Side A runout): 1765-1 [Wakefield Manufacturing 'Tulip' logo] 31684 JB
- Matrix / Runout (Side B runout): 1765-2 [Wakefield Manufacturing 'Tulip' logo] 31684 JB
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