Modest Mouse - Strangers to Ourselves
    19
  $   22

 


€ 19 Sold For
Jul 6, 2018 Sold Date
Mar 9, 2016 Start Date
1 Number Of Bids
  Switzerland Country Of Seller
eBay Sold at
 
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Description

Allgemein

Artikel Name: Strangers to Ourselves
Genre: Pop englischsprachig Produkt Typ: LP (Vinyl) Label: SMI EPC Titelanzahl: 15 Dauer: 57:10

Trackliste LP - 1

1. Modest Mouse - Strangers to Ourselves 3:24 2. Modest Mouse - Lampshades on Fire 3:08 3. Modest Mouse - Shit In Your Cut 4:44 4. Modest Mouse - Pistol (A. Cunanan, Miami, FL. 1996) 3:42 5. Modest Mouse - Ansel 2:56 6. Modest Mouse - Ground Walks, With Time in a Box 6:12 7. Modest Mouse - Coyotes 3:31 8. Modest Mouse - God Is an Indian and You're an Asshole 1:17  

Trackliste LP - 2

9. Modest Mouse - Sugar Boats 4:03 10. Modest Mouse - Wicked Campaign 3:34 11. Modest Mouse - Be Brave 3:31 12. Modest Mouse - Pups to Dust 3:41 13. Modest Mouse - Tortoise and the Tourist 3:41 14. Modest Mouse - Best Room 4:25 15. Modest Mouse - Of Course We Know 5:21  

Beschreibung

Beschreibung

In the interim between 2007's We Were Dead Before the Ship Even Sank and 2015's Strangers to Ourselves, Isaac Brock receded from the spotlight. He sat out the better part of a decade -- making several lineup changes (shedding longterm collaborator Eric Judy, and adding Russell Higbee, Jim Fairchild, and auxiliary player Lisa Molinaro), attempting to record an album with Big Boi, toying with bringing Krist Novoselic aboard -- before finally deciding to get back to where he once belonged. Brock's return to roots is naturally a roundabout of detours, a record that moves between stylized eccentricity and streamlined strangeness, stopping occasionally to soak in a scenic, dreamy view. Strangers to Ourselves starts at this hazy point, swooning with a narcotic sway that recalls peak Mercury Rev. Still, it's not long before Modest Mouse begins bouncing at a syncopation that recalls "Float On," just one of many deliberate references to the ghosts of alt-rock past haunting Strangers to Ourselves. "Pistol" skeeves out like a disco-fied outtake from Ween's Pure Guava, the carnivalesque "Sugar Boats" lurches forward on a circus piano reminiscent of Blur, and "The Best Room" circles around a guitar riff that echoes Space Ghost Coast to Coast -- each one a signal that Brock is comfortable with the dream of the '90s. The trick is, he now has the skill of a consummate craftsman, so the raggedness here comes across as deliberate, probably because the moments that are less consciously quirky -- i.e., the bulk of the album -- are so skillfully constructed. So, Strangers to Ourselves is an album where the trees matter more than the forest: song for song, it demonstrates the exacting nature of Brock. ~ Stephen Thomas Erlewine

Stephen Thomas Erlewine

Beschreibung

Perhaps the success of "Float On" discombobulated Isaac Brock even more than we suspected. Surely, there were signs of aimlessness on We Were Dead Before the Ship Even Sank, the 2007 sequel to the surprise 2004 smash Good News for People Who Love Bad News, a record where hired gun Johnny Marr was brought aboard to give the band a jolt. This booster shot wore off quickly and Brock receded from the spotlight, sitting out the better part of a decade before re-emerging with Strangers to Ourselves in the spring of 2015. In the interim, he shed longterm collaborator Eric Judy -- he left sometime around 2012, replaced by Russell Higbee -- added guitarist Jim Fairchild and auxiliary player Lisa Molinaro, attempted to record an album with Big Boi, toyed with bringing Krist Novoselic aboard, then finally decided to get back to where he once belonged. Brock's return to roots is naturally a roundabout of detours, a record that bounces between stylized eccentricity and streamlined strangeness, stopping occasionally to soak in a scenic, dreamy view. Strangers to Ourselves starts at this hazy point, swooning with a narcotic sway that recalls peak Mercury Rev, but it's not long before Modest Mouse begins bouncing at a syncopation that recalls "Float On," just one of many deliberate references to the ghosts of alt-rock past haunting Strangers to Ourselves. "Pistol" skeeves out like a disco-fied outtake from Ween's Pure Guava, the carnivalesque "Sugar Boats" lurches forward on a circus piano reminiscent of Blur, "The Best Room" circles around a guitar riff that echoes Space Ghost Coast to Coast, each a signal that Brock is comfortable keeping the dream of the '90s. The trick is, he now has the skill of a consummate craftsman, so the raggedness here comes across as deliberate, probably because the moments that are less consciously quirky -- i.e., the bulk of the album -- are so skillfully constructed. So, Strangers to Ourselves is an album where the trees matter more than the forest: song for song, it demonstrates the exacting nature of Brock but put it all together, it sprawls. [Strangers to Ourselves was also released on LP.] ~ Stephen Thomas Erlewine

Stephen Thomas Erlewine

Mitwirkende

  • Artist: Modest Mouse
  • Record Label: Columbia


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