Michael Jackson - Invincible

€ 22

$ 26

€ 22 Sold For

Dec 23, 2016 Sold Date

May 26, 2016 Start Date

1 Number Of Bids

Switzerland Country Of Seller

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Description

Allgemein

Artikel Name: Invincible
Genre: Pop englischsprachig Produkt Typ: LP (Vinyl) Label: MUSIC ON VINYL Titelanzahl: 23

Trackliste LP - 1

1. Brandy / Michael Jackson / The Notorious B.I.G. - Unbreakable 2. Michael Jackson - Heartbreaker 3. Michael Jackson - Invincible 4. Michael Jackson - Break of Dawn 5. Michael Jackson - Heaven Can Wait 6. Michael Jackson - You Rock My World 7. Michael Jackson - Butterflies 8. Michael Jackson - Speechless 9. Michael Jackson - 2000 Watts 10. Michael Jackson - You Are My Life 11. Michael Jackson - Privacy Don't Walk Away 12. Michael Jackson - Cry 13. Michael Jackson - Lost Children 14. Michael Jackson / Carlos Santana - Whatever Happens 15. Michael Jackson - Threatened

Trackliste - 2

Jackson, Michael / Riley, Teddy (Backing Vocals By) - 2000 Watts Jackson, Michael - You Are My Life Jackson, Michael / Slash ((Guitar Solo) - Privacy Jackson, Michael - Don't Walk Away Jackson, Michael - Cry Jackson, Michael - The Lost Children Jackson, Michael / Santana, Carlos (Guitar) - Whatever Happens Jackson, Michael - Threatened

Beschreibung

Let's get the clichéd bad joke out of the way to begin with: at the time Michael Jackson released Invincible in the fall of 2001, he hardly seemed "invincible" -- it was more wishful thinking than anything else, since he hadn't really had a genuine hit in ten years, and even that paled in comparison to his total domination of the '80s. That lack of commercial success, combined with a fading reputation as a trailblazer, a truly ugly public scandal, and swirling rumors about his diminishing finances, along with a huge wait between albums (by teaming his Dangerous follow-up with a hits collection, it wound up being overlooked, despite a gaudy publicity push), resulted in Jackson being deep down in the hole, needing to surge back out with a record that not only proved his talents, but his staying power. So, faced with a make-or-break record, what did Jackson do to save his career? What he had done since Dangerous, take a turn toward the street and craft a hard-driving, hard-polished urban soul album, heavy on the dance numbers and sweetened by lugubrious ballads. That's a proven formula for commercial success, but it didn't push his music forward, particularly when compared to the wildly rich, all-encompassing musical vision of Thriller and Bad. Here, he is reined in by a desire to prove himself, so he keeps his focus sharp and narrow, essentially creating a sparkly, post-hip-hop update of Off the Wall. However, the infectious joy and layered craft of that masterpiece have been replaced with a desire to craft something hip enough for the clubs and melodic enough for mainstream radio, thereby confirming his self-proclaimed status as the King of Pop. Since he is exceptionally talented and smart enough to surround himself with first-rate collaborators, this does pay off on occasion, even when it feels a little too calculated or when it feels a little padded. Ultimately, the record runs too long, losing steam halfway through, as it turns to a series of rants about "Privacy" or a deadly stretch of uncomfortably treacly, sub-"Man in the Mirror" songs about "The Lost Children," or when he says that he can't change the world by himself on "Cry." Fortunately, Jackson was clever enough to front-load this record, loading the first seven songs with really good, edgy dance numbers -- even the opening "Unbreakable" isn't sunk by the creepy resurrection of Biggie Smalls -- and lovely ballads, highlighted by "Break of Dawn" and "Butterflies" with its Bacharach-styled horns. Even if these are too self-conscious and a little mechanical, they still have a spark and sound better than anything Jackson did since Dangerous. That's not enough to make Invincible the comeback Jackson needed -- he really would have needed an album that sounded free instead of constrained for that to work -- but it did offer a reminder that he could really craft good pop. ~ Stephen Thomas Erlewine

Stephen Thomas Erlewine