MUNDELL LOWE GRAND NIGHT FOR SWINGING RARE ORIG'56 RIVERSIDE WHITE LABEL MONO LP
$
68
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· MUNDELL LOWE – A GRAND NIGHT FOR SWINGIN’ - ORIGINAL 1956 RIVERSIDE RECORDS MONO LP RLP-12-238
· ORIGINAL U.S. PRESSING
· ORIGINAL WHITE RIVERSIDE LABEL WITH GREY/BLUE SCRIPT AND A “MICROPHONE” LOGO
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL LAMINATED COVER
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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At one time a listener could place a CD like guitarist Mundell Lowe's A Grand Night for Swinging in the disc player and immediately date it to the 1950s. But the revival of many older styles by younger musicians like guitarist Howard Alden in the '80s and '90s has led to an overlapping of styles. This may make it difficult to match an album to a particular date, but it does help to make older styles more familiar and, thus, accessible. A Grand Night for Swinging is a nice set, featuring Lowe and a good supporting cast including pianist Billy Taylor, bassist Les Grinage, drummer Ed Thigpen, and, on three cuts, alto saxophonist Gene Quill. Known for his cooler tone and lighter touch at the time, Lowe had decided to record an album that proved he could swing a little harder. The set kicks off with the upbeat title track, a Taylor original, that finds Lowe bopping along with clean flowing lines, similar to Barney Kessel. The up-tempo pieces, like "Love Me or Leave Me" and "Crazy Rhythm," work best, pushing the band into fervent workouts. The addition of Quill on several selections adds depth and drive to cuts like "Blues Before Freud," creating something akin to Kenny Burrell's early-'60s work. That this recording should be re-released soon after 2000's Mundell's Mood is fitting; it's a reminder of a distinguished bop/cool tone guitarist who has recorded a number of fine albums since the 1950s. A Grand Night for Swinging will be a real treat for fans unfamiliar with Lowe's earlier work, and a satisfying selection for fans of good jazz guitar.
(EXCERPT FROM AN ONLINE REVIEW BY RONNIE LANKFORD, JR, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
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- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers (nothing significant)
- Minor shelf wear noted on the bottom seam and spine (nothing significant)
- Cover has one corner slightly worn / dinged / bent. (nothing significant)
- Cover has a visible wrinkle (crease) in the cardboard base on the back panel
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams (yet)
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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