MONKEES COLGEMS RARE 8 Track Birds, Bees, & Monkees RESTORED Special Sleeve

$

195

MONKEES COLGEM RARE 8 Track ~ Birds, Bees, Monkees RESTORED Excellent Condition!.

SPECIAL CUSTOM SLEEVE INCLUDED

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The Birds, The Bees & The Monkees

The Birds, The Bees & The Monkees is the fifth studio album by the Monkees. Released in April 1968, it was the first Monkees album not to reach Billboard's number one, peaking at No. 3 on the U.S. charts. It was also their first album to miss the UK charts altogether, with their four previous efforts all having reached the top ten. The album has sold over a million copies.

The Birds, The Bees & The Monkees

Studio album by the Monkees

Released

April 22, 1968

Recorded

Late 1967–early 1968

Genre

Pop rock, psychedelic pop

Length

37:00

Label

Colgems (original U.S. release)

RCA Victor (original release outside U.S.)

Arista (1980 Japanese LP reissue + 1986 CD reissue)

Rhino (1985 LP reissue + 1994 & 2010 CD reissues)

Sundazed (1996 LP reissue)

Producer

The Monkees, Chip Douglas

The Monkees chronology

Pisces, Aquarius, Capricorn & Jones Ltd.

(1967) The Birds, The Bees & The Monkees

(1968) Head

(1968)

Singles from The Birds, The Bees & The Monkees

1. "Daydream Believer" / "Goin' Down"

Released: October 25, 1967

2. "Valleri" / "Tapioca Tundra"

Released: February 17, 1968

While 1968 presented several misfortunes for the band (their eponymous television series was canceled; their first motion picture project, Head, failed at the box office; their television special, 33? Revolutions per Monkee, arguably fared even worse; and, in December, Peter Tork left the group), The Birds, The Bees & The Monkees proved to be another successful album, yielding the group's sixth million-selling single in "Valleri" and yet another No. 1 in "Daydream Believer", written by former Kingston Trio member John Stewart. Coincidentally, both songs had been holdovers from previous albums: "Valleri" had originally been recorded more than a year prior for the television show (the version on this album is a new production) and "Daydream Believer" had been recorded for their previous album, Pisces, Aquarius, Capricorn & Jones Ltd. "Tapioca Tundra", an experimental piece of poetry put to music by Nesmith, charted well as the B-side to "Valleri" and reached No. 34.

After gaining complete artistic control over their musical direction and being allowed to play instruments on their own records in early 1967, the success of Headquarters and Pisces, Aquarius, Capricorn & Jones Ltd. began to somewhat rebuff the critics who viewed The Monkees as a band of talentless individuals who were simply lucky enough to gain recognition through their "manufactured" origins.

The desire and focus, however, to remain as a complete band unit in the studio evaporated after the Pisces album, when each individual band member began to produce his own sessions with his own selected studio musicians, often at entirely different studios around the Los Angeles area. According to Chip Douglas, "Peter kind of drifted away first, and then everybody did. Everyone wanted to do their own songs and produce them the way they wanted to hear them." An agreement was made to label all finished efforts as "Produced by The Monkees" but, in reality, beyond a few exceptions the recordings featured on The Birds, The Bees & The Monkees reverted to the recording process of the first two albums (fewer group dynamics), except now each band member was fully in charge of the sessions. Chip Douglas, producer of the Monkees' previous two albums, fully expected to continue as the band's representative in the studio, but found the individual Monkees more interested in exploring their diverse musical backgrounds with their own friends and associates rather than relying on Douglas as the central figure. Douglas continues, "I was ready to do that Boyce & Hart song 'P.O. Box 9847' – it sort of had that 'Paperback Writer' feel on the demo. We passed on it for Pisces, and I began to think, 'Well, we should do that one now.' Then somebody said, 'Chip, we’re not working with you anymore; we’re gonna do our own thing.'"[citation needed]

While being credited as the producers, in reality the Monkees were assisted in the studio by Colgems' president, and head of Screen Gems-Columbia Publishing, Lester Sill, jazz musician and arranger Shorty Rogers, or future manager and later MCA vice president Brendan Cahill. "At that point their contract read that they were to be credited as producers on any product of theirs that came out", Rogers recalls. "Brendan Cahill and I really did all the studio work and production with Lester Sill. When we finished the album, Lester said, 'We’ll put you down as producers', but The Monkees didn't want it, so that went by the wayside."

Davy Jones' Broadway rock, Michael Nesmith's country and western leanings and psychedelic experiments, and the rock and soul of Micky Dolenz made for a diverse album. Several of Peter Tork's compositions were considered for release on Birds; however, they were all rejected (for reasons unknown). Aside from playing piano on "Daydream Believer", he did not participate in the making of the record at all. Veteran Monkees tunesmiths Boyce and Hart returned to the fold to contribute the psychedelic "P.O. Box 9847", as well as a new version of "Valleri."

The rare U.S. mono album (COM-109) was released in a limited quantity, as mono albums were being phased out by 1968, and has become a highly sought item for its unique mixes that differ from the common stereo versions. Mono copies from Australia, India, Israel, Mexico and Puerto Rico are known to have the same mix as the U.S. There may be others as well. Most countries' mono versions — including the UK's — feature a "fold-down" mix where the stereo channels are reduced to one monaural channel (a mono version of the stereo mix).

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