MINT RARE DANISH '60s PARLOPHONE "REVOLVER" BEATLES ACID POP PSYCH LENNON
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'60s DANISH PARLOPHONE ~ MINT ALL THE WAY!
..
The BEATLES
"Revolver"
DENMARK - PARLOPHONE - PCS 7009
MINT - TOP COPY !
RARE ... '60s Denmark Parlophone rarity - housed in highly laminated cover. (see photos) ...pressed directly from the UK EMI/Parlophone masters ...it's a unique Danish beauty!
Guaranteed 47 year old pressing! MINT!
Thick weighty thick inflexible vinyl completely different from the flimsy later pressings, this is the real deal, cut directly from the UK masters. Nice!
All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either — Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and cosmic psychedelic "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there, as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop-rock album and it's still as emulated as it was upon its original release
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Taxman (2:39)
Recorded: April 20, 1966 at Abbey Road, London, England but remade April 21, 1966 with overdubbing on April 22, 1966 and May 16, 1966
John Lennon - tambourine, background vocal
Paul McCartney - bass guitar, background vocal, guitar solo
George Harrison - double-tracked lead vocal, lead guitar
Ringo Starr - drums - Eleanor Rigby (2:08)
- Recorded: April 28, 1966 at Abbey Road, London, England with vocals overdubbed April 29, 1966 and another McCartney vocal added June 6, 1966
John Lennon - harmony vocal
Paul McCartney - double-tracked lead vocal
George Harrison - harmony vocal
Session musicians - four violins, two violas, two cellos - I'm Only Sleeping (3:01)
- Recorded: April 27, 1966 at Abbey Road, London, England with lead vocal overdubbed April 29, 1966, backward guitar May 5, 1966 and background vocals May 6, 1966
John Lennon - lead vocal, acoustic guitar
Paul McCartney - bass guitar, background vocal
George Harrison - lead guitar, background vocal
Ringo Starr - drums - Love You Too (3:01)
- Recorded: April 11, 1966 at Abbey Road, London, England with overdubs added April 13, 1966
George Harrison - double-tracked lead vocal
Anil Bhagwat - tabla
Session musicians - other instruments - Here, There and Everywhere (2:26)
- Recorded: June 14, 1966 at Abbey Road, London, England with overdubs added June 16-17, 1966
John Lennon - background vocal
Paul McCartney - double-tracked lead vocal, acoustic guitar
George Harrison - lead guitar, background vocal
Ringo Starr - drums - Yellow Submarine (2:41)
- Recorded: May 26, 1966 at Abbey Road, London, England with special effects overdubbed June 1, 1966
John Lennon - acoustic guitar, background vocal, blowing bubbles through a straw
Paul McCartney - acoustic guitar, background vocal
George Harrison - tambourine, background vocal, swirling water in a bucket
Ringo Starr - lead vocal, drums
Mal Evans, Neil Aspinall, George Martin, Alf, Geoff Emerick, Patti Harrison and studio staff - chorus on fadeout
Session musicians - brass band - She Said She Said (2:37)
- Recorded: June 21, 1966 at Abbey Road, London, England
John Lennon - lead vocal, acoustic guitar
Paul McCartney - bass guitar
George Harrison - lead guitar
Ringo Starr - drums - Good Day Sunshine (2:10)
- Recorded: June 8, 1966 at Abbey Road, London, England with overdubs added June 9, 1966
John Lennon - harmony vocal
Paul McCartney - lead vocal, bass guitar
George Harrison - harmony vocal
Ringo Starr - drums
George Martin - piano - And Your Bird Can Sing (2:01)
- Recorded: April 20, 1966 at Abbey Road, London, England but remade April 26, 1966
John Lennon - lead vocal, rhythm guitar
Paul McCartney - bass guitar, harmony vocal
George Harrison - lead guitar, harmony vocal
Ringo Starr - drums, tambourine - For No One (2:02)
- Recorded: May 9, 1966 at Abbey Road, London, England with the vocal overdubbed May 16, 1966 and the French horn solo overdubbed May 19, 1966
Paul McCartney - lead vocal, bass guitar, piano
Ringo Starr - drums, tambourine
Alan Civil - French horn - Doctor Robert (2:15)
- Recorded: April 17, 1966 at Abbey Road, London, England with vocals overdubbed April 19, 1966
John Lennon - double-tracked lead vocal, harmonium, maracas
Paul McCartney - bass guitar, harmony vocal
George Harrison - lead guitar
Ringo Starr - drums - I Want to Tell You (2:30)
- Recorded: June 2, 1966 at Abbey Road, London, England with bass guitar overdubbed June 3, 1966
John Lennon - tambourine, harmony vocal
Paul McCartney - bass guitar, piano, harmony vocal
George Harrison - double-tracked lead vocal, lead guitar
Ringo Starr - drums - Got to Get You Into My Life (2:31)
- Recorded: April 7-8, 1966 at Abbey Road, London, England with overdubs added April 11, May 18, and June 17, 1966
John Lennon - tambourine
Paul McCartney - double-tracked lead vocal, bass guitar
George Harrison - lead guitar
Ringo Starr - drums
George Martin - organ
Eddy Thornton - trumpet
Ian Hamer - trumpet
Les Conlon - trumpet
Alan Branscombe - tenor saxophone
Peter Coe - tenor saxophone - Tomorrow Never Knows (2:57)
- Recorded: April 6, 1966 at Abbey Road, London, England with overdubs added April 7, 1966 and April 22, 1966
John Lennon - lead vocal, tambourine, tape loops
Paul McCartney - bass guitar, tape loop (bird sounds)
George Harrison - lead guitar, sitar
Ringo Starr - drums
George Martin - piano
CONDITION: The cover: rated: M- laminated TOP COPY front cover, flat & square with 4 sharp corners ...nice survivor from 47 years old! There are no delete marks, no split seams, and no writing ... a VERY nice collection rarity !
The vinyl: Rated: M- TOP COPY excellent clean audio... both Danish Parlophone labels are clean
A cool addition to anyone's music library!
SEE: SELLERS OTher items for similar cool sounds for "head" people...
EFFICIENT/CAREFUL GRADING
All imperfections are noted both cover & record
NOTE: All Items backed by money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks M- Carefully used, looks clean, plays clean, shiny gloss, no marks EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END BIDDERS PLEASE = Do Not Bid If You Are Not Serious About Following Through The Transaction! ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!
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