MILES DAVIS MFSL KIND OF BLUE 45 RPM SET ONLY FOR SPECIAL PURCHASE FOR CUSTOMER

$

320

Miles Davis MFSL SET SHOWS TWO TITLES BUT THIS LISTING IS FOR A SPECIAL CUSTOMER PURCHASE OF JUST THE KIND OF BLUE SET - BITCHES BREW WHICH IS LISTED HERE IS NOT APART OF THIS PURCHASE PRICE.

1ST THE RARE OUT OF PRINT Bitches Brew 

FOR COLLECTORS NUMBERED Limited Edition 180 GRAM DOUBLE LP SET. THIS SET IS CURRENTLY SELLINGS FOR WELL OVER $300 SEALED LIKE WE ARE OFFERING HERE.

Numbered, Limited Edition 180g Vinyl! Pressed at RTI!
Mastered from the Original Master Tapes! 
Rolling Stone 500 Greatest Albums of All Time - Rated 95/500!

Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later

Otherworldly Sonics: Mobile Fidelity Delivers the Consummate Pressing of the Uncompromising Work Ranked by Rolling Stone as Among the Greatest 100 Albums of All Time 

Grammy Award-Winning Set Ignores Convention, Pursues Funk and Rock Directions Via Innovative Rhythms and Groundbreaking Ensemble Configurations

"Listen to This." As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 40 years later, still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 33RPM 2LP set.

Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile 33RPM version of Bitches Brew joins the ranks of eleven other essential Miles Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Having established new possibilities for studio-recording techniques, the record can now be experienced to maximum degree by way of this analog edition that widens and deepens the soundstage, opens up separation between instruments, and broadens the dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Mobile Fidelity's version envelops you in expansive warm tonal blankets. Compositions stretch across jet-black backgrounds and paint abstract canvasses on par with those of Axis: Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.

Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that thrusts rhythms into a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories—at once hypnotizing and grooving, charting maverick adventures with quixotic rock, funk, and R&B elements.

Conceptually, Davis described Bitches Brew as "a novel without words" and "an incredible journey of pain, joy, sorrow, hate, passion, and love." The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it resists definitive interpretation and encourages free thought—the very principles with which Davis conceived the everlasting beauty and fascination that is Bitches Brew.

All the composer would else likely want for open-minded listeners is for them to hear it at its full potential, a dream realized by Mobile Fidelity.

Features:
• Numbered, Limited Edition
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Double LP
• Special Static Free - Dust Free Inner Sleeve
• Pressed at RTI
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes

Musicians:
Miles Davis, primary artist, trumpet
Dave Holland, bass
Harvey Brooks, bass, electric bass, bass guitar, electric guitar
Bennie Maupin, bass clarinet
Airto Moreira, cuica, percussion
Don Alias, congas, drums, percussion
Jumma Santos, congas, percussion, shaker
Jack DeJohnette, drums
Lenny White, drums
Billy Cobham, drums
Chick Corea, electric piano
Larry Young, electric piano
John McLaughlin, guitar, electric guitar
Joe Zawinul, organ, electric piano
Jim Riley, percussion
Wayne Shorter, soprano saxophone

Selections:
1. Pharaoh’s Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
5. Miles Runs the Voodoo Down
6. Sanctuary 

2ND WE ARE OFFERING THE MFSL KIND OF BLUE 45 RPM AUDIOPHILE NUMBERED BOX SET. NOW TREMENDOUSLY RARE MFSL MASTERPIECE. 

Miles Davis Kind of Blue on numbered limited edition 180-gram 45 RPM double LP box set from Mobile Fidelity

 

Best-selling album in jazz history; mastered from the original master tapes

 

Mobile Fidelity 180-gram 45 RPM double LP box set is definitive analog version, intended to be passed on to generations

 

Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history

 

How does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. There's also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.

 

Part of Mobile Fidelity's Miles Davis catalog restoration series, the landmark has been given the ultimate white-gloves treatment. Mastered from the original master tapes, and pressed on 45 RPM LPs at RTI, this sumptuous box set of the often-reissued album is a must for even fans that already possess multiple versions. Such is the illuminating transparency, reference dynamics, organic warmth, and instrumental detail exposed by the thoroughly scrupulous mastering process. If there's a stairway to heaven, this is the soundtrack.

 

In its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis' key recordings. It's why the label's engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.

 

While no one has ever completely identified the magic behind the record's allure — the otherworldly nature is part of its inherent charm — much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.

 

An audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelity's reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you'll feel as if you've been whisked away to a jazz holy land. Quintessential

                Side 1

                1. So What

               

Side 2

                2. Freddie Freeloader

                3. Blue in Green

               

Side 3

                4. All Blues

               

Side 4

                5. Flamenco Sketches

E-BAY STORE.  FOR YOUR INDIVIDUAL AUDIOPHILE HEAVY VINYL SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN MDAVIS FOR MILES TITLE CODE INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE FOR ALLINDIVIDUAL TITLES + INFORMATION WILL APPEAR.

Collectors Note: This LIMITED EDITION pressing is now out of print & gone from the last distributor that had any of these pressing left within their inventory. This means that this specific title is "Here Today but For Sure Gone Tomorrow Forever". So Don't Miss Out on adding this to your collection because mymusicfix only has a the last couple copies left forever any where in the world still factory sealed. 

 You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

 

Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix STORE tab on the Title Purchase Page to view our current items up on E-Bay.

Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay.  JAZ DOLP mdavis lpvalue lpvalue2 1&DONE 1&DONE3 DOLP BIGHITS BIGHITS2

On Sep-26-08 at 20:08:27 PDT, seller added the following information:

International Buyers – Please Note:
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FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

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