MILES DAVIS Complete BITCHES BREW Sessions 6LP MOSAIC
  $   213

 


$ 213 Sold For
May 22, 2010 Sold Date
May 15, 2010 Start Date
$   200 Start price
4   Number Of Bids
  USA Country Of Seller
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Description

MOSAIC MQ6-183
Condition: Cover/ NM. Record/ NM

Miles Davis - The Complete Bitches Brew Sessions (August 1969-February 1970)  (Mosaic MQ6-183)

Miles Davis (tp) Bennie Maupin (bcl) Steve Grossman (ss) Chick Corea, Herbie Hancock (el-p) Khalil Balakrishna (el-sitar) Bihari Sharma (tambura, tabla) John McLaughlin (g) Ron Carter (b) Harvey Brooks (el-b) Billy Cobham (d, triangle) Airto Moreira (guica, berimbau) Columbia Studio E, NYC, November 19, 1969 Yaphet Corrado Miles Davis (tp) Bennie Maupin (bcl) Steve Grossman (ss) Larry Young (org, cel) Chick Corea, Herbie Hancock (el-p) Khalil Balakrishna (el-sitar) Bihari Sharma (tambura, tabla) John McLaughlin (g) Dave Holland (b) Harvey Brooks (el-b) Jack DeJohnette (d -1,2) Billy Cobham (d, triangle) Airto Moreira (guica, berimbau) Columbia Studio E, NYC, November 28, 1969 1. CO103289 Trevere 2. The Big Green Serpent 3. CO103290 The Little Blue Frog (alt. take) 4. - The Little Blue Frog (mst. take) (edited version) Miles Davis (tp) Bennie Maupin (bcl) Wayne Shorter (ss) Chick Corea, Joe Zawinul (el-p) John McLaughlin (g) Dave Holland (el-b) Billy Cobham, Jack DeJohnette (d) Airto Moreira (guica, per) Columbia Studio B, NYC, January 28, 1970 CO106712 Feio CO106713 Double Image Cobham plays (triangle). omit Maupin Columbia Studio B, NYC, February 6, 1970 CO106730 Recollection CO106731 Take It Or Leave It ** also issued on Columbia/Legacy C4K 65570 entitled "The Complete Bitches Brew Sessions".
** same contents as Columbia GP 26 + 15 bonus tracks.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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