MILES DAVIS Birth Of The Cool (Blue Note) LP NEW VINYL Blue Note reissue
  $   22

 


$ 22 Sold For
Sep 26, 2017 Sold Date
Nov 2, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Store Categories HIP HOP FUNK / SOUL DUB/REGGAE/DANCEHALL EXPERIMENTAL/IDM DOWNTEMPO DUBSTEP/GRIME SERATO CONTROL VINYL HOUSE TECHNO INDYTRONIC SYNTHWAVE/80'S/INDUSTRIAL UK BASS/FUTURE GARAGE/UKF GLITCH HOP AMBIENT/DRONE BATTLE BREAKS/ACAPELLAS DISCO ELECTRO/BREAKS GHETTO TECH/JUKE/FOOTWORK PROGRESSIVE/TRANCE DRUM N' BASS BREAKCORE ROCK POP PUNK METAL JAZZ SOUNDTRACKS MILES DAVIS Birth Of The Cool (Blue Note) / LP NEW VINYL / Blue Note 2016

So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it all seem easy, even at its most intricate. After all, there's a reason why this music was called cool; it has a hip, detached elegance, never getting too hot, even as the rhythms skip and jump. Indeed, the most remarkable thing about these sessions -- arranged by Gil Evans and featuring such heavy-hitters as Kai Winding, Gerry Mulligan, Lee Konitz, and Max Roach -- is that they sound intimate, as the nonet never pushes too hard, never sounds like the work of nine musicians. Furthermore, the group keeps things short and concise (probably the result of the running time of singles, but the results are the same), which keeps the focus on the tones and tunes. The virtuosity led to relaxing, stylish mood music as the end result -- the very thing that came to define West Coast or "cool" jazz -- but this music is so inventive, it remains alluring even after its influence has been thoroughly absorbed into the mainstream

A1 Move
A2 Jeru
A3 Moon Dreams
A4 Venus De Milo
A5 Budo
A6 Deception
B1 Godchild
B2 Boplicity
B3 Rocker
B4 Israel
B5 Rouge

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