MICKEY BAKER WILDEST GUITAR INSANELY RARE ORIG'58 ATLANTIC GREEN LABEL STEREO LP

$

118

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       MICKEY BAKER – WILDEST GUITAR – ORIGINAL 1959 ATLANTIC RECORDS STEREO LP 8035

·       ORIGINAL U.S. PRESSING

·       ORIGINAL LIME-GREEN  ATLANTIC STEREO LABEL WITH BLACK PRINT

·       DEEP GROOVE PRESSING

·       EXTREMELY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Despite Baker's well-deserved reputation as one of the most influential guitar players of early rock & roll, The Wildest Guitar was one of the few chances he really got to strut his stuff as a solo artist. This entirely instrumental set features keening, sharp, bluesy riffs in much the same distinctive style that gained him fame on "Love Is Strange" and other tunes with Mickey & Sylvia. The choice of material, though, is a bit surprising, favoring some surprisingly cornball standards: "Third Man Theme," "Autumn Leaves," "Lullaby of the Leaves," and Cole Porter's "Night and Day." Baker (who also arranged the album) manages to invest all of these with a snazzy R&B feel and biting solos. And he does actually write four of the 12 tunes himself, on which he fashions the kind of straightforward R&B that one would more likely to expect. This is a pretty good showcase to hear Baker's unadorned virtuosity. But he's really better-appreciated within the context of stronger material, either as half of Mickey & Sylvia or on the innumerable '50s R&B cuts (many on Atlantic) that feature his session work.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY MICKEY BAKER ►  CLICK HERE

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)            Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(e)             The record comes in the original stock inner sleeve (a little chewed at the opening, but present).

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        A small, faint  water stain  (VISIBLE ON BACK SIDE ONLY)  affects the area about 5 square inches in two  bottom corners;; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the faintly stain.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3   (VISIBLE ON BACK SIDE ONLY)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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