MARVIN GAYE WHAT'S GOING ON RARE ORIGINAL '71 TAMLA LP SOUL MILESTONE STUNNING

$

124

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·      MARVIN GAYE – WHAT`S GOING ON – 1971 TAMLA RECORDS STEREO LP T6-310S1 (TS-310 ON THE LABELS) [NOTE: THIS IS A RARE TRANSITIONAL PRESSING OF THE ALBUM; ALL TRANSITIONAL COVERS (T6-310S1) HAVE ORIGINAL PRESSINGS (TS-310) INSIDE; ESSENTIALLY, ONLY THE COVER IS SLIGHTLY DIFFERENT, WHEREAS THE RECORD IS IDENTICAL TO THE FIRST PRESSING.

·      ORIGINAL U.S. PRESSING

·      GENUINE  U.S. PRESSING

·      ORIGINAL YELLOW AND BROWN TAMLA LABEL, LATE 60’S TO MID-70’S STYLE

·      THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·      ORIGINAL GATEFOLD COVER

·      SECOND VERSION OF THE COVER WITH THE PALE BLUE BACKGROUND ON THE INNER GATEFOLD, NOT THE BROWN (SEPIA)

·      FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and  10 being the thickest), we assess the thickness of the vinyl as 7.

·      CLEAN, WEAR-FREE LABELS

·      MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·      MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-2D/-2D'

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time.

Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopeful, angry and jubilant, Gaye saved the most sublime, deeply inspired performances of his career for "Mercy Mercy Me (The Ecology)," "Inner City Blues (Make Me Wanna Holler)," and "Save the Children." The songs and performances, however, furnished only half of a revolution; little could've been accomplished with the Motown sound of previous Marvin Gaye hits like "Stubborn Kind of Fellow" and "Hitch Hike" or even "I Heard It Through the Grapevine." What's Going On, as he conceived and produced it, was like no other record heard before it: languid, dark, and jazzy, a series of relaxed grooves with a heavy bottom, filled by thick basslines along with bongos, conga, and other percussion. Fortunately, this aesthetic fit in perfectly with the style of longtime Motown session men like bassist James Jamerson and guitarist Joe Messina. When the Funk Brothers were, for once, allowed the opportunity to work in relaxed, open proceedings, they produced the best work of their careers (and indeed, they recognized its importance before any of the Motown executives). Bob Babbitt's playing on "Inner City Blues (Make Me Wanna Holler)" functions as the low-end foundation but also its melodic hook, while an improvisatory jam by Eli Fountain on alto sax furnished the album's opening flourish. (Much credit goes to Gaye himself for seizing on these often tossed-off lines as precious; indeed, he spent more time down in the Snakepit than he did in the control room.) Just as he'd hoped it would be, What's Going On was Marvin Gaye's masterwork, the most perfect expression of an artist's hope, anger, and concern ever recorded.

 (EXCERPT FROM AN ONLINE REVIEW BY JOHN BUSH, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

What else needs to be said about this, probably the most beloved and venerated of all albums - Soul or otherwise - that hasn’t been said before?  Marvin’s tortured and pained soul exploded in this album like it never did before - or again. Considered to be the # 1 soul album of all times, and probably one of the top-10 most important albums IN ANY GENRE - this masterpiece (and, yes, masterpiece is the right word here), quietly gained in stature over the ensuing three decades to become a proverbial monument of modern music. This is simply a work of art, in the same sense we use this term to denote works of masters of Renaissance or Classicism. If you have never heard it, you must have been (a) stranded on a desert island (b) incarcerated by the oppressive regime or (c) hearing -challenged. Whatever the case, you owe yourself a favor of hearing it, in all its analogue, vinyl glory. The intricacy of the arrangement, the supreme confidence (but no exibitionism!) of the musicians, specially the breath-taking rhythm section, which provides ‘backbone’ for Marvin’s cascading melismas and hollers, is more than heart can withstand. When he sings "Save the Children", you get to feel every word, and every syllable. And, this is just a beginning. By the time the record stops spinning, you will be a changed person. God bless you Marvin, wherever you are. 

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565

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·                          CONDITION:

·                          THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)         WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)         The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(a)         Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                          THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-       Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-       The cover has a few tiny scratch marks   (nothing significant)

-       Cover has a few tiny wrinkles along the spine  (nothing significant)

-       Cover has some tiny, faint writing on its back side (a microscopic price code written in one corner) ; the ink has been completely erased, only a faint pressure mark remains.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.

INTERNATIONAL POSTAGE rates vary from one region of  the world to another. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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FINE (BUT IMPORTANT!) PRINT

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

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