MANFRED MANN "Chapter Three" LP VG+ / VG+, 1969
  $   25

 


$ 25 Sold For
Mar 17, 2017 Sold Date
Mar 10, 2017 Start Date
$   10 Start price
17   Number Of Bids
  USA Country Of Seller
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Description

Description: 

AllMusic Review by Mark Allan

It's light years from the airy pop of "Do Wah Diddy Diddy," recorded by the hit-making first group formed by South African Manfred Mann and Mike Hugg in 1963. This is as much jazz as rock. There's hardly any guitar, but a swaggering horn section compensates. Imagine a darker, moodier Traffic with Mann manning the organ instead of Steve Winwood. Hugg's raspy vocals are featured on the first album recorded with the new band. The standout tracks are the album-opening "Travelling Lady" and "Time," but they are hardly the only strong ones.

Manfred Mann Chapter Three ?– Manfred Mann Chapter Three

Label: Polydor ?– 24-4013 Format: Vinyl, LP, Album 
Country: US Released: 1969 Genre: Rock Style: Classic Rock, Jazz-Rock

TracklistHide Credits

A1 Travelling Lady Written-By – Mann, Hugg* 5:48 A2 Snakeskin Garter Written-By – Hugg* 5:48 A3 Konekuf Written-By – Mann* 5:58 A4 Sometimes Written-By – Hugg* 2:38 A5 Devil Woman Written-By – Hugg* 5:27 B1 Time Written-By – Hugg* 7:32 B2 One Way Glass Written-By – Mann* 3:30 B3 Mister You're A Better Man Than I Written-By – B. Hugg*, M. Hugg* 5:10 B4 Ain't It Sad Written-By – Hugg* 1:58 B5 A Study In Inaccuracy Written-By – Mann* 4:08 B6 Where Am I Going Written-By – Hugg* 2:45

Credits

  • Arranged By [Additional Brass] – Derek Wadsworth
  • Arranged By [Brass] – Manfred Mann (2), Mike Hugg
  • Bass [Fender], Guitar, Harp – Steve York
  • Drums – Craig Collinge
  • Engineer, Producer – Dave Hadfield
  • Flute [Alto] – Bernie Living
  • Guitar – Brian Hugg (tracks: A4)
  • Liner Notes – Manfred Mann (2), Mike Hugg
  • Organ, Whistle [Police] – Manfred Mann (2)
  • Photography – Johnny Clamp
  • Piano, Vocals – Mike Hugg
  • Trumpet, Soloist – Harold Becket* (tracks: B1)
  • Vocals – Mann* (tracks: B2)

Notes

On rear cover: 
In June 1969 Manfred Mann pop group disbanded after 5 ½ years of successfully making hit records. 
Manfred Mann Chapter 3 was formed by Manfred Mann and Mike Hugg, who had originally for the Manfred Mann pop group in 1963. 
This L.P. was recorded between June and October 1969 in the Old Kent Road and represents in general what we personally have been wanting to do for some years. 
All songs published by Belinda Music Inc. (B.M.I.). 
Polydor Inc., 1700 Broadway, New York, N.Y. 10019 
We would also like to thank - Sonny Corbett, Ian Fenby, Harold Becket, David Coxhill, Derek Wadsworth, Chris Pyne, Dave Quincy, Phil Kenzie, Dave Potter, Geoff Driscoll, Nick Evans, Madeline Bell, Sue and Sonny, Brian Hugg. 

On center label: 
Manufactured by Polydor Incorporated, New York, N.Y.

Barcode and Other Identifiers

  • Matrix / Runout (Label Side A): POLP 80043
  • Matrix / Runout (Label Side B): POLP 80044

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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