MAGIC SAM Live RARE (NM-) 2x LP Vinyl Delmark Chicago Blues
$
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Description
MAGIC SAM - MAGIC SAM LIVE
ORIGINAL1st EDITION 1981 VINYL DOUBLE LP no cutouts
DELMARK RECORDS (DL 645/646)
Vinyl- NEAR MINT MINUS (NM-) Both albums with a few superficial sleeve marks. A bit of storage marking
OuterSleeve - EXCELLENT(EX) Some ringwear and a little wear atcorners/edges. No Splits great spine. NO BARCODE. GATEFOLD
InnerSleeve – Original aged white sleeves. Shipped in a new sleeve.
Recorded at The Alex Club, Chicago, October 1963 (A1, A2, A4, B1, B4), February 1964 (A3, A5, B2, B3, B5)
Recorded at the Ann Arbor Blues Festival, Ann Arbor, Mich., August 3, 1969 (C1 to D5)
Tracklist
At The Alex Club, 1963/64 A1 Every Night About This Time 3:44 A2 I Don't Believe You'd Let Me Down 4:19 A3 Mole's Blues 4:49 A4 I Just Got To Know 4:22 A5 Tore Down 3:18 B1 You Were Wrong 5:14 B2 Backstroke 3:48 B3 Come On In This House 4:07 B4 Looking Good 3:17 B5 Riding High 1:41
At The Ann Arbor Blues Festival, 1969 C1 San-Ho-Zay 2:31 C2 I Need You So Bad 4:15 C3 You Don't Love Me 4:04 C4 Strange Things Happening 4:10 C5 I Feel So Good (I Wanna Boogie) 4:54 D1 All Your Love 4:55 D2 Sweet Home Chicago 3:28 D3 I Got Papers On You, Baby 3:30 D4 Looking Good 3:33 D5 Looking Good (Encore) 1:46
Companies, etc.
- Recorded At – The Alex Club
- Recorded At – Ann Arbor Blues & Jazz Festival
- Pressed By – Wakefield Manufacturing – 39387
- Pressed By – Wakefield Manufacturing – 39388
Credits
- Bass – Bruce Barlow (tracks: C1 to D5), Mac Thompson* (tracks: A1 to B5)
- Coordinator [Production] – Steve Tomashefsky
- Design – Bob McCamant
- Drums – Bob Richey (tracks: A1, A2, A4, B1, B4), "Huckleberry Hound" (Robert Wright)* (tracks: A3, A5, B2, B3, B5), Sam Lay (tracks: C1 to D5)
- Electric Piano – Tyrone Carter (tracks: A1, A2, A4, B1, B4)
- Guitar, Vocals – Magic Sam
- Liner Notes – Dick Shurman, John R. Fishel*
- Photography By [Cover] – Greg Roberts (4)
- Recorded By [Alex Club] – Peter K. Kroehler
- Recorded By [Ann Arbor] – Austin Iglehart, Jim Fishel, John Fishel
- Technician [Reprocessing] – Art Schrifrin (tracks: C1 to D5), Ken Rasek (tracks: A1 to B5)
- Tenor Saxophone, Vocals – Eddie Shaw (2) (tracks: A1 to B5)
- Vocals – Mac Thompson* (tracks: A1, A2, A4, B1, B4)
ALL ALBUMS VISUALLY GRADED, but mayhave notes from listening.
ALL ALBUMS ORIGINAL PRESSINGS, 1stPressing or Reissues will be noted
First album ships for $3.99 via Media Mail, combined shipping ofadditional albums is $.50 each. Please wait for invoice on combined shiporders. No international shipping presently. Items packaged securely withbubble wrap in cardboard box made for vinyl and albums in new inner sleeve toprotect the original (when appropriate).
GOLDMINE RECORD GRADING
MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mintshould never be used as a grade unless more than one person agrees that therecord or sleeve truly is in this condition. There is no set percentage of theNear Mint value these can bring; it is best negotiated between buyer andseller.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retailstore and it was opened for the first time.” In other words, it’s nearlyperfect. Many dealers won’t use a grade higher than this, implying (perhapscorrectly) that no record or sleeve is ever truly perfect. NM records areshiny, with no visible defects. Writing, stickers or other markings cannotappear on the label, nor can any “spindle marks” from someone trying to blindlyput the record on the turntable. Major factory defects also must be absent; arecord and label obviously pressed off center is not Near Mint. If played, it willdo so with no surface noise. (NM records don’t have to be “never played”;arecord used on an excellent turntable can remain NM after many plays if thedisc is properly cared for.) NM covers are free of creases, ring wear and seamsplits of any kind.
VERY GOOD PLUS (VG+) or EXCELLENT (E)
A good description of a VG+ record is “except for a couple minor things, thiswould be Near Mint.” Most collectors, especially those who want to play theirrecords, will be happy with a VG+ record, especially if it toward the high endof the grade (sometimes called VG++ or E+).
VG+ records may show some slight signs of wear, including light scuffs or verylight scratches that do not affect the listening experience. Slight warps thatdo not affect the sound are OK. Minor signs of handling are OK, too, such astelltale marks around the center hole, but repeated playing has not misshapenthe hole. There may be some very light ring wear or discoloration, but itshould be barely noticeable. VG+ covers should have only minor wear. A VG+covermight have some very minor seam wear or a split (less than one inch long)at thebottom, the most vulnerable location. Also, a VG+ cover may have some defacing,such as a cut-out marking. Covers with cut-out markings can never be consideredNear Mint.
Very Good (VG)
Many of the imperfections found on a VG+ record are more obvious on a VGrecord. That said, VG records are among the biggest bargains in recordcollecting, because most of the “big money” goes for more perfect copies. Formany listeners, a VG record or sleeve will be worth the money. VG records havemore obvious flaws than their counterparts in better shape. They lack most ofthe original gloss found on factory-fresh records. Groove wear is evident onsight,as are light scratches deep enough to feel with a fingernail. Whenplayed, a VG record has surface noise, and some scratches may be audible,especially in soft passages and during a song’s intro and ending. But the noisewill not overpower the music otherwise.
Minor writing, tape or a sticker can detract from the label. Many collectorswho have jukeboxes will use VG records in them and not think twice. They remaina fine listening experience, just not the same as if it were in better shape.VGcovers will have many signs of human handling. Ring wear in the middle or alongthe edges of the cover where the edge of a record would reside, is obvious,though not overwhelming. Some more creases might be visible. Seam splittingwill be more obvious; it may appear on all three sides, though it won’t beobvious upon looking. Someone might have written or it or stamped aprice tag onit, too.
Good (G), Good Plus (G+) or Very Good Minus (VG–)
Good does not mean bad! The record still plays through without skipping, so itcan serve as filler until something better comes along. But it has significantsurface noise and groove wear, and the label is worn, with significant ringwear, heavy writing, or obvious damage caused by someone trying to removetapeor stickers and failing miserably. A Good to VG– cover has ring wear tothepoint of distraction, has seam splits obvious on sight and may have evenheavier writing, such as, for example, huge radio station letters writtenacross the front to deter theft. If the item is common, it’s probably bettertopass it up. But if you’ve been seeking it for a long time, get it cheap andlook to upgrade.
POOR (P) and Fair (F)
Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, ifthey go at all. More likely, they end up going in the trash. Records arecracked, impossibly warped, or skip and/or repeat when an attempt is made toplay them. Covers are so heavily damaged that you almost want to cry
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