Lou Reed - Metal Machine Music Rare Vinyl 2X LP RCA CPL2-1101 (1975)
  $   75

 


$ 75 Sold For
Aug 17, 2022 Sold Date
Aug 16, 2022 Start Date
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Description

  Lou Reed – Metal Machine Music (The Amine β Ring)

COVER VG+ RECORD EX/EX

Visual Grading


Lou Reed – Metal Machine Music (The Amine β Ring)

Label: RCA – CPL2-1101, RCA Victor – CPL2-1101

Format:

2 x Vinyl, LP, Album, Stereo, Indianapolis Pressing, Gatefold

Country: US

Released: Jul 1975

Genre: Electronic

Style: Noise, Drone, Experimental

A Metal Machine Music A-1 16:01

B Metal Machine Music A-2 16:01

C Metal Machine Music A-3 16:01

D Metal Machine Music A-4 16:01

Record Company – RCA Corporation

Phonographic Copyright ℗ – RCA Records

Copyright © – RCA Records

Mastered At – Sterling Sound

Lacquer Cut At – Sterling Sound

Pressed By – RCA Records Pressing Plant, Indianapolis

Cover – Acy Lehman, Lou Reed

Lacquer Cut By – RL*

Liner Notes – Lou Reed

Mastered By – Bob Ludwig

Written-By – Lou Reed

"I" stamped in runouts denotes RCA Records Pressing Plant, Indianapolis, pressing. Remainder of runouts mostly etched, mastering/plating stamped.


Issued in RCA gatefold jacket. Issued RCA Victor labels.


On labels, front cover: "An Electronic Instrumental Composition"


Auto-coupled release, disc 1 has sides A/D; disc 2 has sides B/C. Side D ends in a locked groove, label states: 16:01 or ∞.


© 1975, RCA Records (...) Printed in U.S.A.


Made in U.S.A.

℗ 1975 RCA Records


Text on the sleeve:

"SPECIFICATIONS

Sony 1/2 track

Uher 1/4 track

Pioneer 1/4 track

5 piggyback Marshall Tube Amps in series

Arbitor distortor (Jimi's)

Marantz Preamps

Marantz Amps

Altec Voice of America Monitor Speakers

Sennheiser Headphones

Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music

Rock orientation, melodically disguised, i.e. drag

Avoidance of any type of atonality.

Electro-Voice high filter microphones

Fender Tremolo Unit

Sunn Tremolo Unit

Ring Modulator/Octave Relay Jump

Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white

No Synthesizers

No Arp

No Instruments?

--10 db + 57db

--20 hz--+30,000 hz

--12 hz--+28,000 hz

Distortion 0.02 bass and treble ceilings

Combinations and Permutations built upon constant harmonic Density Increase and Melodic Distractions.

STRICT STEREO SEPARATION

No panning

No phasing

No"


Special thanks to Bob Ludwig


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