Lou Reed '73 U.K 1st LP Berlin RCA mint- + INSERT Velvet Underground

	£		60
	$		79

Hi Vinyl freaks. In the next few weeks I'll put on auction more than 600 great and collectible records. Most records are true collector's items. Have a look, it is worthwhile! Most of my vinyl comes from my own collection and/or quality collections. Most records are in great, collectible condition. If not, I'll clearly describe the possible flaws or scuffs. Appr. 90% of my records are EX to Mint-. I am continuously selling Essential German Kraut, Dutch psych and garage, UK and US progressive and folk, early electronic and (hard) psychedelic records from the period 1967 to 1975. Moreover, many other essential wave, punk and (minimal) synth records will be on auction. Please take some time and read my instructions carefully. If questions... please feel free to ask. A fantastic vinyl collection is going to be for sale in outstanding condition. Don't miss out this opportunity!!

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Band/Record: Lou Reed - Berlin

Label/Matrix: UK 1973 RCA RS 1002 with A-1E // B-2E

Condition Record/Sleeve: Mint-/EX+ (record immaculate, DREAM audio. Cover clean and unwritten, like new, with corners only tiny "eaten")

Extra Info: Fantastic Album !! Original UK 1st press LP on the RCA label + Shorewood Packaging cover + INSERT  ... Wow ..minty dream audio ... VERY RARE !!

~~~ Sometimes called the most depressing album ever made, “Berlin” is the story of Caroline and Jim, a lowlife couple in the title city — she is promiscuous, he beats her, and they both do lots of drugs — and the tragic dissolution of their relationship. The demimonde of drugs and sadomasochism glamorized in songs by the Velvet Underground, Mr. Reed’s visionary 1960s avant-rock band, is shown with miserable consequences, as in “The Bed,” when Caroline commits suicide and Jim remains bitterly numb (…)

The album was made at a high point in Mr. Reed’s career. His second solo record, “Transformer,” produced by David Bowie and released in 1972, had become a glam-rock keystone.  

“The expectation was that I was going to do something very commercial with him,” Mr. Ezrin said from his office in Toronto. “Sort of Alice Cooper-ish, real mainstream. In reality I had become mesmerized by the poetry and by the art of Lou. Maybe I lost sight of my mandate. Honestly I can look back and say I probably didn’t do what I was hired to do.”

Recorded in London with a group of high-profile musicians including Steve Winwood and Jack Bruce, the songs of “Berlin” are rock filtered through a Brecht-Weill sensibility, with piano at the center of arrangements for band, horns and strings. Songs like “The Bed” and “The Kids” are among the most joyless Mr. Reed has ever recorded, but also some of his most delicate and intense.

The album has a narrative that stretches over 10 songs, and Mr. Reed and Mr. Ezrin had dreams of staging it. “We were bordering on genius with this work,” Mr. Ezrin said. “We were doing things that you’re just not supposed to do with rock music.” (…)

Though it stalled at No. 98 on the charts and drifted in and out of print, over time “Berlin” has built a passionate cult audience. One of its most ardent fans is Mr. Julian Schnabel, who called the album the soundtrack to his life. “This record was the embodiment of love’s dark sisters: jealousy, rage and loss,” he said. “It may be the most romantic record ever made.”

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