Logic Pro - Apple Mac Pro Studio Software - Emagic
A$
699
$
534
A$ 699
Sold For
Jun 19, 2005
Sold Date
Jun 15, 2005
Start Date
1
Number Of Bids
AustraliaCountry Of Seller
eBay
Sold at
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Logic Pro 6
Up for auction:
Logic Pro version 6 for Apple Mac. Also i have previous versions authorised on the XS key for both OS9 & OSX, aswell as the final version 5 for windows too.
Version 6 Logic Pro has most of the major features found on the latest $1500 version! & way more features than the current Logic Express!
This software bundle includes:
- Version 6.4 Logic Pro - Apple Mac
- XS Key
Email if you have any questions.
Technical Specifications for Logic Pro 6
General
- High-precision 32-bit internal processing
- Event resolution:1/3840 note
- Tempo resolution:accurate to 1/10,000 bpm (0.05 to 9999 bpm)
- Customisable user interface
- 90 configurable screensets per song
- More than 800 user-definable key and MIDI commands for all important program functions
- Flexible, interactive edit window behavior
- Individually zoomable/resizable tracks
- Online help system
- Localised menus and multilingual interface
- Synchronised QuickTime video support
- Adaptive, self-configuring track mixer for MIDI and audio
- Comprehensive support for hardware controllers:Tascam’s FW-
- 1884, US-428, US-224; Mackie HUI and the HUI emulation of Yamaha’s DM2000/1000 and 02R96; MotorMix from CM; Roland SI-24; and Radical SAC-2k and SAC-2.2
MIDI
- Virtually unlimited number of MIDI tracks
- Real-time MIDI quantise, Groove templates
- Matrix editor, Event List editor, Hyper editor,Transform window
- Time Signature and Key Change editor
- Score editor:real-time notation, colored notes, step-time input window, professional layout and printout
- HyperDraw for all event types in Arrange, Matrix, and Score editors
- Sophisticated MIDI processing environment
- Touch tracks:live playing of folders and sequences
- Support for up to 128 MIDI input and output ports
- Full synchronisation options with MTC, MMC, SMPTE
Automation
- Sample-accurate, track-based automation engine for virtually every parameter including effect plug-ins and audio instruments
- Independence from sequencer record status
- Read, write, latch, and touch modes
- 32-bit automation data resolution
- Automated parameters are displayed with full name and value
- Color-coded automation data is displayed directly in Arrange window as envelope with breakpoints
- Breakpoints can be freely drawn, edited, and scaled
- Automation curves are freely adjustable between convex, concave, s-form, and linear shapes
- Automation data can be moved or copied with corresponding audio data or independently
Plug-Ins and audio instruments
- More than 50 effect plug-ins: delays, reverbs, distortions, dynamics, modulation effects, BitCrusher, Auto Filter, Enveloper, Spectral Gate, and more; new plug-ins include Phase/Clip Distortion, Denoiser, DeEsser,Tremolo, Stereo Spread, Exciter, SubBass, Limiter, Adaptive Limiter, and Multiband Compressor
- Up to 64 audio instruments for insertion of Emagic and Audio Units (Mac OS X) virtual instruments
- 15 inserts for plug-ins and 8 sends per audio instrument
- 3 new Emagic instruments:ESM (monophonic), ESP (polyphonic), ESE (for ensemble sounds)
- ES1, ES2, EXS24 mk II, EVP88, EVB3, EDV6
- Audio Units real-time plug-in support
- EVOC20 vocoder/filter bank package
- Sidechains for plug-ins and audio instruments
- ReWire2 support for ReBirth and Reason
Audio
- Audio resolution up to 24 bit/192kHz
- Support for up to 255 stereo audio tracks (multiple hardware support)
- High-end dithering with POW-r algorithms
- Hardware-independent audio scrubbing
- 8-channel surround mixing in any of 12 formats
- Comprehensive Channel EQ with 8 bands per track
- 15 FX inserts per track; 8 effect sends per track
- Audio input objects with 15 FX inserts and 8 sends
- 64 stereo busses for subgroups and FX returns
- 16 inserts per bus; 16 inserts per output object
- Bouncing with real-time effects
- Integrated Stereo Sample editor with Time and Pitch Machine II with formant correction, Audio to Score, Quantise Audio/Groove Machine, and more
- Cycle-recording for audio, quick punch on the fly
- Fit MIDI tempo to audio; Strip Silence function
- REX2 file support in Arrange window and EXS24
- OMF (Avid/Pro Tools) and Open TL import/export
- Dual access to host- and TDM-based plug-ins
Logic Pro Instruments
General
- 32 Bit sound engine for high-end sound quality
- Sample accurate playback timing
- Perfectly integrated into Logic’s digital mixer including full automation and access to all Logic effects
- Intuitive, ergonomic user interface
- Logic Control support
EXS24 mk II
General
- Up to 64 EXS24 mk II with up to 64 voice polyphony each*
- Integrated Logic stereo sample editor with loop editing
- Intelligent automapping of samples
- Flexible library management using hierarchical menus
Compatibility
- Reads AIFF, WAV and SDII with 8 to 24 Bit, 11 to 192 kHz
- Imports REX2, AKAI S1000/S3000, GigaSampler, SampleCell II and SoundFont 2 sample formats
- Provides an interface for the Vienna Symphonic Library Performance Tool
- Sound Processing per Voice
- Multimode filter (highpass, lowpass, bandpass) with adjustable slope, Fatness circuit for full bass response
- Simultaneous control of filter cutoff and resonance
- Filter may be switched off to increase polyphony
- Extensive modulation section with modulation source, destination and additional source to modulate amount
- 2 ADSR envelopes with key tracking and variable attack phases with linear or logarithmic curves
- 1 polyphonic LFO with decay/delay envelope, 2 monophonic LFOs run freely or in tempo-synced note values
- Analog feel, tuning and glide with pitch envelope
- Poly, mono or legato mode
ES2
General
- Optimised for Macintosh Velocity engine
- Up to 64 ES2 units each with up to 32 note polyphony
- Poly, mono and unison modes with Glide and Legato for automatic portamento
- Intelligent random sound programming with adjustable intensity and destination
Effects
- Adjustable, powerful distortion effect with soft and hard characteristics
- High-quality modulation effects such as chorus, phaser or flanger
Oscillators per Voice
- 3 Oscillators with classic analogue and 100 digital waveforms, plus noise
- Frequency Modulation, Oscillator Synchronisation, Pulse Width Modulation and Ring Modulation
- Dynamic Wavetable Scanning of the digital waves via freely selectable modulation sources
- Dynamic Vector control of oscillator mix and two additional, freely selectable parameters
Filters per Voice
- 1 multimode filter (N/BP/HP/LP/Peak) with overdrive
- 1 lowpass filter (12,18,24 dB) with filter FM and unique Fatness circuit
- Filters can be connected in serial or parallel modes
Modulations per Voice
- 2 ADSR envelopes with sustain time parameter, velocity can control level and attack
- 1 monophonic or polyphonic AD/AR envelope, velocity can control attack
- 2 LFOs with 7 waveforms
- LFO1 is polyphonic with key-sync, and offers its own decay/delay envelope
- LFO2 is monophonic, and can be synced to song tempo
- 10 freely definable modulation paths (20 sources and 30 destinations) with modulatable intensities
- 1 Vector envelope with 15 points, loop mode and adjustable tempo sync controls oscillator mix and two additional, freely selectable parameters
ES1
General
- Up to 64 ES1 units each with up to 16 note polyphony*
- Portamento with poly, mono or legato mode
- Integrated emulation of “classic” Chorus/Ensemble effects
- Variable simulation of analog circuitry
Per Voice
- Main Oscillator with 3 waveforms – saw, triangle, variable pulse wave with pulse width modulation
- Oscillator range from 2 to 32 feet
- Sub Oscillator with 5 waveform plus noise and external audio input via the side chain
- One monophonic LFO (can run freely or in adjustable bar/ beat values with sync to tempo)
- 6 LFO wave forms including stepped sine, sample& hold, smoothed sample&hold, triangle, up/down sawtooth as well as an input for an external audio modulation signal, LFO amount is controllable by the Modulation Wheel
- Ultra-fast ADSR envelope and Modulation envelope
- Modulations amount of both envelopes can be controlled via key velocity
- LFO and modulation envelope control via the modulation matrix: pitch, oscillator mix, puls width, filter cutoff, resonance, volume, filter FM and LFO amount
- Lowpass filter with resonance and adjustable overdrive, 3 filter slopes (12, 18, 24 dB) and fat filter mode
- The filter cutoff can be modulated by the main oscillator with frequencies in the audio range (filter FM)
- An external audio signal can be routed through the ES1 filter/ synthesiser engine
- ADSR envelope (for filter and amplifier) gate with release, gate with attack and release (amplifier)
EVP88
General
- 12 authentic realtime replications and variations of legendary vintage electric pianos
- Original dynamics faithfully reproduced
- Fully polyphonic over 88 keys, up to 88 voices (computer dependent)
- Stylish retro-look, with ergonomic controls for detailed sound adjustment
- Up to 64 EVP88 units simultaneously*
Models
- The tone generation is based on a detailed physical simulation. It includes the movements of the various electric piano reeds, tines and tone bars in the electro-magnetic fields of the pikkups. It also synthesises the transients of the attack phase, as well as the hammer action and damper noises.
- Fender Rhodes models: Suitcase Mark I, Stage Piano Mark I/Mark II, Bright Stage Mark II, Hard Stage Mark II, Mark IV, Metal Piano (variation), Attack Piano (variation)
- Wurlitzer models: Wurlitzer 200 A, Soft Wurlitzer, Funk Wurlitzer (variation) Hohner model: Electra Piano
Modifying Tonal Characteristics
- All parameter changes can be stored as programs
- Parameters for detailed sound editing: model, voices, tune, decay, release, bell, damper, intensity, stretched tuning lower/upper, warmth
- Full MIDI control of all sound editing parameters
Effects Section (Parameters)
- Extensive and authentic vintage effects with Equaliser (Treble, Bass), Overdrive (Gain, Tone), Phaser (Rate, Color, Stereophase), Tremolo (Rate, Intensity, Stereophase) and Chorus (Intensity)
EVB3
General
- Authentic, realtime emulation of the Hammond B3 Tonewheel Organ including a realistic emulation of the Leslie Rotor Cabinet
- Full polyphony, up to 195 Voices per EVB3*
- Up to 64 EVB3 simultaneously*
- Stylish, intuitive user interface
- Adjustable to single or multiple keyboard setups
- Parameter changes can be stored as Settings
Tone Generation
- Realtime Hybrid Component Modeling
- Detailed simulation of all electromechanical components of the original B3 tone generation, including key click noises and crosstalk
- Detailed parameter set to modify the characteristical properties of the B3 sound
- Drawbar control system provides over 250 million combinations, 12 adjustable drawbar presets per manual with preset morphing for upper manual
Sound parameters
- Upper and Lower Manual feature two sets of 9 drawbars with 9 settings each
- Bass Pedal features 2 drawbars with 9 settings each
- Parameter to control: Click, Click Color, Crosstalk, Random FM, Drawbar Leakage, Filter Age, Stretch Tuning, Transpose and many more
Effects
- Rotor Cabinet emulation based on classic cabinet models with Chorale, Brake and Tremolo modes, selectable cabinet, adjustable microphone position and motor control
- Scanner Vibrato (6 Types) with Chorus
- 3 band EQ and Reverb
- Wah Wah effect with 6 classic filter types
- Tube Distortion with 3 distortion types
- Rotor Cabinet, Vibrato and Tube Distortion are available as separate plug-ins
EVD6
General
- Authentic, real-time emulation of the Hohner Clavinet D6
- Various selectable instrument models
- Up to 24 note polyphony per EVD6 unit*
- Up to 64 EVD6 units*
- All parameter modifications can be stored as Settings
Tone Generation
- Realtime Algorithmic Component Modeling
- Detailed simulation of the original electromechanical
- D6 tone generation including string properties and pickup simulation
- Detailed control over of the sound characteristics when striking and releasing the Clavinet keys
- High-resolution controls provide precise control over string Decay, Release, Damping, Tension Modulation, Stiffness, Inharmonicity, Pitch Fall
- Graphical editing of the pickup positions
- 4 pickup configurations
- Stereo Spread control for Pickups und key position
- Rocker switches for Filter section with Brilliant, Treble, Medium and Soft settings Damper control
Effects
- 3 integrated effects with selectable serial effect configurations
- Integrated Phaser/Chorus/Flanger with adjustable Rate and Intensity controls
- Integrated Wah Wah with adjustable Range and Envelope (AutoWah)
- 6 classic vintage Wah Wah filter models
- Wah Wah filter cutoff controllable via MIDI controller
- Integrated Distortion with adjustable Compression, Tone and Gain controls
- Separate Logic effect plug-in including Wah Wah and Distortion with additional parameters
****Also Upgradable to the latest version 7.1 from Apple.
Good Luck!
price rating