LP JACK SCOTT-I Remeber Hank Williams (1960) STEREO NM

$

76

THIS VINTAGE, COLLECTIBLE ALBUM IS PART OF A LARGE & FABULOUS PRIVATE COLLECTION CONTAINING MANY RARE RECORDS IN REMARKABLY FINE CONDITION. I WILL BE OFFERING 100s AND 100s OF THESE CAREFULLY PRESERVED LP's OVER THE NEXT FEW MONTHS. MANY WILL BE UP FOR AUCTION BUT A MAJORITY WILL BE FIRST LISTED IN MY STORES WITH A 'BEST OFFER' OPTION. PLEASE BOOKMARK MY SELLER NAME - IBUYVINYL - AND CONTINUE TO WATCH FOR MY eBAY STORE LISTINGS AND AUCTIONS AS I WILL ADDING ALBUMS EACH WEEK. THANKS FOR LOOKING.

Jack Scott - "I Remember Hank Williams" in stereo on Top Rank RS 619 Harder to find in stereo. This is by far the nicest copy I've ever seen of this album.

If you'd like to know if a certain song is on the album, e-mail me and I'll let you know if it is or isn't but please don't ask me for a track listing as I don't have the time to provide that. For many albums, the All Music Guide website (allmusic.com) gives a track lisitng.

Record Grade: Near Mint

Cover Grade: Mint-

Labels: Gold and white with red logo

About the Artist: by Bill Dahl

Jack Scott sounded tough, like someone you wouldn't want to meet in a dark alley unless he had a guitar in his hands. When he growled "The Way I Walk," wise men (and women) stepped aside. Despite his snarling rockabilly attitude, Scott hailed from Ontario, Canada, and grew up near Detroit, developing a love for hillbilly music along the way. His first sides for ABC/Paramount in 1957 exhibited a profound country-rock synthesis, and after moving to the Carlton label, Scott hit the charts the next year with the tremulous ballad "My True Love," backed by his vocal group, the Chantones. Flip it over, however, and you have the hauling rocker "Leroy," all about some wacked-out tough guy who's content to remain behind the bars of his local jail. Scott's pronounced emphasis on acoustic guitar distinguishes atmospheric rockers like "Goodbye Baby," "Go Wild Little Sadie," "Midgie," and "Geraldine." But his principal pop success came with tears-in-your-beer country-based ballads — "What in the World's Come Over You" and "Burning Bridges" were massive smashes on Top Rank in 1960, and he recorded an entire album's worth of Hank Williams covers for the firm the same year. Born in Windsor, Ontario, Scott (born Jack Scafone, Jr., January 28, 1936) moved to a town on the outskirts of Detroit, MI, when he was ten years old. At the age of 18, he formed the Southern Drifters and after leading the band for three years, he signed to ABC as a solo artist in 1957. Over the next year, he released a handful of singles for the label before moving to Carlton Records the following year. His double-A-sided debut for Carlton, "My True Love"/"Leroy," became a huge hit, with the first song peaking at number three and the latter at number 11; it also became a Top Ten hit in England. During the next two years, Scott had a number of minor hits for Carlton, highlighted by the number eight hit "Goodbye Baby" (fall 1958). On most of these tracks, the Chantones provided vocal support. Late in 1959, he switched labels, signing with Top Rank. His first single for the label, "What in the World's Come Over You," became a number five hit early in 1960. It was followed a few months later by another Top Ten hit, the number three single "Burning Bridges." The pair of singles were his last major hits, and over the next two years, his singles progressively charted at lower positions than their predecessors. Early in 1961, he signed with Capitol Records, but none of his three singles made the Top 40. Scott continued to vacillate between cowboy crooner and rough-edged rocker throughout the remainder of the '60s and '70s, recording for a variety of labels, including Groove and Dot. In 1974, he managed to have a minor country hit with his Dot single "You're Just Gettin' Better." During the '80s and '90s, Scott occasionally turned up on the oldies circuit, still looking and sounding like a man you seriously didn't want to mess with.

Many of the albums which are being offered are nearly impossible to find in any condition and many of these albums could possibly be the finest examples that survive today. The collection was carefully assembled over a long period with attention to quality and detail. The opportunity to acquire these excellent do wop, R&B, rock 'n' roll, blues and soul albums might not arise again for many years if ever.

MY GRADING SYSTEMS: I’ve been told that I grade conservatively. My NM (near mint) is my highest grade for opened records (which would also include unplayed records). It’s a 9 or 10 on a 1-10 scale. M- would be equivalent to an 8; VG++ to a 7; VG+ to a 6; VG to a 5; VG- to a 4; G to a 3; F to a 2 and P to a 1. The same scale applies when I grade covers (jackets). Significant defects are specifically noted and taken into consideration in the grade.

GRADING DESCRIPTIONS

• GRADING Grading is based on the following criteria
• Sealed = store stock new
• Near Mint = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
• Mint- = extremely nice. Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
• VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially effect play
• VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
• VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
• VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
• Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
• Fair = you’re getting this record just to own but not to play
• Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

  VISUAL GRADING: All records are visually graded only unless I state that they are play-graded. Some major labels were pressed on better quality vinyl and will sound better than a record which visually appears the same on "budget" labels which were pressed on lower quality vinyl. Recording techniques also varied. The sound on live albums may be far inferior to studio recordings. There may also be defects in the pressing which are invisible. The point is that an album on a high quality label that was visually graded VG+ may sound better than an album on a budget label that was visually graded Mint- or even Near Mint. Please refer to my return policy, below. But please don’t be shocked if a record visually graded Near Mint doesn’t sound state of the art. If I base my grade on a PLAY GRADE, I will state this specifically in my grading section.

  COVERS: There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines:

  • I will give greater weight to the condition of the front cover than back cover when assigning an overall grade
  • No cover with a cut out hole or saw mark will be graded Near Mint even if it is still in factory shrink and there is no other wear
  • I will not reduce the grade of a cover for stickers which are glued to the jacket by the record company (eg. Contains the hit song Expressway to Your Heart); but will reduce the grade for stickers glued on the cover by stores, previous owners, etc.
  • If I write that a cover has a bb hole, I’m talking about a small cut out hole
  • A saw mark is a narrow cut in the perimeter of the cover, could be anywhere and vary in length from 1/2” to 2” at the most.
  • The overall grade takes into consideration any stated defects. For example, if I grade a cover VG+ and then state it has 6” top and bottom seam splits - I’ve already reduced the grade because of the seam splits. If the seams weren’t split, the cover would be graded higher such as VG++ or Mint-.

    Shipping Costs: NEW SHIPPING RATES AS OF MAY 14, 2007.

    The buyer pays for shipping. For one or two (one disc) albums, the cost for priority mail in the United States is $7.50 ($9.00 if you live in zip codes beginning with '8' or '9'). For media rate postage within the U.S. the cost will be $4.50 for one or two albums. Double albums count as two.

    The cost for shipping a 7” record via 1st class is $3.25 and the cost for shipping a compact disc via 1st class is $3.50.

    Save money when I mail 2 or more records in the same package.

    Insurance is optional for purchases of $10.00 or more shipped within the U.S.but it is highly recommended for “high ticket” purchases. Insurance is available only on purchases of over $50.00. The cost for insurance is $1.30 for up to $50; $2.20 for up to $100; $3.20 for up to $200 and $1.00 additional for each additional $100 of insurance. Rates are quoted in my winning bid notices.

    The shipping charges for box sets, multi-record sets and other items of non-standard size and weight will be quoted.

    International Shipments: Overseas customers are welcome to bid. Postage WORLDWIDE (except Canada) for First-Class International is $14.00 for a one-record album. 7“ records (45's) are $6.50 for First-Class International anywhere in the world. CANADA- Postage for First-Class International for a one-record album is $7.50 and for a 45 r.p.m. record is $4.50. Surface mail is no longer available for overseas. Express Mail International and Priority Mail International is available - rates are substantially higher and will be quoted for each purchase if buyer requests this service. Express mail international is recommended for high end purchases because this service assigns a tracking number to the shipment. Save on shipping cost per record when I mail two or more records in one package.

    SHIPPING - "HIGH END PURCHASES" - PLEASE READ CAREFULLY -

    As I'll be listing and shipping many highly collectible and valuable albums in the coming months, standard shipping rates do not apply to expensive purchases. This is both for your benefit and mine. Here are the changes and additions:
    1. All shipments within the U.S. over $500 must be insured (under $500, insurance is still optional).
    2. All shipments of records totalling over $1,000 sent overseas will be mailed REGISTERED; while the postage costs will be substantially higher, this should ensure safe delivery of these valuable items
    3. All packages where the purchase exceeds $1,000 will be double boxed. This applies to both domestic and foreign shipments. Shipments within the U.S. may be sent either via priority mail or media rate - the choice is up to the buyer. All overseas shipments must be sent via airmail.
    4. The postage charges for these "high end" shipments will be the actual cost plus an approximate 20% mark-up to cover the cost of packing supplies and handling.

       Please check out my other eBay auctions

       . I’ve been listing all types of records - mostly LP’s - including 50’s and 60’s rock ‘n’ roll, country, folk jazz, blues, personalities, new wave and punk, surf, psych, spoken word, comedy, etc., etc....... I try to list unusual, unique or obscure records, not the ones that you see all the time. While a majority of my listings are albums, you’ll often find a nice selection of 45’s, EP’s or picture sleeves...and an occasional 78 or two.

       My return policy: I don’t get many returns but customers are important to me so I like to offer a relatively hassle-free return policy. However, in order to return the record or other item, you must notify me by e-mail of your intent shortly after your receipt of the record or other item and within a reasonable time after the auction’s close. Also, the item must be returned in its original condition , i.e. the way it was shipped when it left my hands. While a very high percentage of my records arrive safe and sound (I use professional mailers and a filler or two, more for 78’s), they occasionally are damaged in transit. If that happens, I won’t accept the return of the record or other item - that’s why you have the option of obtaining insurance.

       My Feedback Policy: I'll be glad to return positive feedback if you would be so kind to leave me same.

       Any other questions? About anything? Please e-mail me at ibuyvinyl@nc.rr.com .