LOU REED ROCK 'N' ROLL ANIMAL RARE ORIGINAL 1974 RCA PROMO LP SHRINK NR MINT
$
101
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· LOU REED - ROCK'N'ROLL ANIMAL - ORIGINAL 1973 RCA RECORDS STEREO LP APL1-0472
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL EMBOSSED STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL ORANGE RCA LABEL
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· CLEAN, WEAR-FREE LABELS
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 6.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here for the complete album listing).
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In 1974, after the commercial disaster of his album Berlin, Lou Reed needed a hit, and Rock N Roll Animal was a rare display of commercial acumen on his part, just the right album at just the right time. Recorded in concert with Reed's crack road band at the peak of their form, Rock N Roll Animal offered a set of his most anthemic songs (most dating from his days with the Velvet Underground) in arrangements that presented his lean, effective melodies and street-level lyrics in their most user-friendly form (or at least as user friendly as an album with a song called "Heroin" can get). Early-'70s arena rock bombast is often the order of the day, but guitarists Dick Wagner and Steve Hunter use their six-string muscle to lift these songs up, not weigh them down, and with Reed's passionate but controlled vocals riding over the top, "Sweet Jane," "White Light/White Heat," and "Rock 'n' Roll" finally sound like the radio hits they always should have been. Reed would rarely sound this commercial again, but Rock N Roll Animal proves he could please a crowd when he had to.
(EXCERPT FROM AN ONLINE REVIEW BY MARL DEMING, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
TO SEE IF WE HAVE OTHER ITEMS BY VELVET UNDERGROUND ► CLICK HERE
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TO SEE IF WE HAVE OTHER LISTED ITEMS BY LOU REED ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy, vinyl, but not the thickest, most rigid vinyl, either.
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING)
The following flaws or imperfections are noted on the cover:
- Minor shelf wear noted on the bottom seam and opening side (nothing significant)
- Cover has a few tiny wrinkles along the spine (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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