LONNIE SMITH w/LEE MORGAN TURNING POINT RARE ORIG '69 BLUE NOTE LP RVG NR MINT

$

35

    
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·       LONNIE SMITH with LEE MORGAN, MELVIN SPARKS AND OTHERS – THE TURNING POINT - ORIGINAL 1969 BLUE NOTE RECORDS STEREO LP BST-84313

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'A DIVISION OF LIBERTY RECORDS INSCRIPTION ON THE LABEL (NOTE: THIS IS THE ORIGINAL PRESSING OF THIS TITLE, AND NOT A REISSUE)

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·        CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Most Blue Note soul-jazz albums from the late '60s went one of three ways: it either was a straight-ahead commercial session, a slightly psychedelic outing, or a funky workout with a vague "Black Power" theme. Dr. Lonnie Smith had followed the latter path with Think!, the predecessor to Turning Point, and there are still remnants of that style on this session, particularly in the opening cover of Don Covay's "See Saw." Nevertheless, Turning Point is a more adventurous affair than Think!, finding Smith -- as well as trumpeter Lee Morgan, trombonist Julian Priester, guitarist Melvin Sparks, tenor saxophonist Bennie Maupin and drummer Leo Morris -- exploring territory that isn't quite free, but is certainly more "out there" than the average soul-jazz session. In particular, Smith's originals "Slow High" and "Turning Point" reach the outer edges of the style, playing with dissonance, complex melodies and expansive sound structures. Despite all these free flourishes, Turning Point remains a soul-jazz record and it has all the trappings of its era -- the take on "Eleanor Rigby" finds the group approximating psychedelia. While the more adventurous elements of Turning Point make for an intriguing listen, the album isn't quite as enjoyable as the harder grooving sessions or the spacier soul-jazz records from the same era. Nevertheless, it's a worthwhile listen.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(c)             The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(d)          Mono copies of this album are NOT known to exist.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.   Yellowing is also noted on the INSIDE gatefold

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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